Lola Brooke feat. Jeremih; “No One Else” Music Review

Ohhhhhhhhhhh, #MYCreatives the HOT STREAK CONTINUES for your Neighborhood #RugerSprayyyyyer and Social Dw33b of Hip Hop!!!! This time, I’m doing the latest review of Lola Brooke and Jeremih’s latest HOT TRACK!!!! Lola Brooke and Jeremih just dropped their new track called; “No One Else” and it’s the smooth blend of street and R&B vibes we didn’t know we needed. Lola, known for her gritty Brooklyn flow, does what she does best here — talk her talk, unapologetically. She’s got that confidence in her verses, spitting something soulful, and her “get the mood” right bars that show she’s not waiting on anyone to make her feel good. It’s all her, all day!!!! Jeremih, on the other hand, slides in with those signature silky vocals that we’ve come to love from him. His hook brings that sexy, late-night vibe, making the track perfect for a mix of chilling and vibing. The contrast between Lola’s hard-hitting, as well as soulful delivery and Jeremih’s smoothness is a win, creating this dope balance that keeps you coming back to the track. I had the opportunity to sit down with the Brooklyn Native, to really find out the scoop on the music video: Overall, “No One Else” is that joint you’ll have on repeat, whether you’re cruising through the city or just kicking back. Lola Brooke’s aggressive energy paired with Jeremih’s laid-back charm? Yeah, that’s a combo that works. Juuuuuuu’alreadyyyyy Know #MyCreatives, ON TO THE NEXT!!!!! Follow Me on Social Media: Instagram: https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: ReemoMeerak1@reemomeerakbrand.com Shop The Merch: https://reemomeerakbrand.myshopify.com

Times Are Changing in Hip Hop Music, and She Real is NEXT!!!!!

