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10 Iconic Tracks That Showcase Fatman Scoop’s Signature Hype

Posted on by britneycherry

Fatman Scoop, known for his booming voice and energetic style, has left an indelible mark on the music industry. He’s contributed to many chart-topping hits across different genres, particularly in hip-hop and R&B. Here’s a look at some of the iconic tracks that feature his signature hype: 1. “Be Faithful” – Fatman Scoop featuring The Crooklyn Clan (1999) This track is arguably Fatman Scoop’s most well-known hit. It features a catchy blend of hip-hop beats and infectious chants, sampling Faith Evans’ “Love Like This.” “Be Faithful” became an anthem in clubs around the world and topped charts in the UK and Ireland. 2. “Lose Control” – Missy Elliott featuring Ciara and Fatman Scoop (2005) Teaming up with Missy Elliott and Ciara, Fatman Scoop brought his high-energy vocals to “Lose Control.” This song, with its danceable beat and memorable chorus, became a massive hit, earning a Grammy Award for Best Short Form Music Video. 3. “It Takes Scoop” – Fatman Scoop and DJ Felli Fel (2005) Sampling the iconic 1988 track “It Takes Two” by Rob Base and DJ E-Z Rock, this collaboration with DJ Felli Fel showcases Fatman Scoop’s ability to revive classic hits with a fresh twist. His energetic vocals breathed new life into this beloved song. 4. “Put Your Hands Up” – Fatman Scoop featuring Crooklyn Clan (2004) Another party anthem, “Put Your Hands Up” is characterized by its call-and-response style, which Fatman Scoop excels at. The track became popular in clubs and was often used as a hype track at events and sports games. 5. “Drop” – Timbaland featuring Magoo and Fatman Scoop (2001) This collaboration with Timbaland and Magoo features Fatman Scoop’s energetic ad-libs and shout-outs, which perfectly complement Timbaland’s signature production style. “Drop” is a testament to Fatman Scoop’s versatility and ability to adapt to different musical styles. 6. “It’s Like That” – Mariah Carey featuring Fatman Scoop (2005) While not as prominently featured as in other tracks, Fatman Scoop’s voice adds an extra layer of hype to Mariah Carey’s “It’s Like That.” His contribution helped the song become a staple at parties and a hit on the Billboard charts. 7. “So Excited” (Remix) – Janet Jackson featuring Fatman Scoop, Fabolous, Khia, and JD (2006) On the remix of Janet Jackson’s “So Excited,” Fatman Scoop’s energetic ad-libs added a vibrant layer to the track, blending seamlessly with Janet’s sultry vocals. His hyped-up style perfectly complemented the song’s playful, upbeat vibe, making it a standout remix. 8. “Beyonce Before I Let You Go Remix” – (Official) Fatman Scoop/DJ Kazzanova (2019) In this remix of Beyoncé’s “Before I Let Go,” Fatman Scoop teams up with DJ Kazzanova to bring his signature hype and energy. His powerful chants and commands elevate the track, making it a popular choice for dance floors and celebrations. 9. “It’s Your Birthday (CN Remix)” – Fatman Scoop featuring Pitbull In “It’s Your Birthday (CN Remix),” Fatman Scoop collaborates with Pitbull to deliver a high-energy birthday anthem. With his trademark chants and a danceable beat, this track quickly became a favorite at parties and clubs, celebrating life and good times. 10. “(Official) Gangnam Style Remix NYE 2013” – Ft. Fatman Scoop Fatman Scoop brought his unique energy to the global phenomenon “Gangnam Style” with the NYE 2013 remix. His hyped-up vocals and crowd-commanding style added an extra layer of excitement to Psy’s hit, making it a perfect anthem for New Year’s Eve celebrations. Fatman Scoop’s unique ability to hype up a track and get people on their feet has made him a staple in the music industry. These hits not only showcase his vocal talent but also his impact on the world of hip-hop and beyond. His presence will be greatly missed, but his legacy will continue to live on through the music he helped create. Our thoughts and condolences go out to his family, friends, and all who were touched by his remarkable talent.     Britney Cherry is a multimedia journalist, personality, producer, and radio host based in Chicago. She is the host of “The Social Media Rewind” on 104.3 Jams Chicago and serves as a media host for Digiwaxx. With a passion for storytelling and connecting with audiences, Britney covers a wide range of topics from entertainment to lifestyle, bringing her unique perspective and energy to every story.

