Legacy Defined: Smif-N-Wessun’s Infinity Blends Soul, Grit, and Elite Lyricism

On Infinity Smif-N-Wessun cement their legacy as Hip-Hop Hall of Famers, proving they’re still performing at the highest level. Delivering profound bars over 9th Wonder and the Soul Council’s production, this collaboration is a masterclass crafted for purists. The opening track, “Infinity,” samples a KRS-One line: “We will be here forever,” encapsulating their history and enduring presence in the game. “Moses Promise” features Steele and Tek trading verses, spitting wisdom over a soulful beat. Meanwhile, “Namaste” finds them reflecting on the pursuit of love and a brighter future. The bouncy “Medina,” backed by a children’s chorus, sees Pharoahe Monch delivering a razor-sharp verse, detailing warfare tactics with precision. “Black Eminence,” featuring the late Prodigy of Mobb Deep, pairs earnest verses with an R&B-inspired groove. “Chuuch,” featuring Jalisa, is a conscious and thought-provoking anthem, offering reflection and inspiration for overcoming unjust conditions. The 9th Wonder-produced “Enjoy Ya Life” combines energetic drums and a spirited chant, creating a sonically uplifting vibe. “Shine,” featuring Ralph Tresvant, showcases the duo trading bars over Tresvant’s harmonic melodies. The Jodeci-inspired “Just Stay,” featuring Conway the Machine, finds the trio delivering raw, heartfelt lyrics over a smooth, soulful backdrop. Another standout, “Heard About Me,” features the late Sean Price and Maverick Sabre, adding depth and intensity to the album. Infinity is a stellar contribution to the hip-hop ethos, with elite production from 9th Wonder and the Soul Council, paired with sharp, insightful lyrics from Steele, Tek, and their guests. The album is cohesive, blending soulful grit with contemporary relevance, taking listeners back to the essence of hip-hop while remaining fresh and forward-thinking.

Harlemite and Hip-Hop Veteran G Dep Performs New Album “Lessons Never Losses,” at I9ine Bistro in the South Bronx

(Photos by @Rawnyc) On Friday, February 28th, Harlem-born hip-hop artist and veteran G Dep performed his new album, Lessons Never Losses, at I9ine Bistro in the South Bronx. This marks G Dep’s first album since being released from prison, where he served 14 years of a 15-year sentence for a robbery that tragically resulted in the death of John Henkel who was shot in chest in 1993. G Dep, whose real name is Trevell Coleman, turned himself in for the crime in 2010, seeking to clear his conscience. In 2024, he was granted clemency by New York State Governor Kathy Hochul, allowing him to return to society and his music career earlier than expected. The listening party for Lessons Never Losses was a celebratory event, attended by a mix of influencers, family, friends, and longtime supporters. G Dep, also known as “The Deputy,” performed the entire album live, showcasing his resilience and growth as an artist and individual. The album’s intro, “Exodus,” sets the tone for the project, focusing on overcoming obstacles and embracing a brighter future. This theme of redemption and personal evolution resonates throughout the album. Some standout tracks include: “How Can I”: A soulful track that samples Lisa Fischer’s 1991 classic “How Can I Ease the Pain,” G Dep reimagines the song to convey how he provides comfort despite his own sorrow and struggles. “That’s the Old Me”: A reflective and catchy tune where G Dep sings on the hook, emphasizing his personal growth and transformation. “Highly Motivated”: A track that highlights his faith and determination, produced by G Dep himself. “Put That on a Shirt” : A creative and entrepreneurial anthem where he shares his hard-earned wisdom and lessons through merchandise-inspired lyrics. The album’s production is cohesive featuring contributions from various producers. Despite being incarcerated for over a decade, G Dep’s cadence, and delivery remain sharp. The event was a triumph, with attendees getting an exclusive first listen to the album before its official release on all major streaming platforms on March 4th. G Dep’s gratitude and faith were palpable as he raised a glass of champagne to celebrate the occasion, embodying the lessons he’s learned through his losses. As he often says, “Praise the Creator,” a testament to his spiritual journey and newfound freedom. Lessons Never Losses is another special delivery for G Dep.      G Dep performing music off his album Lessons Never Losses.  ( Photos by @Rawnyc).  