She Real: “I Don’t Rap About My Pussy” Album Review     In this Hip Hop Culture, and the Hip Hop Music within it comes a lot of layers that many don’t understand of why an omega talented artist would struggle or rather go through a very not needed difficulty of process to make a successful career. Also, for Female MC’s like our guest and featured artist whom now has a Triple Headed monster to deal with all because “She Don’t Play The Game” or just flat out doesn’t allow her immensely high level talent to be compromised with tomfoolery and fluff just for the sake of appeasement, and down right mediocre effort being rewarded. The L.A. transplant native by way of HARLEM, NYC (Born and Raised majority of her life) was rippin’ the NYC Independent Circuit, and I’ve met her during my early years in Media around 2014. The fact that NYC didn’t push her as much as we should have is blasphemy AF, and just downright awful to make the things difficult for her. Unfortunately, the case for a very talented MC like her to go through a litany of tomfoolery and fukery that would make the average person crash out and just give up on their dreams entirely. She Real took her talents west to L.A. and since that time continues to lace the culture with her presence and overall impactful skillset.  I have a sit down with her about her upcoming project, and 9th Studio Album; “I Don’t Rap About My P_ssy!!!” How do you feel about your brand and music so far in 2024, and how do you want to close the year? SR: My brand voice is both deeply personal and empowering, focusing on resilience, transformation, and using music as a channel to overcome pain. I use musical storytelling to share a narrative of personal struggle and recovery, aiming to inspire others facing similar challenges and connect with them on a personal level. I also strive to reflect contemporary issues and highlight the experiences of Black and Brown communities. Showcasing my natural afro hair is a defining aspect of my visual identity. My clothing style features a blend of Kung fu gees and Hip Hop attire, merging cultural influences with urban aesthetics. I do believe I am Hip Hop’s the last dragon like Bruce Leroy lol. My reputation is built on my dedication to my craft and work ethic. I’m here to uplift my people. My values shine through in my commitment to inspiring others and openly sharing my journey. As I wrap up the year, I plan to uphold and showcase my brand through my relentless hustle and dedication to my music. I aim to demonstrate that women deserve a prominent place in the conversation, showing that we can craft compelling stories and deliver impactful messages with exceptional lyricism and captivating cadences. Not all women need to resort to hyper-sexualization to succeed in music!!! It seems in 2024, the switch that a vast majority within the Hip Hop Culture have been begging for occurs with Lyricists and Conscious MC’s coming out with bangers and high quality albums. What do you feel is the cause of this, and what part do you feel your contributions will take effect in this surge? SR: History often repeats itself, and the music industry has seen a surge in party-themed tracks that glorify the use and selling of drugs, sexual indulgence, and the pursuit of money at all cost. Yet, Hip Hop has always been the voice of the streets, reflecting the minds, hearts, and souls of the community. For the culture to thrive, Conscious Hip Hop must co-exist with more mainstream styles. We cannot rely solely on club anthems for sustenance; if we did, tracks like “The Message” by Grandmaster Flash and The Furious Five wouldn’t have had such a profound impact. Recent examples, such as Kendrick Lamar’s “Not Like Us” reinforce this truth by demonstrating that culture will always take precedence over corporate interests. Regardless of what trends or commercial pressures emerge, we live and breathe Hip Hop every day. This enduring authenticity is evident in the success of albums like Killer Mike’s “Michael” which won Best Hip Hop Album at the 2024 Grammys, proving that the truth and the culture will always prevail. This is why my album is necessary for black woman in Hip Hop everywhere because we represent more than just our bodies. In “Consequences” what made you made to use so many of today’s modern “Vices” on the track? SR: I reflect my times. I pay attention to my people. I also watch what trends are promoted to us daily. “Consequences” would not be relevant without these “vices”. The entire story revolves around an age-old tale that continuously resurfaces in today’s times. Many men of power take advantage and manipulate women by physically and sexually abusing them. The “vices” assisted in painting the picture of revenge. Shoutout to the producer 1719 for crafting the perfect soundtrack to a story that empowers women everywhere, transforming their voices from those of victims into symbols of strength. One thing I can say about you, that you always have the knack of making your projects like the 90’s & early 2000’s with the skits, and just overall structure of the album. When it comes to the skits it seems that you enjoy playing the multiple roles on the track, did you ever want to act or be in movies prior to rapping? SR: Absolutely!!! I stated to God while creating these skits that I pray they will double as my audition tapes for voice over acting. I have always been greatly influenced by phenomenal women such as Cree Summer, Regina King and Anika Noni Rose that we too can thrive in an animated world. I’m excited to see how it all unfolds. For the record I have always wanted my own show like Moesha as well. Brandy was the first to inspire me to believe that as an

“Music at the Height of Social Media: What Do We Stand to Gain and Lose?”