Directorial Debut of Angie Martinez’s God’s Favorite DJ: DJ Clark Kent Preview

Posted on by Reemo Meerak

God’s Favorite DJ: DJ Clark Kent Preview; Directorial Debut of Angie Martinez Angie Martinez Drops Her First Doc: “God’s Favorite DJ” Angie Martinez, the Lady OG of Media aka “Voice of New York!!!” is leveling up from the airwaves to the director’s chair with her debut documentary, God’s Favorite DJ. If you’ve been rocking with Angie, you already know she’s been deep in the game for years. Now, she’s putting the spotlight on a real legend: DJ Clark Kent. DJ Clark Kent: The Architect of Hip-Hop “God’s Favorite DJ” isn’t just another flick — it’s a tribute to one of the most important kats in hip-hop history. DJ Clark Kent isn’t just a DJ; he’s the dude who helped build the sound of an era. From putting Jay-Z on the map to producing straight fire for Biggie and Mariah, Kent’s been making moves behind the scenes for decades. This doc is gonna break down why DJ Clark Kent is a name everyone respects. Angie Martinez: Storyteller Turned Director Angie’s been the go-to for hip-hop’s biggest names, getting them to spill the real on the mic. Now, she’s flipping the script and taking her storytelling to the screen. With “God’s Favorite DJ”, Angie’s not just telling a story — she’s documenting the culture, the history, and the man who played a major role in it all. What’s the Documentary going to be about? This isn’t just a “get to know” piece — it’s a ride through hip-hop’s evolution, all through the eyes of DJ Clark Kent. Expect rare clips, untold stories, and appearances from the heavy hitters who owe a lot to Kent. This one’s for the real heads who appreciate the roots of the culture. World-class DJ and producer takes us through his four-decade journey in Hip-Hop, influencing icons like Jay-Z, Notorious B.I.G., and Lil Kim, while leaving an indelible mark on pop culture through his music and fashion collaborations. Courtesy of the Director debut of world known Media , and Radio Hall of Fame Figure; Angie Martinez. Why You Gotta See It? If hip-hop runs through your veins, or if you just vibe with a real story, God’s Favorite DJ is a must-watch. Angie’s keeping it raw and real, making sure the culture gets the shine it deserves. The doc’s dropping later this year, and you already know it’s gonna be something special. Don’t sleep on it. As per usual #MyCreatives, ON TO THE NEXT!!!! Follow Me on Social Media: InstaGram:  https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S.https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV:https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features:ReemoMeerakBrand.info@gmail.com Shop The Merch:https://reemomeerakbrand.myshopify.com

“Music at the Height of Social Media: What Do We Stand to Gain and Lose?”

