Mets Honor Black Legacy with DJ Webstar, Baseball great Strawberry and More!

The New York Mets’ 3rd Annual Black Legacy Game at Citi Field was a vibrant celebration of history, culture, and community, headlined by Mets legend Darryl Strawberry, DJ Webstar, and a lineup of artists and activists.   Strawberry’s Tribute to Jackie Robinson: Darryl Strawberry delivered a powerful tribute to Jackie Robinson, challenging recent attempts to downplay Robinson’s legacy in Major League Baseball. “Shame on them if they erase Jackie’s story—he fought for all of us,” Strawberry declared, recalling the racism he faced in the 1980s minors. He urged MLB to reinvest in inner-city youth baseball and market Black players with the same energy seen in other sports.   The Soundtrack of Legacy: The night’s rhythm came from DJ Webstar, who lit up the stadium with high-energy sets. In his suite were DigiWaxx DJ Pool collaborators Ron Browz, DJ Suss One and DWI of DaMatrix Studios. Their presence wasn’t just about sound—it was about legacy. Black DJs have long been cultural storytellers, using music to connect generations and amplify voices too often overlooked. From block parties to ballparks, their influence continues to shape the culture.   Culture and Community: The night featured a gospel performance of Lift Every Voice and Sing and a Jackie Robinson Museum scavenger hunt for families. Celebrity chef Kwame Onwuachi threw out the ceremonial first pitch to Strawberry, bridging sports and the culinary arts. Fans left with commemorative hats honoring the night’s purpose.   As DJ Webstar’s final beats echoed, Strawberry’s words lingered: “Jackie wasn’t just a player—he stood tall against hate. That’s a legacy to protect.” Through rhythm, remembrance, and real talk, the Mets showed that honoring the past can inspire the future.

Nasty Nel – Beast of Cyanide Swamp

Nasty Nel is a Native American hip hop/grunge artist from Big Cypress, Florida. He is influenced by Bone Thugs n Harmony, Tech N9ne, Insane Clown Posse and Twiztid. Working on his craft for majority of his life. With his debut album It Came From The Everglades which is available now with features from Krizz Kaliko, Killah Priest (Wu Tang Clan), Planet Asia, Ice-T, Murs, Trina, Kxng Crooked, Too Short and more. His second release “Beast of Cyanide Swamp” is a EP that is dark/heavy and is a journey into a darkness that lives within. He is working on his craft constantly to bring you into the realms of the Beast of Cyanide Swamp Join DJ Mannie Faces, DJ Head Rush, and Will Gamble on Strong Side Radio as they sit down with Nasty Nel, a rising Native American artist from Florida. In this exclusive interview, Nel opens up about the inspiration behind his new EP, his cultural heritage, and his journey through music. Special shoutouts to Kermit, Queen Karen, Cool To, and DJ Punch for their insights and feedback during the call. Don’t miss this powerful conversation blending music, identity, and community. #NastyNel #StrongSideRadio #NativeAmericanArtist #FloridaMusicScene #IndieArtistInterview #NewEP #HipHopCulture #IndigenousVoices #DJMannieFaces #DJHeadRush #WillGamble #SupportNativeArtists #IndependentMusic #ArtistSpotlight #RadioInterview

Talib Kweli, J Rawls, Maseo, Black Thought, Posdnuos, Mike G, Afrika, Busta Rhymes – Native Sons Part 2

Hip-hop heads, get ready for a legendary link-up! Native Sons Part 2 brings together an all-star lineup of some of the most influential voices in the culture. Talib Kweli, J Rawls, Maseo (De La Soul), Black Thought (The Roots), Posdnuos (De La Soul), Mike G (Jungle Brothers), Afrika, and the one and only Busta Rhymes unite for a track that pays homage to the roots of hip-hop while pushing the genre forward. With masterful production, sharp lyricism, and a powerful message, this track continues the legacy of Native Tongues, reminding us why these MCs remain some of the most respected in the game. The visuals capture the essence of hip-hop’s golden era, blending classic vibes with modern energy. Tap in, vibe out, and witness hip-hop history in the making. Watch the full video now! 👉 Watch Now The Native Tongues family unite for “Native Sons” Part 2 by Talib Kweli & @jrawls82 featuring @wearedelasoul, @blackthought, @bustarhymes, @mikegjungle and @bam_jungle of @junglebrothers4life. Produced by J Rawls, “Native Sons Part 2” is the lead single from the upcoming @javotti_media compilation ’NOTES FROM THE UNDERGROUND’ coming Spring 2025 on #FatBeats   DOWNLOAD FILE NOW FROM DIGIWAXX