Music in The Past I remember years ago when I was first introduced to Khia, the Philadelphia-born rapper with a lot to say about sex, clubbing, and independence. No matter how I felt about the content of the lyrics, it didn’t matter, I was 20 and the song had a catchy hook that reminded me I was young and carefree. In 2024 now a woman in her 30’s of course my outlook on music has changed but so has everything about the music landscape. Why do we not give grace to the 20-year-olds of today who enjoy music from Ice Spice, Sexxy Red, Glorillia, lotto, and Meg the Stallion? Have we become so cynical that we forget about artists like Lil Kim, Foxxy Brown, Khia, Adina Howard, and many others whose music was sexually charged and liberating to women in the culture? What about the new school that’s not the same? Has the Ratchet sound become too dominating over all other types of music? And has social media influenced us to not care about album sales and only about the personality and relatability of the artist? What About Album Sales? Let’s dive into some numbers and a bit of history. In 1996, Lil’ Kim released her debut album, “Hard Core,” which sold over 5 million copies worldwide and earned a double platinum certification from the RIAA when she was just 22 years old. In contrast, Ice Spice, at a similar age, sold around 28,000 units with her debut album, “Y2K!” Social media has had a profound impact on album sales, how music is marketed, consumed, and perceived. One major change is that artists who take advantage of social media now have access to global audiences with a single swipe. Artists can promote their music directly to millions of fans, so why are album sales so low? In theory shouldn’t it be higher? While physical sales have decreased, digital sales have skyrocketed replacing the need for physical copies. Without the help of social media Lil Kim sold 5 million physical copies with her debut album, yet Ice Spice streamed 90 million in digital streams through DSPs like Spotify. It’s impossible to know how many streams Lil Kim would have racked up for her debut album, but something should be said about the hard work required to sell 5 million physical copies. What’s Changed? Social media has drastically transformed the way we consume music in several keyways. Social media has brought changes that would have been unimaginable decades ago. Platforms like Instagram, TikTok, and Twitter have made discovering new music quicker and more effortless than ever before. Artist can share snippets of their latest tracks, which can go viral within hours. TikTok has become especially influential with many songs gaining massive popularity thanks to user-generated videos and dance challenges. Ice Spice for example gained her fame from posting a TikTok video to the “Buss it” Challenge in 2021 that went viral, she used her newfound internet fame to launch her SoundCloud song “Bully” and that fostered her deal with Capitol Records. Lil Kim’s career began after meeting Notorious B.I.G on a street corner where she performed an impromptu rap. No followers, no frills just a talented artist at the right place and right time. Direct connection with the artist is one of the most significant changes brought by social media. Back in 1996, unless you were invited into spaces that allowed you to have a more personal experience with the artist, there was no way to know what the artist did behind the scenes. Through platforms like Instagram Live or Twitter Spaces, we can feel way more connected to the artist without having to purchase anything or attend live events. Next, we must discuss Streaming and Playlists with the integration of social media. This transformation has made it so easy to hear new music, download it, share it with friends, and even use it to create your social media content. We all discover new music without really having to invest time in searching for it. Has this impacted our level of excitement for new music even from our favorite artist? Before social media there was so much anticipation for that latest single or album from an artist. With the music industry being so concentrated with new music on our algorithms, it’s hard to tell what new music we should be excited about. The Pros and Cons Although music has changed, we still have a lot to gain from utilizing social media like increased accessibility and exposure to global audiences, direct artist-fan interaction, viral marking opportunities and campaigns, real-time feedback on projects, and collaboration opportunities. On the flip side, there are downsides to music streaming and the social media influence, like short attention spans, the decline of album culture, buying physical albums and owning  intellectual property, the pressure artists are under to constantly produce content, and the authenticity of the artist, when everything is for the approval of social media how do we know when we are getting the real version of the artists or some sort of manufactured industry pleaser? Social media has undeniably changed the scope of the music industry offering many benefits but also presenting challenges that can impact artistic integrity and the traditional music experience that we have grown up with. There is a balance that can be reached, so let’s give grace to the new artist and the seasoned professionals attempting to navigate these unpredictable times. Sources: Lil’ Kim: Biography, Rapper, Musician Ice Spice Reacts To Her Debut Album ‘Y2K!’ Sales (rap-up.com) TikTok has changed music — and the industry is hustling to catch up : NPR Britney Cherry is a multimedia journalist, personality, producer, and radio host based in Chicago. She is the host of “The Social Media Rewind” on 104.3 Jams Chicago and serves as a media host for Digiwaxx. With a passion for storytelling and connecting with audiences, Britney covers a wide range of topics from entertainment to lifestyle, bringing her unique perspective and

Rap star Wacotron co.signs Austin Texas emerging artist LilJayFromDaO

LilJayFromDaO, a prominent figure in the world of Hip-Hop, is captivating the music scene with an unorthodox work ethic. Continuously releasing a rich profusion of astounding chants gaining the attention of some reputable industry tastemakers, One being the Texas superstar Wacotron which instantly grew fond of LilJayFromDaO gaining him a spot on his “This Is Texas” Tour followed by the renowned Reality Rap Anthem titled “Where I’m From” where both artist trade vivid picture painting lyrics of their upbringing experiences & the overcoming of their coerced poverty life manners. Checkout the video below. “Where I’m From” LilJayFromDaO x Wacotron shot by Dan2TheL Powered by Major Gains Music Agency  

Olivia and KiDi Unite for a Summer Scorcher: “Solo”