Posted on by britneycherry

Music in The Past I remember years ago when I was first introduced to Khia, the Philadelphia-born rapper with a lot to say about sex, clubbing, and independence. No matter how I felt about the content of the lyrics, it didn’t matter, I was 20 and the song had a catchy hook that reminded me I was young and carefree. In 2024 now a woman in her 30’s of course my outlook on music has changed but so has everything about the music landscape. Why do we not give grace to the 20-year-olds of today who enjoy music from Ice Spice, Sexxy Red, Glorillia, lotto, and Meg the Stallion? Have we become so cynical that we forget about artists like Lil Kim, Foxxy Brown, Khia, Adina Howard, and many others whose music was sexually charged and liberating to women in the culture? What about the new school that’s not the same? Has the Ratchet sound become too dominating over all other types of music? And has social media influenced us to not care about album sales and only about the personality and relatability of the artist? What About Album Sales? Let’s dive into some numbers and a bit of history. In 1996, Lil’ Kim released her debut album, “Hard Core,” which sold over 5 million copies worldwide and earned a double platinum certification from the RIAA when she was just 22 years old. In contrast, Ice Spice, at a similar age, sold around 28,000 units with her debut album, “Y2K!” Social media has had a profound impact on album sales, how music is marketed, consumed, and perceived. One major change is that artists who take advantage of social media now have access to global audiences with a single swipe. Artists can promote their music directly to millions of fans, so why are album sales so low? In theory shouldn’t it be higher? While physical sales have decreased, digital sales have skyrocketed replacing the need for physical copies. Without the help of social media Lil Kim sold 5 million physical copies with her debut album, yet Ice Spice streamed 90 million in digital streams through DSPs like Spotify. It’s impossible to know how many streams Lil Kim would have racked up for her debut album, but something should be said about the hard work required to sell 5 million physical copies. What’s Changed? Social media has drastically transformed the way we consume music in several keyways. Social media has brought changes that would have been unimaginable decades ago. Platforms like Instagram, TikTok, and Twitter have made discovering new music quicker and more effortless than ever before. Artist can share snippets of their latest tracks, which can go viral within hours. TikTok has become especially influential with many songs gaining massive popularity thanks to user-generated videos and dance challenges. Ice Spice for example gained her fame from posting a TikTok video to the “Buss it” Challenge in 2021 that went viral, she used her newfound internet fame to launch her SoundCloud song “Bully” and that fostered her deal with Capitol Records. Lil Kim’s career began after meeting Notorious B.I.G on a street corner where she performed an impromptu rap. No followers, no frills just a talented artist at the right place and right time. Direct connection with the artist is one of the most significant changes brought by social media. Back in 1996, unless you were invited into spaces that allowed you to have a more personal experience with the artist, there was no way to know what the artist did behind the scenes. Through platforms like Instagram Live or Twitter Spaces, we can feel way more connected to the artist without having to purchase anything or attend live events. Next, we must discuss Streaming and Playlists with the integration of social media. This transformation has made it so easy to hear new music, download it, share it with friends, and even use it to create your social media content. We all discover new music without really having to invest time in searching for it. Has this impacted our level of excitement for new music even from our favorite artist? Before social media there was so much anticipation for that latest single or album from an artist. With the music industry being so concentrated with new music on our algorithms, it’s hard to tell what new music we should be excited about. The Pros and Cons Although music has changed, we still have a lot to gain from utilizing social media like increased accessibility and exposure to global audiences, direct artist-fan interaction, viral marking opportunities and campaigns, real-time feedback on projects, and collaboration opportunities. On the flip side, there are downsides to music streaming and the social media influence, like short attention spans, the decline of album culture, buying physical albums and owning  intellectual property, the pressure artists are under to constantly produce content, and the authenticity of the artist, when everything is for the approval of social media how do we know when we are getting the real version of the artists or some sort of manufactured industry pleaser? Social media has undeniably changed the scope of the music industry offering many benefits but also presenting challenges that can impact artistic integrity and the traditional music experience that we have grown up with. There is a balance that can be reached, so let’s give grace to the new artist and the seasoned professionals attempting to navigate these unpredictable times. Sources: Lil’ Kim: Biography, Rapper, Musician Ice Spice Reacts To Her Debut Album ‘Y2K!’ Sales (rap-up.com) TikTok has changed music — and the industry is hustling to catch up : NPR Britney Cherry is a multimedia journalist, personality, producer, and radio host based in Chicago. She is the host of “The Social Media Rewind” on 104.3 Jams Chicago and serves as a media host for Digiwaxx. With a passion for storytelling and connecting with audiences, Britney covers a wide range of topics from entertainment to lifestyle, bringing her unique perspective and