“Crash The Industry”: Hip-Hop Show Spotlighting Legends and Rising Stars

Mr. CEO, Shanti Mann interviewing  acclaimed producer Amadeaus on ” Crash the Industry.”   “Crash The Industry,” the innovative hip-hop series created by Shanti Mann (aka Mr. CEO) and executive produced by his wife, Queen Nat, is making waves in the entertainment world. Filmed at BronxNet’s state-of-the-art studios in the heart of the Bronx—the birthplace of hip-hop—the show offers a unique blend of inspiration, education, and entertainment by spotlighting the journeys of both established icons and rising stars. The series delves into the behind-the-scenes stories of individuals who have “crashed” their way to success across various industries, from music and fashion to entrepreneurship and politics. By featuring a diverse range of guests, including record executives, politicians, rappers, singers, and designers, “Crash The Industry” provides a platform for voices that might otherwise go unheard. A standout feature of the show is its “Pass the Torch” segment, where seasoned professionals mentor emerging talent, creating powerful moments of wisdom and opportunity. This segment underscores the show’s mission to bridge the gap between legends and the next generation of stars. Since its debut, “Crash The Industry” has already hosted an impressive roster of guests. Legendary Bronx-born producer Amadeus, known for his work with J.Lo and French Montana, shared his insights, while Kim Osorio, Executive Producer of “Love & Hip Hop” and “Black Ink Crew,” offered her expertise. Hip-hop heavyweight Agallah The Don also made an appearance with his rising protege M. Tundra.   The next wave of  artists like Maury Haze, Nay Blanco, TDI Musik, and Keen Streetz, who is signed to Jim Jones’ Vamp Life Records have also made appearances.  The show’s dynamic format keeps audiences engaged with live performances, fashion shows, comedy stand-ups, and deep dives into industry trends. Aspiring artists, entrepreneurs, and creatives are encouraged to submit their bios and performance-ready tracks (clean versions, MP3/MP4) to crashtheindustrytv@gmail.com for a chance to be featured. For exclusive behind-the-scenes content, follow “Crash The Industry” on Instagram (@crashtheindustry_tv) and YouTube (Crash The Industry TV). Tune in every Saturday at 6:30 PM on www.Bronxnet.org to catch the latest episodes and witness the fusion of hip-hop culture, mentorship, and innovation.        

NEMS Levels Up to a Higher Plateau with his album America’s Sweetheart

At first NEMS is challenging to figure out. At one end he is joking on folks on his Instagram posts, and spitting menacing disrespectful bars, as he yells “Fuck Your Life.” But the more you hear his music, you notice there is teddy bear quality to him. As he expresses his vulnerabilities, such as the pain of the death of his father due to AIDS on “Keep on, “on his last album Rise of the Silverback. And the murder of his two cousins on the track “Cousins,” on his 2021 release Congo. You get different layers from him; sensitivity, intelligence, pain, and humor.  His latest album “Americas Sweetheart” which was cleverly marketed and dropped on Valentine’s Day is fitting. As on the album cover, he is smiling but also delivering two middle fingers. The great sarcastic contrast. It is like a Larry David episode, you do not know what he has gotten in store next. Some might confuse Nems as a childish antagonist, but he is difficult not to love. His talent and respect for the craft of hip hop is undeniable. He makes you want to root for him. And root they do on the lead single “Go Fat Boy,” which is an underdog head nodding anthem. The production is solid throughout, serving as a  proper backdrop for his calculated lyrics. Tracks like “CTE, “is bar heavy, and “My Side,” featuring Millyz out of Boston is catchy as the chorus steals the show.  While “Gunther,” is a hilarious toxic exchange with a woman who has gotten to his very last nerve, as he showers her with the opposite of compliments.  And “Coney Island Part 1 or 2,” is dedicated to his neighborhood, which is known for its amusement park, beach, and history of professional basketball players.  “God’s Hands,” has him reflecting on his hurdles and thanking his blessings,  while “Afuera,” is a heat rock with Tony Touch as they exchange urban slang expressions in Spanish and will be a warm weather anthem and played heavy at the New York City Puerto Rican parade. The closing track “Viral,” shows a focused Nems emphasizing his goals, as he avoids any pitfalls or distractions on his way to higher plateaus.   On America’s Sweetheart NEMS continues to level up, as Coney Island’s Mayor is expanding his grasp through America and Beyond. But there is nothing sweet about his barz, Go Fat Boy! 