R&B icon Olivia and global music sensation KiDi are joining forces for a scorching summer anthem, “Solo.” Bridging different musical traditions, this duo has conjured an enchanting blend of compelling rhythms and catchy melodies.  In a showcase of cultural pride, Olivia performs in her native Jamaican patois, bringing authenticity and vibrancy to the track. Her lyrics, celebrating her heritage, add another layer of depth to this melodious collaboration. KiDi’s dynamic melodies amplify the song’s allure, creating an irresistible vibe that’s perfect for the season’s heat.  “Solo” is the result of a harmonious blend of creativity, where culture and artistry intersect seamlessly. The strategic partnership between Akeju, Prime Music Partners, and Sha, from Liv Lavish Productions, has nurtured this dynamic collaboration, resulting in a track that feels both fresh and familiar.  Destined to be a global summer anthem, “Solo” is set to fill dance floors and feature prominently on playlists with its infectious energy.  “Solo” is available for your listening pleasure on all major streaming and download platforms.  Listen to “Solo” video here: LINK  Follow Olivia and KiDi on Instagram: www.instagram.com/only1olivia | www.instagram.com/kidimusic  

Can Rapsody’s New Album; “Please Don’t Cry” have Grammy Nods in 2025?

In this day, and age of Hip-Hop, we’ve come to the terms of either we accept Hip-Hop Artists giving us fluff for the music, or we truly respect the volume of authenticity, and talent within a project. For Rapsody; a very lyrical and talented Hip Hop artist from North Carolina has really come into her own stardom with her latest project; “Please Don’t Cry”. The project has the most complete, highly diverse in terms of beats productions, and ov erall music that has ever been in a Hip-Hop album in a very long time. Also, she has definitely went on a verge of giving us 22 (YES, 22!!!!) tracks of fantastic music to a point where you the listener will have no choice, but to respect who Rapsody is. During this review, I will express the GOOD, BAD, & #ReemoApproved. Also, you will take a look at the exclusive interview that I did with Rapsody, and truly watch, as well as her our converstion that the Hip Hop Culture would definitely love to admire, be inspired, and share amongst the Hip-Hop Community. The Good: I must say as a fan and contributor within the Hip Hop Culture. I was highly impressed of the 22 Track Album with No Skips (Yes, I’ve said it….NO SKIPS!!!!) and on a 3 day span listened to the album 5 times. Also, the features are legendary; Eryka Badu (3:AM), HitBoy (Asteroids), Niko Brim (Raw, Niko’s Interlude), Alex Isley (Loose Rocks), and last but not least the incomparable, sensational, and highly talented; Phylicia Rashad on the track, as well as throughout the album speaking to the artist. The productions on the album are phenomenal, and the beat selections for the album blend perfectly. If you are a fan of her music, she definitely did not disappoint. The Bad: Added more pressure to the playing field, and landscape of Hip Hop. The #ReemoApproved: Honestly, made me an omega stan of her. I really see the magnitude, and value of the album as like Nispey Hussle’s “Victory Lap” , Kendrick Lemar’s “Damn”, Jay-Z’s Hard Knock Life: Volume 2, or Dare I say what DMX did in 1998 combined with “It’s Dark and Hell Is Hot” along with “Flesh Of my Flesh, Blood Of My Blood” in retrospect of it sparking their STARDOM within their careers. #TrustTheReemo on this one #MyCreatives this album is definitely the one for 2024. As per usual #MyCreatives, ON TO THE NEXT!!!!! Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_/ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscibe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: ReemoMeerakBrand.info@gmail.com Shop The Merch: https://reemomeerakbrand.myshopify.com