The Impact Kendrick’s “Not Like Us,” has had on Pop Culture

Posted on by David Lopez

Kendrick Lamar’s “Not Like Us,” and its references have appeared in TikTok dances for middle school proms, marching bands, and even utilized  by a weatherman. The  hysteria has consumed popular culture, creating a line in the sand on what’s authentic and what’s disingenuous . With Kendrick’s “The Pop Out,” concert in Los Angeles on Juneteenth, the entire West came out to support and give resistance to Drake’s claim that he got more love than K. Dot in his own city. When Doctor Dre whispered “ I see Dead People,” over the DJ Mustard produced hit, and NBA Basketball star Russell Westbrook and YG danced all over the “ Not Like Us,” set which he performed five times for good measure. Hip-Hop fans understood we were witnessing Drake’s public crucifixion and funeral. In an article I published on May 5th for Diggiwaxx,https://digiwaxx.com/drake-vs-kendrick-whos-ahead-on-the-score-card/ I had this mega battle with Drake and Kendrick Lamar being close. At the time I had Drake’s “Family Matters,” as the best song in the combat exchange. And though I knew K. Dot came on strong with four songs in one week. I felt like Drake won points for seeming more truthful. Kendrick’s accusation of Drake having a daughter and being a pedophile had no supporting evidence and I felt at the time it came across as a desperate attempt to defame Drake. My article  did not age as well as I anticipated.   The  public and internet declared  Kendrick as the decisive winner. The impact of “Not Like Us,” changed everything for Drake and the outcome of this battle. So the question is what is it about “Not Like Us” that made it such an anthem and viral sensation? Here are 10 reasons I mustered up, get it ( DJ Mustard). Ha Ha, I crack myself up sometimes, lol.  DJ Mustard gifted Kendrick a taunting piano chord that was the perfect backdrop for Kendrick’s expose of Drake’s fraudulent ways.  Kendrick picked Drake apart by highlighting his close proximity to Atlanta rappers for cultural acceptance, even going so far to call him a “colonizer.” The “Ov Ho”side to side dance is hilarious. The clever connections to Karl Malone, Tekashi 69, and Bill Cosby all either guilty or accused of inappropriate sexual assaults on women is genius. The line about beating Drake and hiding the Bible if God was watching has shock value that only elite emcees can bring to the table . He lived up to certified boogeyman mystique, Kendrick is not one to play with. “Not like Us, “becomes an anthem, at a perfect time while people are outside, the summer. It felt like we got more music from K. dot in a week than we got all of 2024. Just when Drake was looking like Thanos, K.Dot not only stole his thunder he sent him to Hip- Hop exile for the foreseeable future. K. Dot utilized the diss moment at ” The Pop Out” to unite the West Coast gangs in a sign of celebration and  unity. It feels good to finally admit my wrongs, and to see what the majority saw quite early on. Kendrick  created a significant hip hop moment, highlighting Drake for clout chasing artists when beneficial, and unified what seems like the entire world in ensuring the rapper who created the song “God’s Plan,” was instead destined to be exposed as a “liar.” Drake is as quiet as a church mouse these days with music right now, let’s see if he can reincarnate out of the  pet cemetery Kendrick Lamar buried the For All The Dogs  pop Star in.   By David Lopez Follow on Instagram @DLopez_718

Ghostface celebrates Set the Tone album and his birthday in New York City

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  Ghostface Killah celebrated his birthday and premiered his new album Set the Tone (Guns & Roses), at the same damn time last night at Republic Records in New York City. Media and influencers previewed the album just hours before it was released to the public on digital streaming platforms. The LP features a cast of Hip Hop’s elite including Kanye West, Jarule, Nas, Fat Joe,  Busta Rhymes and Remy Ma. The album has a feature on every track except for the skits and outro. The evening was highlighted by the sounds of DJ Scram Jones, who played a heavy 90’s NYC set, with artists like Nas, Mobb Deep, and Jay Z to the crowds preference. The audience enjoyed Belaire champagne, appetizers, and Ghostface’s gourmet coffee “Killah Kofee.” Some artists who came to support Ghostface included “Simon Says,” emcee Pharoahe Monch, who shared with me that he’s working on a new album titled External Affairs which will drop later this summer. Rock the Bells personality and emcee Torae, Saturday Night Live’s  Kenan Thompson, reggae singer Serani, and rappers Jim Jones, NEMS, and Large Professor. Ghost performed some tracks off the album including the up tempo Kanye West featured “ No Face,”  “ 6 Minutes,” featuring Jim Jones and Sheek Louch and ” Pair of Hammers,” with  Method Man. The crowd was later treated to a super hype freestyle from Wu alum Cappadonna,  a Serani performance of “ No Games,” and Jim Jones  jump shot gesture as Scram Jones played his iconic ” Ballin.”  Set the Tone is well-rounded with a blend of R&B and soul features on “Locked In,” & ” Skate Odyssey,” a boom bap moment with “Kilo In the Safe,” and reggae-influenced tracks like ” Shots,” and “Champion Sound.” His storytelling is unparalleled and on tracks like “Cape Fear,” and “Scar Tissue,” he showcases these narration talents. And like his Wallabee collection, he’s got  various styles to chose from. On his born day, Ghost owned the night,  and Hip Hop was better for it! You can find Set the Tone on all streaming platforms. Written By David Lopez Video Credit: Damatrixstudio  

Drake vs Kendrick: Who’s Ahead on the Score Card?