Cashrbe – Back In Motion (New EP)

“ BACK IN MOTION “ EP This ep is for the world to know who Cashtank is I can describe it as authentic flow switch up is great .. you can expect word play .. uptempo beats and even a few samples … I named it “ Back in motion “ because I’ve been gone for a lil min and now I’m back at it but I don’t want anyone to ever think I fell off I just fell into a better Position! BIO I’m 1cashrbe always formally known as Cashtank started my rap journey at the age of 17 always been under spotlight .. in 2017 I dropped my first ever single called Own on SoundCloud from there I be began to perfect my craft … when I finished highschool I decided to take my rap career seriously and in 2019 I dropped  my first ever Ep titles “ Different Breed” with 6 songs I felt as if I was different from other so I grinded like no one could stop me I became more consistent I followed my Ep with numerous Singles .. that worked into a Album I later titled “ Count on Cash “ in 2021 I’ve always had the visual of how big I wanted to be just needed the correct platform I’ve been rapping over 5 years and never sold myself short I was always taught to never quit … once you quit you get nothing out of it . So I thank the man above for allowing keep my foot on the pedal and stay grounded . Cashrbe Grew up listening to all older Artists so as Gucci Mane , Young Jezzy , Project Pat , Tip.  New Age : Soulja Boy , Lil Wayne , Rich homie Quan lil baby n more.  I’ve won over 3 music showcases in my city and also traveled to ATL FOR 2 2020 , Off the porch Dirty Glove Interview. I’ve released 6 albums independently and I’ve released 27 singles / EPS, I’ve released 35 music videos within the course of 5 years independently.  “ I feel like I’m very versatile not too many artist can switch up flow , I have songs for the woman songs for people in the struggle and club bangers I paint pictures in my music and piggy back on things I’ve been through “  Whichever Picture Best Fits Contact Social Media @1cashrbe

Reunited: Snoop Dogg’s  “Missionary,” Album Review

Snoop Dogg and Dr. Dre will forever be figuratively attached to the hip. The success of Dre’s epic 1992 LP(Long Play), The Chronic, showcased the then-young Snoop’s distinct and stylish flow, with stand out verses on “Nuthin’ But A “G” Thang,” and “F*ck Wit Dre Day.” The following year, Snoop’s debut Doggystyle helped solidify the West Coast’s emergence on the national hip-hop scene. Over 30 years later, Snoop’s Missionary LP,  is the closest fans will get to Dre’s signature stadium sound on an entire album. While this LP does not have the mystique of the long-anticipated and unreleased Detox, and has its moments of braggadocios commercialism, overall it’s sonically pleasing, and experiments with various genres while keeping Snoop’s signature sound intact. The thumping “Outta Da Blue” highlights Snoop and Dre exchanging bars over invigorating production. On “Hard Knocks,” Snoop describes his penchant for defying the odds and overcoming hurdles to reach the finish line and remain in the winner’s circle. The Tom Petty and Jelly Roll-assisted “Last Dance with Mary Jane,” presents a refreshing merger of country and hip-hop. While this might not be what hip-hop purists expected, it’s a delightful fusion. And “Another Part of Me,” featuring British rock star Sting, is a feel-good track that makes you appreciate the present, especially with Sting’s lyrics, “There’s no better time than today.”   Snoop and Dre together on an album is exactly what fans wanted and what hip-hop needed. It shows that some brotherly bonds are unbreakable, and the people you started your career with will always have an influence on you. If you’re fortunate enough, you can come back years later with a more worldly and mature perspective and do it all over again. The album title is a clever play on words, as Missionary refers to both a sexual position (a nod to Snoop’s Doggystyle) and the idea of a missionary—a charitable hero, whose mission is accomplished. And there you have it—mission accomplished, fellas! In a world of ever-changing sounds, Missionary reminds us that some musical bonds are timeless, and Dre and Snoop are still at the top of their game.   Words By David Lopez