The God Emcee Rakim Starts Financial Technology Company Notes

The God Emcee Rakim has started a new financial technology company powered by Artificial intelligence, called “Notes.” Known for his lyrical mastery and showmanship in his performances, Rakim is now using his celebrity to give back to creatives who may not have the resources to fund their projects. The fintech company aims to provide funding and financial literacy for creatives so they can make and sustain their work.  The press release  from  company  states, “This innovative financial technology and AI-powered platform merges ‘music, money, and knowledge’ to address the unique challenges faced by independent urban music artists and creators, redefining access to capital to fund their creative projects, while providing financial literacy, and entrepreneurial and music business education to build sustainable careers. ” “Notes is designed to empower these creatives with financial independence while retaining control over their careers in an industry often marked by exploitation.” The Notes company provides membership-focused access, connections to loan and credit providers for access to capital, AI-powered financial literacy and entrepreneurial education content, and an exclusive “Ask RA” feature, an AI voice assistant and agent in the iconic voice of RAKIM purpose-built for independent urban music artists and creators. “Independent urban music artists and creators often struggle to gain financial stability despite their market impact,” RAKIM says. “With Notes, we’re building a community- and lifestyle-driven platform that combines cultural connection, technology, and empowerment to give them the tools they need to thrive.” The platform is poised to expand its offerings, introducing business banking and debit cards, P2P payment services, cryptocurrency solutions, and other features to drive deeper engagement and long-term user value. Independent urban music artists and creators can join the waitlist to be notified when Notes is available for early access at www.notestechnology.com.

Reunited: Snoop Dogg’s  “Missionary,” Album Review

Snoop Dogg and Dr. Dre will forever be figuratively attached to the hip. The success of Dre’s epic 1992 LP(Long Play), The Chronic, showcased the then-young Snoop’s distinct and stylish flow, with stand out verses on “Nuthin’ But A “G” Thang,” and “F*ck Wit Dre Day.” The following year, Snoop’s debut Doggystyle helped solidify the West Coast’s emergence on the national hip-hop scene. Over 30 years later, Snoop’s Missionary LP,  is the closest fans will get to Dre’s signature stadium sound on an entire album. While this LP does not have the mystique of the long-anticipated and unreleased Detox, and has its moments of braggadocios commercialism, overall it’s sonically pleasing, and experiments with various genres while keeping Snoop’s signature sound intact. The thumping “Outta Da Blue” highlights Snoop and Dre exchanging bars over invigorating production. On “Hard Knocks,” Snoop describes his penchant for defying the odds and overcoming hurdles to reach the finish line and remain in the winner’s circle. The Tom Petty and Jelly Roll-assisted “Last Dance with Mary Jane,” presents a refreshing merger of country and hip-hop. While this might not be what hip-hop purists expected, it’s a delightful fusion. And “Another Part of Me,” featuring British rock star Sting, is a feel-good track that makes you appreciate the present, especially with Sting’s lyrics, “There’s no better time than today.”   Snoop and Dre together on an album is exactly what fans wanted and what hip-hop needed. It shows that some brotherly bonds are unbreakable, and the people you started your career with will always have an influence on you. If you’re fortunate enough, you can come back years later with a more worldly and mature perspective and do it all over again. The album title is a clever play on words, as Missionary refers to both a sexual position (a nod to Snoop’s Doggystyle) and the idea of a missionary—a charitable hero, whose mission is accomplished. And there you have it—mission accomplished, fellas! In a world of ever-changing sounds, Missionary reminds us that some musical bonds are timeless, and Dre and Snoop are still at the top of their game.   Words By David Lopez