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A lot has happened over the weekend with Drake and Kendrick Lamar, and if rapping was boxing, both heavyweights have shown up to compete for the belt. After finally responding to Drake’s “ Drop and Give Me 50,” with the cryptic “Euphoria,” K. Dot followed up days later with “6:16 in LA,” keeping the pressure on Drake’s neck. Over an Al Green sample, Kendrick alludes to Drake having moles in his camp that are feeding him info, “ Are you finally ready to play have-you-ever? Let’s see, have you ever thought that OVO is working’ for me?… Fake bully, I hate bullies, you must be a terrible person. Everyone inside your team is whispering that you deserve it.” Kendrick honed in on the OVO team’s disloyalty and their dislike for their cash cow. K. Dot’s pressure did not last long as Drake’s “Family Matters,” dropped fourteen hours later. The track is accompanied by a video where the same minivan Kendrick’s mom drove, and he featured on the cover of good kid, m.A.A.d city album was crushed to pieces. And Drake is seen eating at the restaurant Kendrick recently brought attention to on “ Euphoria,” in Toronto, New Ho King, trolling Kendrick. The track is sonically pleasing as Drake changes rap patterns over three different fire beats from Boi-1da, Tay Keith, and Mark Ronson.  In my opinion, this is the best complete and radio-friendly song that came off the battle series this weekend. With allegations that Kendrick is abusive to the mother of his children Whitney Alford, and that one of his children may be fathered by K. Dot’s general manager Dave Free. He even adds that J Cole is losing sleep over battling K Dot but he’s stepping up to the challenge. And  he takes a shot at Rick Ross, “body after body, Ricky reading me my Miranda rights,” an assertion to Ross’s former employment in law enforcement. Drake is taunting and showcasing his dominance over K Dot and the rap universe over this 7-minute-plus track. Drake’s response did not get much time to settle. An hour later Kendrick responds with “ Meet the Grahams,”  over eerie piano chords, he recites a toxic letter to Drake, his parents, his son Adonis, and a mystery eleven-year-old daughter. The track  is  straightforward and  disrespectful  as he questions Drake’s existence and expresses that K . Dot would be a better father figure to Drake’s son than him. As Kendrick reads, “ Dear Adonis I’m sorry that that man is your father, let me be honest takes a man to be a man, your dad is not responsive I look at him and wish your grandpa would a wore a condom I’m sorry that you got to grow up and then stand behind him.” The song  has its moments of providing shock value and describes Drake as a man with several vices including gambling and pill popping.  However, Kendrick has to lose  some points if he is wrong about Drake having a hidden daughter. It shows a level of desperation or bad intel. Drake has denied hiding his daughter on an Instagram story. Less than 24 hours later, Kendrick dropped his 4th song this week “ Not Like Us, “ where he claims Drake and his OVO camp are pedophiles. One of the OVO artists Baka Not Nice, was charged with prostitution and human trafficking in 2014, the charges were later dropped. In addition, K. Dot accuses Drake of using artists from Atlanta like 21 Savage and Future for credibility and that he was not a colleague but more of a “colonizer.” This was definitely a moment for K. Dot Fans, with the personal and comedic content such as “‘scream OV HO.” With Kendrick’s output of four tracks in a week gave him advantage, but Drake has the better song with “Family Matters,”  and Kendrick may have reached with the accusations of hidden children. I had Kendrick in the lead because of all the music he’s put out the last week, as he keeps  applying the pressure, but the fact that Drake is holding his own is a win within itself, as Kendrick is more revered for his lyricism in the court of Hip Hop popular opinion. With the release of  “The Heart Part 6,” Sunday night, reactions  began to shift to Drake being up in this battle. On the song, he talks about setting Kendrick up with false information to trick him to thinking he had a daughter, and about Kendrick being sexually abused as kid.  He also reveals that the mother of children is not following him on Instagram, but is following the manager Dave Free, adding to the idea that Kendrick and her are on the outs, and her and Free may be romantically involved. At the moment it feels like Kendrick won lots of the mini battles with his heavy onslaught of content over the last week.  But Drake is currently winning the bigger contest, the one of truth. And Hip Hop fans are getting the best of this war of words.   Written By David Lopez

Will “Tale Of The Tape” be good enough to BUY OR RENT on Amazon Prime Video?