The Consequences of Meeting Rapper Consequence

Me and Consequence the day we recorded “Hip Hop Unpacked,” podcast. Damien DWI Williams,  Caiden the Crown Holder, and Consequence May, 2023 at listening party for earlier version of Nice Doing Business With You. I attended a listening party in May 2023 for Consequence’s studio album “Nice Doing Business With You,” at Platinum Sound Recording Studios in New York City. It was a fan’s, writer’s, and media coordinator’s delight. Here I was, getting an early listen to the album from one of the premier songwriters of our time — someone who has worked with Kanye West, Beyoncé, and a member of arguably the greatest hip-hop group of all time, A Tribe Called Quest. I took a liking to the album, with heat rocks including the Amerie-assisted “Blood Stain,” and a witty track that spoke to the difficulty of co-parenting with Sheek Louch, “Baby Moms.” He also provided social justice content on tracks like “Who Shot Jamal,” with his son Caiden the Crown Holder, which describes the impact of gun violence in inner-city communities, and a feature from Chuck D on “What Has America Done for Me?” which dives into effects of slavery and the history of racial oppression in the United States. The album felt necessary. It’s hip hop — entertaining, but also filled with commentary that challenges the status quo and moves the conversation toward change. You can imagine the joy I felt on Friday, September 27th, 2024, the day the actual album dropped — a whole year and four months after that listening party in New York City. I was hyped, finally going to listen to the official album from one of NYC’s elite emcees, an artist I had sung along to as a teenager on his epic standout appearance on “Stressed Out” off ATCQ’s “Beats, Rhymes, and Life,” album. This excitement turned into disappointment when several of the songs I heard weren’t on the album. I felt cheated. Hearing the album, which on first listen felt more R&Bish than the version I heard with several singing choruses gave me more New Edition vibes than Hip Hop, and had me confused. I shared this confusion with a well-respected media friend, and he shared that with Consequence. It was relayed to me that the Queens rapper respected my thoughts about the missing songs and that a deluxe version was actually coming out in a few weeks with some of the tracks I heard at listening party. He connected me to the rapper and  Consequence himself wanted to personally show me the video for the track with Chuck D, “What Has America Done for Me,” which will be included in the deluxe version of “Nice Doing Business With You.” And this is how I set up my first podcast interview ever with the illustrious Consequence. I asked my good friend Damien “DWI” Williams, to co-host, he is known as the pioneer of podcast production in hip-hop circles in New York City, and he provided his studio to watch the “What Has America Done for Me” video and interview Consequence. It had been a while since I interviewed anyone in person, and it was my first time having it recorded. I was a little nervous. I’m good at preparing questions and passionate about writing and booking artists for other radio shows, but I was not sure how I’d do on a podcast. I came up with the name of the pod the day before we recorded, “Hip Hop Unpacked,” because I wanted to create a podcast in which I delved deeper into the root and inspiration for creating hip-hop. Consequence showed up to the pod, and we were ready to rock. We spoke briefly, and I asked why the album took so long to be released, considering I had heard a version of the album in May 2023. He explained that he was taking his time to get the right distribution for the album. My follow-up question was, “What happened to all the other songs I heard at that listening party that didn’t make the album?” He said he would be releasing the deluxe album within a few weeks, with songs like “Who Shot Jamal” and “What Has America Done for Me.” Then he showed me the video for that song featuring Chuck D. The video is moving — an exposé of the atrocities and inhumane treatment given by the United States power structure to African Americans. We spoke with Consequence for an about an hour about different topics including the health scare he endured with lupus and diabetes, and how he had to change his diet which altered his outlook on life. He even selected an album cover to show him in a successful, celebratory state in a Maybach, wearing a Rolex, to show him living life fully when just a few years ago he was concerned about surviving. I quickly learned how passionate he is about his art. He recited his lyrics when explaining the meaning of songs like “Overdose.” On the track that features YNW Melly, you can hear the pain he lived through during the 80’s crack era. The album is full of mature content that makes you think about the effects of drug abuse, mass incarceration, and relationship struggles. I’m happy to see Cons get this moment. He has always been hungry and talented, but on this new album, he finally gets to shine as a solo artist as he and his son are the only ones who rap on the entire album. During the podcast interview, we spoke about how much his cousin Q-Tip liked the project, and how he had a full-circle moment — close to 30 years in the music business, and getting praise from his cousin was like Coach K awarding him the championship. After better understanding the challenges he’s overcome, and discussing his growth as an artist and human being, Cons is hard to root against. He’s tackled life, music industry hurdles, and is still competing for his proper place in the hip-hop pantheon. And next up for him is