The Consequences of Meeting Rapper Consequence

Me and Consequence the day we recorded “Hip Hop Unpacked,” podcast. Damien DWI Williams,  Caiden the Crown Holder, and Consequence May, 2023 at listening party for earlier version of Nice Doing Business With You. I attended a listening party in May 2023 for Consequence’s studio album “Nice Doing Business With You,” at Platinum Sound Recording Studios in New York City. It was a fan’s, writer’s, and media coordinator’s delight. Here I was, getting an early listen to the album from one of the premier songwriters of our time — someone who has worked with Kanye West, Beyoncé, and a member of arguably the greatest hip-hop group of all time, A Tribe Called Quest. I took a liking to the album, with heat rocks including the Amerie-assisted “Blood Stain,” and a witty track that spoke to the difficulty of co-parenting with Sheek Louch, “Baby Moms.” He also provided social justice content on tracks like “Who Shot Jamal,” with his son Caiden the Crown Holder, which describes the impact of gun violence in inner-city communities, and a feature from Chuck D on “What Has America Done for Me?” which dives into effects of slavery and the history of racial oppression in the United States. The album felt necessary. It’s hip hop — entertaining, but also filled with commentary that challenges the status quo and moves the conversation toward change. You can imagine the joy I felt on Friday, September 27th, 2024, the day the actual album dropped — a whole year and four months after that listening party in New York City. I was hyped, finally going to listen to the official album from one of NYC’s elite emcees, an artist I had sung along to as a teenager on his epic standout appearance on “Stressed Out” off ATCQ’s “Beats, Rhymes, and Life,” album. This excitement turned into disappointment when several of the songs I heard weren’t on the album. I felt cheated. Hearing the album, which on first listen felt more R&Bish than the version I heard with several singing choruses gave me more New Edition vibes than Hip Hop, and had me confused. I shared this confusion with a well-respected media friend, and he shared that with Consequence. It was relayed to me that the Queens rapper respected my thoughts about the missing songs and that a deluxe version was actually coming out in a few weeks with some of the tracks I heard at listening party. He connected me to the rapper and  Consequence himself wanted to personally show me the video for the track with Chuck D, “What Has America Done for Me,” which will be included in the deluxe version of “Nice Doing Business With You.” And this is how I set up my first podcast interview ever with the illustrious Consequence. I asked my good friend Damien “DWI” Williams, to co-host, he is known as the pioneer of podcast production in hip-hop circles in New York City, and he provided his studio to watch the “What Has America Done for Me” video and interview Consequence. It had been a while since I interviewed anyone in person, and it was my first time having it recorded. I was a little nervous. I’m good at preparing questions and passionate about writing and booking artists for other radio shows, but I was not sure how I’d do on a podcast. I came up with the name of the pod the day before we recorded, “Hip Hop Unpacked,” because I wanted to create a podcast in which I delved deeper into the root and inspiration for creating hip-hop. Consequence showed up to the pod, and we were ready to rock. We spoke briefly, and I asked why the album took so long to be released, considering I had heard a version of the album in May 2023. He explained that he was taking his time to get the right distribution for the album. My follow-up question was, “What happened to all the other songs I heard at that listening party that didn’t make the album?” He said he would be releasing the deluxe album within a few weeks, with songs like “Who Shot Jamal” and “What Has America Done for Me.” Then he showed me the video for that song featuring Chuck D. The video is moving — an exposé of the atrocities and inhumane treatment given by the United States power structure to African Americans. We spoke with Consequence for an about an hour about different topics including the health scare he endured with lupus and diabetes, and how he had to change his diet which altered his outlook on life. He even selected an album cover to show him in a successful, celebratory state in a Maybach, wearing a Rolex, to show him living life fully when just a few years ago he was concerned about surviving. I quickly learned how passionate he is about his art. He recited his lyrics when explaining the meaning of songs like “Overdose.” On the track that features YNW Melly, you can hear the pain he lived through during the 80’s crack era. The album is full of mature content that makes you think about the effects of drug abuse, mass incarceration, and relationship struggles. I’m happy to see Cons get this moment. He has always been hungry and talented, but on this new album, he finally gets to shine as a solo artist as he and his son are the only ones who rap on the entire album. During the podcast interview, we spoke about how much his cousin Q-Tip liked the project, and how he had a full-circle moment — close to 30 years in the music business, and getting praise from his cousin was like Coach K awarding him the championship. After better understanding the challenges he’s overcome, and discussing his growth as an artist and human being, Cons is hard to root against. He’s tackled life, music industry hurdles, and is still competing for his proper place in the hip-hop pantheon. And next up for him is