Posted on by Reemo Meerak

Amazon Prime Video: “Tale Of The Tape” Review Written & Directed by Malik K. Buie Executive Producer; Kim Osorio Executive Producer; Rashad Casey  Producer; Joslyn Rose Lyons  Hey #MyCreatives, Whoooooooooo what a few weeks of HIP HOP. From J. Cole bowing out spiritually and respectfully, Chris Brown smoking the dust pedals off of Quavo with his bars, and DRAKE vs KENDRICK Battle getting more intense as the weeks go on. Now onto the ordeal at hand that’s rather is sparking the question, “Will This Documentary help support the DJ Community”. The documentary at hand, called “Tale Of The Tape”. The documentary is an exclusive Buy ($7.99USD) or Rent (Up To 30 days for $4.99USD) on Amazon Prime Video. I will breakdown and review the GOOD, BAD, and #ReemoApproved of this documentary. The GOOD:  I will admit this was a solid and substantially researched documentary. The testimonies from Today & Older generation DJ’s and Music artists really giving props and honoring the impact of mixtapes. I feel they meshed the emotional and intellectual tie of the documentary of the culture. Honestly, can’t see too much of a “BAD”. The BAD:  I don’t think this is a documentary for the Hip Hop Culture Purists. This is more for the Fan who was of the mid 80’s to Mid 2010’s (Where Mixtapes got pushed away due to streaming) that lived through the emergence and impactful movement during those times. The video content seems “Dated” but the stories are still epic. Also, they should’ve broke it up to a series like “Hip Hop Evolution” (Netflix) did by regions would suffice the Hip Hop purist.  The #ReemoApproved  Honestly, there shouldn’t be any complaints past breaking it up by regions instead of seemingly the North, despite the one time with DJ Drama from Atlanta(By way of Philly). Also, it was debuting on Amazon Prime so they collectively had to put the best figures that are going to draw engagement and the dollars back to profit….end all be all this is still a business. For me as a semi-historian of Hip Hop, very entertaining and pleased of what was presented. Salute to Malik K. Brie, Kim Osorio, Rashad Casey, and Joslyn Rose Lyons for putting the documentary together.    In conclusion, “Tale Of The Tape” on Amazon Prime Video delivers a gripping narrative that seamlessly intertwines the worlds of Mixtapes & Music within the Hip Hop Culture. With its compelling figures of Hip Hop, nuanced storytelling, and powerful testimonies, it immerses viewers into the impact and intensity of the movement while exploring deeper themes of business growth and resilience in Hip Hop Culture. Coupled with its high production values and authentic portrayal of the Hip Hop,          “Tale Of The Tape” emerges as a semi-must watch for both Hip Hop enthusiasts and fans who want to relive of those times. As per usual, ON TO THE NEXT #MyCreatives     Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_/ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscibe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: ReemoMeerakBrand.info@gmail.com Shop The Merch: https://reemomeerakbrand.myshopify.com/