ALBEE AL FOR 2024?!!!!! – EXCLUSIVE

  In the realm of music, artists often use their creative prowess to explore and comment on various aspects of life, society, and the environments they are from. Albee Al, a renowned Hip Hop artist, has recently released a compelling album titled “Albee For President”. This musical endeavor serves as a platform for Albee Al to express his views on his Jersey City raising, stories of surviving jail, and societal dynamics he embraces daily. In this article, we delve into the essence of the album, exploring its themes, tracks, and the artist’s unique approach to conveying political commentary through music. Also, check out the exclusive in-person interview at his listening event:   The Album’s Title and Concept: “Albee For President” immediately captures attention with its bold and intriguing title. While it might not imply a literal run for office, the album signifies Albee Al’s desire to contribute to the masses of the Hip Hop culture with his art. The title serves as a metaphor for an artist taking a stand and using their influence to address pressing issues, as well as of his lyrical template that has him as one of the most watch artist projectively for 2024. The album encompasses a diverse range of themes that reflect Albee Al’s perspective. From systemic inequalities to the struggles of marginalized communities, each track serves as a lyrical canvas where the artist paints a vivid picture of the world as he sees it. Albee Al’s ability to blend a narrative and paint the picture with social commentary creates a compelling narrative that resonates with listeners. Key Tracks: **”Who Ya Big Homie”**: This track sets the tone for the entire album, and that “Boom-Bap” feel we needed!!! Also, featuring Mozzy with powerful lyrics that call for the energy that’s derived from his Jersey City roots. The gritty quality of the song makes it a standout piece that captures the essence of the album. **”Press Conference”**: In this track, which is the first track of the album in the beginning. Albee Al amplifies the voices of those often unheard. Addressing the challenges faced by urban communities, he sheds light on the realities that many face on a daily basis. **“El Presidente”**: Albee Al takes more of the uptempo approach, as well as most definitely a well produced music video!!! At the listening party in The Cult Lab, this track was one of the choice options to drink, and it definitely was a #ReemoApproved Musical Style and Production: Beyond its lyrical content, “Albee For President” showcases Albee Al’s musical versatility. The album seamlessly blends various styles of rap creating a dynamic listening experience. The production quality enhances the impact of the messages conveyed, with carefully crafted beats complementing the weighty themes. “Albee For President” stands as a testament to the power of music as a medium for social and diverse commentary. Albee Al’s ability to intertwine meaningful lyrics with captivating and vigorous energy creates an album that not only entertains but also challenges listeners to reflect on the world around them. In an era where artists are increasingly using their platforms to address societal issues, “Albee For President” is a noteworthy addition that adds depth to the musical landscape while encouraging dialogue on pressing matters. As per usual, ON TO THE NEXT #MyCreatives Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: ReemoMeerakBrand.Info@Gmail.com  

Chappyweezy – Chosen One

Chappyweezy, the Canadian Filipino rap artist hailing from Saint John, New Brunswick, Canada, has emerged as a dynamic force in the hip-hop scene. His musical journey began with exposure to various genres, but it was the discovery of hip-hop that ignited his true passion. Influenced by artists such as Young Thug, Lil Durk, and No Cap, Chappyweezy started crafting his own rhymes, captivating audiences at local talent shows and open mics. Having cultivated a dedicated following in his hometown, Chappyweezy expanded his reach by releasing music online, earning acclaim for his distinctive fusion of trap beats and melodic hooks. His lyrical prowess, coupled with introspective and heartfelt themes, set him apart in the crowded music landscape. Noteworthy releases include several singles and an EP, showcasing Chappyweezy’s versatility as both a rapper and a songwriter. The essence of Chappyweezy’s music delves into profound themes of identity, mental health, and relationships, drawing inspiration from his personal experiences as a first-generation Filipino-Canadian. Beyond entertainment, he aspires to leverage his platform to inspire and empower listeners, particularly those who may feel marginalized or misunderstood. With infectious energy and undeniable talent, Chappyweezy is rapidly establishing himself not only in the Canadian hip-hop scene but also in reaching audiences beyond borders. His latest album, “Chosen One,” serves as a testament to his dedication and artistry, promising an immersive experience that reflects the artist’s growth and commitment to making a lasting impact in the world of music. Click here to steam the album: https://linktr.ee/Chappyweezy or listen below.

Album Review: Blockbusta – Is Busta Rhyme’s Latest Effort a Classic?