The Impact Kendrick’s “Not Like Us,” has had on Pop Culture

Kendrick Lamar’s “Not Like Us,” and its references have appeared in TikTok dances for middle school proms, marching bands, and even utilized  by a weatherman. The  hysteria has consumed popular culture, creating a line in the sand on what’s authentic and what’s disingenuous . With Kendrick’s “The Pop Out,” concert in Los Angeles on Juneteenth, the entire West came out to support and give resistance to Drake’s claim that he got more love than K. Dot in his own city. When Doctor Dre whispered “ I see Dead People,” over the DJ Mustard produced hit, and NBA Basketball star Russell Westbrook and YG danced all over the “ Not Like Us,” set which he performed five times for good measure. Hip-Hop fans understood we were witnessing Drake’s public crucifixion and funeral. In an article I published on May 5th for Diggiwaxx,https://digiwaxx.com/drake-vs-kendrick-whos-ahead-on-the-score-card/ I had this mega battle with Drake and Kendrick Lamar being close. At the time I had Drake’s “Family Matters,” as the best song in the combat exchange. And though I knew K. Dot came on strong with four songs in one week. I felt like Drake won points for seeming more truthful. Kendrick’s accusation of Drake having a daughter and being a pedophile had no supporting evidence and I felt at the time it came across as a desperate attempt to defame Drake. My article  did not age as well as I anticipated.   The  public and internet declared  Kendrick as the decisive winner. The impact of “Not Like Us,” changed everything for Drake and the outcome of this battle. So the question is what is it about “Not Like Us” that made it such an anthem and viral sensation? Here are 10 reasons I mustered up, get it ( DJ Mustard). Ha Ha, I crack myself up sometimes, lol.  DJ Mustard gifted Kendrick a taunting piano chord that was the perfect backdrop for Kendrick’s expose of Drake’s fraudulent ways.  Kendrick picked Drake apart by highlighting his close proximity to Atlanta rappers for cultural acceptance, even going so far to call him a “colonizer.” The “Ov Ho”side to side dance is hilarious. The clever connections to Karl Malone, Tekashi 69, and Bill Cosby all either guilty or accused of inappropriate sexual assaults on women is genius. The line about beating Drake and hiding the Bible if God was watching has shock value that only elite emcees can bring to the table . He lived up to certified boogeyman mystique, Kendrick is not one to play with. “Not like Us, “becomes an anthem, at a perfect time while people are outside, the summer. It felt like we got more music from K. dot in a week than we got all of 2024. Just when Drake was looking like Thanos, K.Dot not only stole his thunder he sent him to Hip- Hop exile for the foreseeable future. K. Dot utilized the diss moment at ” The Pop Out” to unite the West Coast gangs in a sign of celebration and  unity. It feels good to finally admit my wrongs, and to see what the majority saw quite early on. Kendrick  created a significant hip hop moment, highlighting Drake for clout chasing artists when beneficial, and unified what seems like the entire world in ensuring the rapper who created the song “God’s Plan,” was instead destined to be exposed as a “liar.” Drake is as quiet as a church mouse these days with music right now, let’s see if he can reincarnate out of the  pet cemetery Kendrick Lamar buried the For All The Dogs  pop Star in.   By David Lopez Follow on Instagram @DLopez_718

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