Universal Music Group Catalogs return to TikTok

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In an interesting change of events Universal Music Group has agreed to a licensing deal with TikTok. This agreement has allowed UMG artists’ music catalogs back on the popular platform for creatives, TikTok, which has a billion plus users worldwide. Some of the artists under the UMG umbrella include Lady Gaga, Drake, Taylor Swift, Bad Bunny and Kendrick Lamar. In February, the music behemoth removed their music from the app, causing a disruption for artists under the conglomerate who use TikTok to expand their exposure worldwide. The removal of the music also affected creatives and influencers as their videos remained, but the complementary sound was removed from their mobile video posts. The UMG press release states, “ UMG and TikTok will deliver improved remuneration for UMG’s songwriters and artists, new promotional and engagement opportunities for their recordings and songs and industry-leading protections with respect to generative AI. Sir Lucian Grainge, Chairman and CEO, Universal Music Group, added in the press release : “This new chapter in our relationship with TikTok focuses on the value of music, the primacy of human artistry and the welfare of the creative community. We look forward to collaborating with the team at TikTok to further the interests of our artists and songwriters and drive innovation in fan engagement while advancing social music monetization.” And Ole Obermann, TikTok’s Global Head of Music Business Development, said: “We are delighted to welcome UMG and UMPG back to TikTok. We look forward to working together to forge a path that creates deeper connections between artists, creators, and fans. We will work together to make sure that AI tools are developed responsibly to enable a new era of musical creativity and fan engagement while protecting human creativity.” While the specific financial terms of the licensing deal have not been revealed, when the previous contract expired with TikTok, the two entertainment companies could not come to terms over royalty payments. One thing is for certain, creatives worldwide are excited to have some of their favorite artists’ music back on the most used and downloaded app globally and hopefully artists are getting a more equitable share of royalties for their music. It is estimated that 20 to 30 percent of the music played on TikTok is from UMG artists. Written By David Lopez

Megan Thee Stallion vs. Nicki Minaj Beef: Hip-Hop’s Dynamic Figures Weekend Battle

Posted on by Reemo Meerak

What a Weekend?!!!!! The world of hip-hop has always been a stage for dynamic personalities, lyrical prowess, and occasional controversies. Megan Thee Stallion vs. Nicki Minaj beef is one such episode that grabbed headlines and ignited discussions within the rap community and social media world. In this article, we delve into the origins, key moments, and underlying power dynamics of this high-profile feud. Megan Thee Stallion and Nicki Minaj, both powerhouse women in the rap industry, found themselves at the center of a feud that captivated fans and media alike. The tension between the two artists seemed to emerge from a combination of industry competition, alleged behind-the-scenes disputes, and differing perspectives on female empowerment within the hip-hop scene. The beef gained momentum as fans observed the changing dynamics between Megan and Nicki, who had previously collaborated on the track like “Hot Girl Summer”. Speculations arose about a fallout, and misunderstanding on social media leading to heightened interest and scrutiny. Also, Megan’s latest track; “Hiss” seems to bring back the beef to the forefront!!!! The digital realm became a battleground for the feud, with both artists using social media platforms to express their sentiments. Subtle jabs, cryptic posts, and direct messages fueled the fire and provided fans with an inside look into the conflict. Fans played a significant role in amplifying the beef, taking sides and passionately defending their favorite artist. Social media debates and discussions further intensified the feud, turning it into a pop culture spectacle. Also, fans are leaning more towards Megan because of the recent track and Nicki’s fanbase; “The Barbs” have one again come in defense of their Queen. Megan Thee Stallion just released her track called; “Hiss” where it’s seemed as the shot for Nicki: “These hoes don’t be mad at Megan, these hoes mad at Megan’s Law I don’t really know what the problem is, but I guarantee y’all don’t want me to start Bitch, you a pussy (you a pussy), never finna check me (yeah) Every chance you get, bet your weak ass won’t address me (ho) Bitches swear they G, but the G must stand for goofy When the fuck did all the gangster niggas turn to groupies?” Nicki responds on her IG Live with a sample of her diss track called “BigFoot” stating: “Bad bitch she like six foot, I call her big foot, the bitch fell off I said, ‘Get up on your good foot.’” Some speculations that this beef could be off Megan’s friendship with Cardi B. whom she did a previous track called “W.A.P.” and their friendship grown since that time frame. Also, Minaj has a longtime issue with Cardi B. & a history of issues with those that are “cool” or in alliance with her (Cardi B). Besides Nicki, someone feels uncomfortable with Megan’s Bars, and that’s one Moniece Slaughter who took to X (Twitter) to express her insight: Despite the rules of “Rap Beef” or “Diss Tracks” changing over the years in the culture, Moniece poses an interesting question “Was Megan out of line for that bar?” Nicki dropped “Bigfoot” her response to “Hiss” track on Sunday at 6PM. A good amount of people took to social media, and were not pleased of Nicki’s response, but the Nicki posted on her X(Twitter) that she has four more tracks coming. Female rappers are often pitted against each other, perpetuating stereotypes and undermining their achievements. The hip-hop industry is highly competitive, and success is often measured in terms of chart performance, awards, and record sales. The feud highlighted the pressures artists face to maintain their status, with their “beef”becoming a symbol of the times within the culture. Both Megan Thee Stallion and Nicki Minaj are not only talented rappers but also symbols of empowerment for women of color. The beef raised questions about how intersectionality intersects with power dynamics in the hip-hop industry and the challenges faced by black women in navigating fame, success, and public scrutiny. Also, the changing of the guard amongst the artists. Conclusion: Megan Thee Stallion vs. Nicki Minaj beef provides a glimpse into the complexities of the hip-hop industry, where talent, competition, and societal expectations intertwine. As fans eagerly await resolution or further developments, the feud serves as a reminder of the ongoing nuances faced by women in the world of rap where the egos overweigh their need for a more supportive and inclusive environment within the music industry. As usual…. On the next #MyCreatives – Reemo Meerak, Correspondent/Contributor   Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: ReemoMeerakBrand.Info@Gmail.com