“Juan EP IS LIFE” Podcast Featuring Pete Rock & Common Live Event #ReemoApproved Recap

Juan EP IS LIFE Live Event Recap The “Juan EP IS LIFE” live podcast recently held a special event at the legendary S.O.B.‘s, honoring and celebrating the contributions of Common and Pete Rock to the Hip Hop music industry, and Culture. Cipha Sounds & Peter Rosenberg masterfully demonstrated how to have live conversations at an all time high with this event. This event featured live discussions, interviews, and performances that highlighted the influence and legacy of these two iconic figures in hip-hop. The atmosphere was vibrant, with fans and attendees enjoying an evening of stories, insights, and music that paid tribute to Common’s lyrical prowess and Pete Rock’s production genius. Also, had as the house DJ the Legend; Mark Ronson who had the crowd flowing with the sounds, and quality hip hop music. #MYCreatives I was able to give you some footage from REEMTV: Now let’s go the GOOD, BAD, and #ReemoApproved The GOOD: HIP HOP was definitely represented well with this event. The stories were iconic, and uncanny. They all flowed so well, and you can feel their years of experience and knowledge just overall captivating the crowd. I was just amazed of the productions and how it was setup at S.O.B.’s All in All must see whom they will have next for another live show? The BAD: NONE AT ALL. The #ReemoApproved: One word, “Phenomenal”. As a fan of Hip Hop, as well as a contributor via Media. I really had to pick my moments to capture and film on ReemTV. There were way too much precious info and material expressed, and honestly for Common to just spit bars effectively and efficiently off of one of his classic tracks was just EPIC AF. Also, be on the lookout for their new album THIS THURSDAY called “The Auditorium, Vol. 1” on all major streaming platforms. As per usual, #MYCreatives …..ON TO THE NEXT!!!! Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_/ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S.https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV:https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features:ReemoMeerakBrand.info@gmail.com Shop The Merch:https://reemomeerakbrand.myshopify.com Latest Stopbeefinradio/ June 19, 2024 LL Cool J Joins New Music Wednesday QuantumLeap/ July 10, 2024 #rewindreview: Benny The Butcher ‘Everybody Can’t Go’ 2024 Reemo Meerak/ July 9, 2024 The C.U.T.S. Podcast Welcomes Ray Daniels: A Deep Dive into the Music Industry Reemo Meerak/ July 8, 2024 Mr. Chicken “Gemini Love Story” #ReemoApproved Review QuantumLeap/ July 2, 2024 #rewindreview: Rawkus presents ‘Ego Trip’s The Big Playback’ 2000 David Lopez/ June 26, 2024 The Impact Kendrick’s “Not Like Us,” has had on Pop Culture DominicanJay/ June 25, 2024 Rap star Wacotron co.signs Austin Texas emerging artist LilJayFromDaO QuantumLeap/ June 25, 2024 #rewindreview: Blackliq & Mopes ‘Change Is A Choice’ 2023 Midwestmixtapes/ June 15, 2024 T-Dubb-O x Sasha Go Hard – Get U Sum Produced By Enrgy Beats Essince/ June 14, 2024 Olivia and KiDi Unite for a Summer Scorcher: “Solo” Essince/ June 14, 2024 Brandy Headlines Tour Previously Featuring Monica QuantumLeap/ June 11, 2024 #rewindreview: Eleven & Jason D ‘Carefully Crafted’ 2022 Reemo Meerak/ June 7, 2024 Can Rapsody’s New Album; “Please Don’t Cry” have Grammy Nods in 2025? QuantumLeap/ June 4, 2024 #rewindreview: B.U.K.A. Entertainment presents ‘Bringing It Home: Volume One’ 2001 QuantumLeap/ May 28, 2024 #rewindreview: Quanstar & Poe Mack ‘Big Boy Barred Up’ 2023 QuantumLeap/ May 21, 2024 #RewindReview: SWURVHITTZ & Budda Early ‘As We Continue On’ EP 2023 QuantumLeap/ May 14, 2024 #rewindreview: Mickey Blue ‘A Long Time Coming’ 2023 Admin/ May 11, 2024 Ghostface celebrates Set the Tone album and his birthday in New York City Queen Bee/ May 9, 2024 USA Breakin’ Scores Hair Deal with JML QuantumLeap/ May 7, 2024 #rewindreview: Teflon ‘2 Sides To Every Story’ 2023 PrevPREVIOUS

