Reunited: Snoop Dogg’s  “Missionary,” Album Review

Snoop Dogg and Dr. Dre will forever be figuratively attached to the hip. The success of Dre’s epic 1992 LP(Long Play), The Chronic, showcased the then-young Snoop’s distinct and stylish flow, with stand out verses on “Nuthin’ But A “G” Thang,” and “F*ck Wit Dre Day.” The following year, Snoop’s debut Doggystyle helped solidify the West Coast’s emergence on the national hip-hop scene. Over 30 years later, Snoop’s Missionary LP,  is the closest fans will get to Dre’s signature stadium sound on an entire album. While this LP does not have the mystique of the long-anticipated and unreleased Detox, and has its moments of braggadocios commercialism, overall it’s sonically pleasing, and experiments with various genres while keeping Snoop’s signature sound intact. The thumping “Outta Da Blue” highlights Snoop and Dre exchanging bars over invigorating production. On “Hard Knocks,” Snoop describes his penchant for defying the odds and overcoming hurdles to reach the finish line and remain in the winner’s circle. The Tom Petty and Jelly Roll-assisted “Last Dance with Mary Jane,” presents a refreshing merger of country and hip-hop. While this might not be what hip-hop purists expected, it’s a delightful fusion. And “Another Part of Me,” featuring British rock star Sting, is a feel-good track that makes you appreciate the present, especially with Sting’s lyrics, “There’s no better time than today.”   Snoop and Dre together on an album is exactly what fans wanted and what hip-hop needed. It shows that some brotherly bonds are unbreakable, and the people you started your career with will always have an influence on you. If you’re fortunate enough, you can come back years later with a more worldly and mature perspective and do it all over again. The album title is a clever play on words, as Missionary refers to both a sexual position (a nod to Snoop’s Doggystyle) and the idea of a missionary—a charitable hero, whose mission is accomplished. And there you have it—mission accomplished, fellas! In a world of ever-changing sounds, Missionary reminds us that some musical bonds are timeless, and Dre and Snoop are still at the top of their game.   Words By David Lopez

Can Glorilla’s new album; “Glorious” draw Hip Hop Album Of The Year honors in 2025?

#MyCreatives what it dew…. Once again, Hip Hop Music in 2024 has really taken it this far with the jammed packed filled of multi-talented music with a mixture of current, and veteran artists really bringing the pain with quality, and well produced music for listeners. Now, we have one of the more known Hip Hop stars entering the mix with; Glorilla. Already with historical first week sale numbers, and popularity like no other. One or many will start coming to terms that “Glorious” could be stamped for high honors and awards in 2025. Make no mistake about it, Glorilla’s unique style, and tone makes her music not only relatable, but even a non-fan will have no choice to “bop” to her music. Her personality is a compliment to her already talented, as well as determination approach of being one the best in the industry and it shows heavily. Glorilla has some heavy competition in Hip Hop Music for her album to be crowned “Best Female Hip Hop Album Of The Year”. From Rapsody’s “Please Don’t Cry”, Nicki Minaj’s “Pink Friday 2″, Doechii‘s Alligator Bites Never Heal, Doja Cat‘s Scarlet 2 (Claude), Latto‘s Sugar Honey Iced Tea, Megan Thee Stallion‘s Megan, Sexyy Red‘s In Sexyy We Trust, Tierra Wack; “World Wide Wack”, that come to mind for me when it comes into 2025 possible selections for honors and awards. Now we know, and have come to terms that the Recording Academy sees things differently. For me, as a media figure, contributor, and fan of the culture this year has been one of the most fun-filled, and enjoyable displays of music within the culture. The parity is displayed heavily, as well as the contrast between the current younger generation talent, and the veteran artists is not a large gap by any means. The production quality amongst the albums are highly impressive and notable, as well as going into Grammy & American Music Awards season has never been this intense in a while. Don’t take my word for it, or feel I’m against Glorilla (I have no win in that race, or feel she is not talented). YES, I feel her latest album is a quality, and very diverse album. Definitely amongst the middle of the album where she goes deep with a few tracks, as well as the features with Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore, Muni Long, FRIDAYY, and T-Pain along with getting a Megan Thee Stallion feature shows that she wanted this project to be different than what she has already presented with her music. My Favorite Tracks: Procedure Featuring Latto TGIF Stop Playing Rain Down On Me feat Kirk Franklin, Maverick City Music, Kierra Sheard, and Chandler Moore Glo’s Prayer How I Look Featuring Megan Thee Stallion Let Her Cook (Grew on Me, but is still a “Вор”) I LUV Her Featuring T-Pain (Interesting) Queen Of Memphis Featuring Fridayy (A Solid track to close out) I will say, if she’s able to be victorious with “Glorious” in 2025 and receive multiple honors and awards, then for sure she will be cemented on the path of Greatness, and in a quick succession rate like no other. As per usual, #MyCreatives….. ON TO THE NEXT!!!!! Follow Me on Social Media: Instagram: https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok:  https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subscribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: ReemoMeerak1@reemomeerakbrand.com Shop The Merch: https://reemomeerakbrand.myshopify.com