Unpopular Opinion vs Dismissing The Message: Stephen A. Smith or Rashad McCants

Posted on by Reemo Meerak

Rashad McCants vs SAS (Stephen A. Smith) is rather ironic at best because it’s two people whom people dislike overall of their upfront takes but their messages get misconstrued of the person themselves because of such within the Sports Media world of Today. The spark of their back and forth over the Internet derived from a take on Stephen A. Smith Podcast where he made the claim that “Kobe Bryant isn’t the 2nd Greatest Basketball Player of all-time”. Rashad “Clap-Back” on Gil’s Arena to rebuttal against that claim, but took to things rather “Too Defensive” in some eyes. He felt, SAS was decimating Kobe’s overall legacy with that claim. Along with he never would or did such when the NBA Legend was alive. For Stephen A. Smith, there are times people may not like his takes but, can’t say he’s never upfront with sports topics or his knowledge is never on display, as well as he holds back of such. Oftentimes, it’s misconstrued by dislike of his takes as a Sports Journalist and Media Personality vs the actual person. Stephen A. Smith is like a “Professional Sniper”, who just gets the job done, and quite frankly doesn’t care for the emotions until after it’s all said and done. Also, has a humorous, and entertaining element to his craft. You can’t blame him or have a heavy distain upon him for that. If such were the case, then ESPN would’ve released him like they did previously in his career. He’s the “Cash Cow” for the network, and he’s been the most consistent sports analyst/figure the network as had since God rest his soul; Stuart Scott. Rashad McCants may seem “off the chart” with his takes on Gil’s platform; but he speaks entirely off of a Player’s preference mindset and rightfully so being a former Professional Athlete, as well as he’s highly passionate about it. The only thing is, his personality is brewing towards being “Unlikeable” and that’s where things get unfortunately tricky and convoluted as to if he’s just talking out his “Ass”. Also, gets highly dismissed because his career wasn’t considered or respected as such to make claims or sports takes of that caliber. End all be all, he’s a figure and element on the platform that adds onto the litany of edge that the Gil’s Arena platform requires. Face it folks, he’s not going anywhere. Say what you want or feel, but I really wish when it comes to hearing the “Ugly Truth” from them, or anyone in Sports Media just minus your feelings and could we just GROW UP!!!!. “Ugly Takes” or “Unpopular Opinions” are in Sports Topics for a reason, to inflict a difference amongst people who don’t think the same or don’t feel to “fluff”around in conversation. Sports Topics in its entirety are going to have that “Hero vs Villain” effect because of the personality you’re coming to grow, and become a fan of. Should it be as high of a “Popularity Contest” to not have in conversation? NO!!!. What if everyone agreed, then it would be BORING AF!!!! (Apologies for the children reading at home…lol). Who’s going to watch that? What ratings are coming in, or streaming numbers? There’s going to be a debate regardless of Sports Topics, but dismissing Opinions or claiming a person is willingly disrespecting towards a legacy just because of not liking the person is a reach. YES, there’s Opinion but in today’s society it counts only for who’s liked the MOST, and for that it’s UNFAIR. On to the next #MyCreatives Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: ReemoMeerakBrand.Info@Gmail.com

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