When Busta Rhymes dropped Extinction Level Event 2 in 2020, he hadn’t dropped an album in 11 years. He doesn’t make fans wait long as he drops Blockbusta just three years later. The Long Island legend really mastered the ceremony with this release, as he delivers a thoughtfully laid out project with all the best aspects of his style. This project really embodies that title, as Busta brings us perhaps his most cohesive project if not the most refined version of him.  One of the most debated topics in hip-hop, particularly about rappers is, do they have a classic album? Busta is one of those golden-age artists this is debated about. Now his last project E.L.E.2 certainly satisfied the hip-hop enthusiasts with boom-bap heavy tracks and vintage feel but, it left some area to be gained with mainstream stay. This latest release feels like it could be the answer to all those questions and possibly his most solid project ever.  The show starts fast, no long skit or drawn out intro Busta gets straight to it 15 seconds into “The Statement,” and it feels like he hears the chatter too. Rapping double-time like he’s late to a meeting, Busta reminds those hating who he is. The track is a great intro and sets the bar for the project. “Remind ‘Em” featuring Quavo keeps the pace high, and fits well as a second track. Of course Busta switches cadences and has some signature ad-lib breakdowns, while the track feels big and regal, definitely a bop for the ride.  You know Busta always is going to hold down New York, as BIA stops through on “Beach Ball,” but the project really turns up with Young Thug’s appearance on “OK.” Cool and Dre heavy synth-trappy production slides hard with the two MCs on the forth track.  The vibes continue on with the unique voice of  LA’s Blxst over a western feeling guitar-riff on “Could It Be You.” The stripped production of the track highlights the best of the calculated rhymes of Busta as he spits, “Give you the semi, question if you gonna keep it tucked?/When I’m in my struggle/ I question if you gonna keep me up.” The track feels like a Tarintino flick with Young Bleu playing the twist, adding a smooth flavor to the second verse.  Still no skits. No skips. “Luxury Life” is a playful song and memorable hook as Busta Does his best Four Tops delivery of an interpolation of “Ain’t No Woman.” It serves two useful purposes, reaching a younger audience with the assistance of Coi Leray, and satisfies the Hip-hop purest monster with the production at this point of the album, a win-win. T-pain and DaBaby assist on “Big Everything” relying on a resampled version of UGK’s “So Throwed.” If you can get past the first 30 seconds of DaBaby or enjoy him, this song really slaps, especially in the low bass category.  This is where the project really turns up, Burna Boy really brings the vibes up with “Roboshotta” as Busta embodies one of the best versions of himself in his rudeboy flow. “Tings” really gives DJs a afro-beat infused club joint that works so well. “The Return of Mansa Musa” showcases Busta on a golden throne of percussion, Swizz Beats cooks up with MJ interpolation that falls into a rhythmic genre blending treat. Still No Skips. JNR CHOI stops by to assist “Stand Up” with the unique use of Coolio’s “Gangsta’s Paradise” chopped into a Soca-esch dance blend, which is pleasantly received. The most experimental song so far. Busta is like a gracious host showing us his house, as he welcomes Shenseea and Chris Brown next for a smooth ride on “Open Wide.” Then goes into braggadocios classic Busta with “Hold Up.” The beat is playful and memorable. “Hive”‘s melodic piano hypnotizes as Busta drops back into rudeboy mode with Giggs, switching the energy and “Homage” featuring Kodak Black brings us back to the streets amping up the energy. Still no skips! Morray soothes and croones with the auto-tune assisted “Legend,” while Slide goes into a Mystikal sample before a piano driven instrumental send off. A strange but cool juxtaposition of tracks.  “Legacy” delivers so well as a segway into a smoother vibe and the guest deliver memorable spots, as Busta drops into his cool low baritone voice.  The final track features Big Tigger, bringing everyone back to “The Basement,” as he interviews Busta Bus about the state of the game, but does at time come off as campy during his parts. The choir backed track, is a nostalgic flashback at the legacy of the MC and his answer to all the questions about his place in hip-hop. It’s hard to place the classic label on things as they drop, but purely on first listen, there are no skips on this project. Hip-hop purists might have a more critical view of this project, as the project sounds very commercially strong, but again, you want boom bap Busta, go listen to E.L.E.2. Rating 9/10 Favorite Song: Roboshotta – This thing just go. Least Liked Song – Big Everything – DaBaby just kind of sounds like he does … on everything.   

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