The Consequences of Meeting Rapper Consequence

Me and Consequence the day we recorded “Hip Hop Unpacked,” podcast. Damien DWI Williams,  Caiden the Crown Holder, and Consequence May, 2023 at listening party for earlier version of Nice Doing Business With You. I attended a listening party in May 2023 for Consequence’s studio album “Nice Doing Business With You,” at Platinum Sound Recording Studios in New York City. It was a fan’s, writer’s, and media coordinator’s delight. Here I was, getting an early listen to the album from one of the premier songwriters of our time — someone who has worked with Kanye West, Beyoncé, and a member of arguably the greatest hip-hop group of all time, A Tribe Called Quest. I took a liking to the album, with heat rocks including the Amerie-assisted “Blood Stain,” and a witty track that spoke to the difficulty of co-parenting with Sheek Louch, “Baby Moms.” He also provided social justice content on tracks like “Who Shot Jamal,” with his son Caiden the Crown Holder, which describes the impact of gun violence in inner-city communities, and a feature from Chuck D on “What Has America Done for Me?” which dives into effects of slavery and the history of racial oppression in the United States. The album felt necessary. It’s hip hop — entertaining, but also filled with commentary that challenges the status quo and moves the conversation toward change. You can imagine the joy I felt on Friday, September 27th, 2024, the day the actual album dropped — a whole year and four months after that listening party in New York City. I was hyped, finally going to listen to the official album from one of NYC’s elite emcees, an artist I had sung along to as a teenager on his epic standout appearance on “Stressed Out” off ATCQ’s “Beats, Rhymes, and Life,” album. This excitement turned into disappointment when several of the songs I heard weren’t on the album. I felt cheated. Hearing the album, which on first listen felt more R&Bish than the version I heard with several singing choruses gave me more New Edition vibes than Hip Hop, and had me confused. I shared this confusion with a well-respected media friend, and he shared that with Consequence. It was relayed to me that the Queens rapper respected my thoughts about the missing songs and that a deluxe version was actually coming out in a few weeks with some of the tracks I heard at listening party. He connected me to the rapper and  Consequence himself wanted to personally show me the video for the track with Chuck D, “What Has America Done for Me,” which will be included in the deluxe version of “Nice Doing Business With You.” And this is how I set up my first podcast interview ever with the illustrious Consequence. I asked my good friend Damien “DWI” Williams, to co-host, he is known as the pioneer of podcast production in hip-hop circles in New York City, and he provided his studio to watch the “What Has America Done for Me” video and interview Consequence. It had been a while since I interviewed anyone in person, and it was my first time having it recorded. I was a little nervous. I’m good at preparing questions and passionate about writing and booking artists for other radio shows, but I was not sure how I’d do on a podcast. I came up with the name of the pod the day before we recorded, “Hip Hop Unpacked,” because I wanted to create a podcast in which I delved deeper into the root and inspiration for creating hip-hop. Consequence showed up to the pod, and we were ready to rock. We spoke briefly, and I asked why the album took so long to be released, considering I had heard a version of the album in May 2023. He explained that he was taking his time to get the right distribution for the album. My follow-up question was, “What happened to all the other songs I heard at that listening party that didn’t make the album?” He said he would be releasing the deluxe album within a few weeks, with songs like “Who Shot Jamal” and “What Has America Done for Me.” Then he showed me the video for that song featuring Chuck D. The video is moving — an exposé of the atrocities and inhumane treatment given by the United States power structure to African Americans. We spoke with Consequence for an about an hour about different topics including the health scare he endured with lupus and diabetes, and how he had to change his diet which altered his outlook on life. He even selected an album cover to show him in a successful, celebratory state in a Maybach, wearing a Rolex, to show him living life fully when just a few years ago he was concerned about surviving. I quickly learned how passionate he is about his art. He recited his lyrics when explaining the meaning of songs like “Overdose.” On the track that features YNW Melly, you can hear the pain he lived through during the 80’s crack era. The album is full of mature content that makes you think about the effects of drug abuse, mass incarceration, and relationship struggles. I’m happy to see Cons get this moment. He has always been hungry and talented, but on this new album, he finally gets to shine as a solo artist as he and his son are the only ones who rap on the entire album. During the podcast interview, we spoke about how much his cousin Q-Tip liked the project, and how he had a full-circle moment — close to 30 years in the music business, and getting praise from his cousin was like Coach K awarding him the championship. After better understanding the challenges he’s overcome, and discussing his growth as an artist and human being, Cons is hard to root against. He’s tackled life, music industry hurdles, and is still competing for his proper place in the hip-hop pantheon. And next up for him is