#rewindreview: Run The Jewels (Killer Mike & El-P) ‘Run The Jewels’ 2013

  I could never imagine in 1998 that while listening to Company Flow’s ‘Funcrusher Plus’ and Outkast ‘Aquemini,’ that I would ever hear El-P and Big Boi rapping on the same track. This has been the legacy of Run The Jewels, which is providing the most amalgamated circumstances to all of us who were listening to HOP music prior to the 2000s. For those younger ears or one’s simply not in the know, this collaboration between El-P, Killer Mike and the features they have had is standard practice in a rap music world where that proverbial “line in the sand” is no longer existent. ‘Run The Jewels’ is the second collaboration with El-P and Killer Mike, but the first of what would make them a cultural favorite among younger ears. Unlike Killer Mike’s ‘R.A.P. Music’ album from 2012, El-P was strongly motivated to rap again by Killer Mike, thus creating this rapping duo. This album is to the point and really displays the chemistry “El & Mike” have. The content was a lot more abstract and fun, to which those aspects were really sold by the visual components of the record. The first single ’36’ Chain’ has one of the most laugh out loud moments as “RTJ” re-envision L.L. Cool J’s intro to the ‘I’m Bad’ single. More “inside joke” hilarity is found on the Prince Paul featured ‘Twin Hype Back’ where he reprises his role as “Chess Rockwell” of Handsome Boy Modeling School. ‘Run The Jewels’ for me is the easiest album to digest next to ‘RTJ4′ in the Run The Jewels catalog. El-P handles the majority of the production and keeps that “futuristic b-boy” feel which keeps this album strange in 2013 but over the years it has marinated to feel a little ahead of it’s time. If the run (no pun intended) of the duo is done, within a decade they have stamped their ticket as a solid rap group and boosted the value of Killer Mike, so run these jewels back one more time *no Diddy*. What did you think of the album? Singles include: ’36’ Chain’ & ‘A Christmas F***king Miracle,’ ‘Banana Clipper,’ ‘Run The Jewels’ & ‘Get It’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @

Album Review: Blockbusta – Is Busta Rhyme’s Latest Effort a Classic?

