#rewindreview: Sir Menelik a.k.a. Scaramanga ‘Seven Eyes, Seven Horns’ 1998

 
The entity known as Sir Menelik was an understudy of The Great Kool Keith. With that comes the propensity for stream of thought rhyming and multiple personalities when releasing music. ‘Seven Eyes, Seven Horns’ is Sir Menelik’s debut album but under the moniker of “Scaramanga,” a character loosely based on the James Bond villain that owned his own island and “the man with the golden gun.” My interest for this album peaked after numerous features he had with Kool Keith and 12″ inch singles that were released through Rawkus records. Listeners should expect that with “Scaramanga” one will hear the talent of polysyllabic rhyming but if trying to hone in on the meaning of these lyrics, you might be decoding them for years. The title of the album is steeped in the idea of perfect power and perfect vision as God would see it on earth. If one can cut through the abstract lyrics on this album they might be able to hear how Scaramanga describes his vision of lyrical perfection and insight as well. Again a challenge that can only be offered… Sir Menelik was often known to be more “sci-fi” in his content but under “Scaramanga” this album leans into the “streets” and “underworld” aspect one might compare to Raekwon’s ‘Only Built For Cuban Linx’ album or Nas’ “Escobar” era. What makes the album work is the combination of beats provided by Showbiz, Godfather Don, Scholarwise and Scaramanga’s delivery. Tracks like ‘Special EFX,’ ‘Alphabetic Hammer,’ ‘Shallah Magnetic’ and the title track are a reminder of how the independent, underground sound was at it’s best in the late 1990’s. My issue with this album, even still to this day, was more about the sequencing of songs, mainly toward the end of the project. ‘Death Letter’ has the original and remix added and the original’s production doesn’t hold up with the songs surrounding it while the remix might be better but should have been the last track on the album as a “bonus.” With all the time that has past this album gets better simply because of how rare it is and also how unabashed it was in it’s approach. What did you think of the album?

Singles include:
‘Special EFX’ & ‘Mind I.C. Mine’

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