When Busta Rhymes dropped Extinction Level Event 2 in 2020, he hadn’t dropped an album in 11 years. He doesn’t make fans wait long as he drops Blockbusta just three years later. The Long Island legend really mastered the ceremony with this release, as he delivers a thoughtfully laid out project with all the best aspects of his style. This project really embodies that title, as Busta brings us perhaps his most cohesive project if not the most refined version of him.  One of the most debated topics in hip-hop, particularly about rappers is, do they have a classic album? Busta is one of those golden-age artists this is debated about. Now his last project E.L.E.2 certainly satisfied the hip-hop enthusiasts with boom-bap heavy tracks and vintage feel but, it left some area to be gained with mainstream stay. This latest release feels like it could be the answer to all those questions and possibly his most solid project ever.  The show starts fast, no long skit or drawn out intro Busta gets straight to it 15 seconds into “The Statement,” and it feels like he hears the chatter too. Rapping double-time like he’s late to a meeting, Busta reminds those hating who he is. The track is a great intro and sets the bar for the project. “Remind ‘Em” featuring Quavo keeps the pace high, and fits well as a second track. Of course Busta switches cadences and has some signature ad-lib breakdowns, while the track feels big and regal, definitely a bop for the ride.  You know Busta always is going to hold down New York, as BIA stops through on “Beach Ball,” but the project really turns up with Young Thug’s appearance on “OK.” Cool and Dre heavy synth-trappy production slides hard with the two MCs on the forth track.  The vibes continue on with the unique voice of  LA’s Blxst over a western feeling guitar-riff on “Could It Be You.” The stripped production of the track highlights the best of the calculated rhymes of Busta as he spits, “Give you the semi, question if you gonna keep it tucked?/When I’m in my struggle/ I question if you gonna keep me up.” The track feels like a Tarintino flick with Young Bleu playing the twist, adding a smooth flavor to the second verse.  Still no skits. No skips. “Luxury Life” is a playful song and memorable hook as Busta Does his best Four Tops delivery of an interpolation of “Ain’t No Woman.” It serves two useful purposes, reaching a younger audience with the assistance of Coi Leray, and satisfies the Hip-hop purest monster with the production at this point of the album, a win-win. T-pain and DaBaby assist on “Big Everything” relying on a resampled version of UGK’s “So Throwed.” If you can get past the first 30 seconds of DaBaby or enjoy him, this song really slaps, especially in the low bass category.  This is where the project really turns up, Burna Boy really brings the vibes up with “Roboshotta” as Busta embodies one of the best versions of himself in his rudeboy flow. “Tings” really gives DJs a afro-beat infused club joint that works so well. “The Return of Mansa Musa” showcases Busta on a golden throne of percussion, Swizz Beats cooks up with MJ interpolation that falls into a rhythmic genre blending treat. Still No Skips. JNR CHOI stops by to assist “Stand Up” with the unique use of Coolio’s “Gangsta’s Paradise” chopped into a Soca-esch dance blend, which is pleasantly received. The most experimental song so far. Busta is like a gracious host showing us his house, as he welcomes Shenseea and Chris Brown next for a smooth ride on “Open Wide.” Then goes into braggadocios classic Busta with “Hold Up.” The beat is playful and memorable. “Hive”‘s melodic piano hypnotizes as Busta drops back into rudeboy mode with Giggs, switching the energy and “Homage” featuring Kodak Black brings us back to the streets amping up the energy. Still no skips! Morray soothes and croones with the auto-tune assisted “Legend,” while Slide goes into a Mystikal sample before a piano driven instrumental send off. A strange but cool juxtaposition of tracks.  “Legacy” delivers so well as a segway into a smoother vibe and the guest deliver memorable spots, as Busta drops into his cool low baritone voice.  The final track features Big Tigger, bringing everyone back to “The Basement,” as he interviews Busta Bus about the state of the game, but does at time come off as campy during his parts. The choir backed track, is a nostalgic flashback at the legacy of the MC and his answer to all the questions about his place in hip-hop. It’s hard to place the classic label on things as they drop, but purely on first listen, there are no skips on this project. Hip-hop purists might have a more critical view of this project, as the project sounds very commercially strong, but again, you want boom bap Busta, go listen to E.L.E.2. Rating 9/10 Favorite Song: Roboshotta – This thing just go. Least Liked Song – Big Everything – DaBaby just kind of sounds like he does … on everything.   

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