10 Iconic Tracks That Showcase Fatman Scoop’s Signature Hype

Fatman Scoop, known for his booming voice and energetic style, has left an indelible mark on the music industry. He’s contributed to many chart-topping hits across different genres, particularly in hip-hop and R&B. Here’s a look at some of the iconic tracks that feature his signature hype: 1. “Be Faithful” – Fatman Scoop featuring The Crooklyn Clan (1999) This track is arguably Fatman Scoop’s most well-known hit. It features a catchy blend of hip-hop beats and infectious chants, sampling Faith Evans’ “Love Like This.” “Be Faithful” became an anthem in clubs around the world and topped charts in the UK and Ireland. 2. “Lose Control” – Missy Elliott featuring Ciara and Fatman Scoop (2005) Teaming up with Missy Elliott and Ciara, Fatman Scoop brought his high-energy vocals to “Lose Control.” This song, with its danceable beat and memorable chorus, became a massive hit, earning a Grammy Award for Best Short Form Music Video. 3. “It Takes Scoop” – Fatman Scoop and DJ Felli Fel (2005) Sampling the iconic 1988 track “It Takes Two” by Rob Base and DJ E-Z Rock, this collaboration with DJ Felli Fel showcases Fatman Scoop’s ability to revive classic hits with a fresh twist. His energetic vocals breathed new life into this beloved song. 4. “Put Your Hands Up” – Fatman Scoop featuring Crooklyn Clan (2004) Another party anthem, “Put Your Hands Up” is characterized by its call-and-response style, which Fatman Scoop excels at. The track became popular in clubs and was often used as a hype track at events and sports games. 5. “Drop” – Timbaland featuring Magoo and Fatman Scoop (2001) This collaboration with Timbaland and Magoo features Fatman Scoop’s energetic ad-libs and shout-outs, which perfectly complement Timbaland’s signature production style. “Drop” is a testament to Fatman Scoop’s versatility and ability to adapt to different musical styles. 6. “It’s Like That” – Mariah Carey featuring Fatman Scoop (2005) While not as prominently featured as in other tracks, Fatman Scoop’s voice adds an extra layer of hype to Mariah Carey’s “It’s Like That.” His contribution helped the song become a staple at parties and a hit on the Billboard charts. 7. “So Excited” (Remix) – Janet Jackson featuring Fatman Scoop, Fabolous, Khia, and JD (2006) On the remix of Janet Jackson’s “So Excited,” Fatman Scoop’s energetic ad-libs added a vibrant layer to the track, blending seamlessly with Janet’s sultry vocals. His hyped-up style perfectly complemented the song’s playful, upbeat vibe, making it a standout remix. 8. “Beyonce Before I Let You Go Remix” – (Official) Fatman Scoop/DJ Kazzanova (2019) In this remix of Beyoncé’s “Before I Let Go,” Fatman Scoop teams up with DJ Kazzanova to bring his signature hype and energy. His powerful chants and commands elevate the track, making it a popular choice for dance floors and celebrations. 9. “It’s Your Birthday (CN Remix)” – Fatman Scoop featuring Pitbull In “It’s Your Birthday (CN Remix),” Fatman Scoop collaborates with Pitbull to deliver a high-energy birthday anthem. With his trademark chants and a danceable beat, this track quickly became a favorite at parties and clubs, celebrating life and good times. 10. “(Official) Gangnam Style Remix NYE 2013” – Ft. Fatman Scoop Fatman Scoop brought his unique energy to the global phenomenon “Gangnam Style” with the NYE 2013 remix. His hyped-up vocals and crowd-commanding style added an extra layer of excitement to Psy’s hit, making it a perfect anthem for New Year’s Eve celebrations. Fatman Scoop’s unique ability to hype up a track and get people on their feet has made him a staple in the music industry. These hits not only showcase his vocal talent but also his impact on the world of hip-hop and beyond. His presence will be greatly missed, but his legacy will continue to live on through the music he helped create. Our thoughts and condolences go out to his family, friends, and all who were touched by his remarkable talent.     Britney Cherry is a multimedia journalist, personality, producer, and radio host based in Chicago. She is the host of “The Social Media Rewind” on 104.3 Jams Chicago and serves as a media host for Digiwaxx. With a passion for storytelling and connecting with audiences, Britney covers a wide range of topics from entertainment to lifestyle, bringing her unique perspective and energy to every story.

Directorial Debut of Angie Martinez’s God’s Favorite DJ: DJ Clark Kent Preview

God’s Favorite DJ: DJ Clark Kent Preview; Directorial Debut of Angie Martinez Angie Martinez Drops Her First Doc: “God’s Favorite DJ” Angie Martinez, the Lady OG of Media aka “Voice of New York!!!” is leveling up from the airwaves to the director’s chair with her debut documentary, God’s Favorite DJ. If you’ve been rocking with Angie, you already know she’s been deep in the game for years. Now, she’s putting the spotlight on a real legend: DJ Clark Kent. DJ Clark Kent: The Architect of Hip-Hop “God’s Favorite DJ” isn’t just another flick — it’s a tribute to one of the most important kats in hip-hop history. DJ Clark Kent isn’t just a DJ; he’s the dude who helped build the sound of an era. From putting Jay-Z on the map to producing straight fire for Biggie and Mariah, Kent’s been making moves behind the scenes for decades. This doc is gonna break down why DJ Clark Kent is a name everyone respects. Angie Martinez: Storyteller Turned Director Angie’s been the go-to for hip-hop’s biggest names, getting them to spill the real on the mic. Now, she’s flipping the script and taking her storytelling to the screen. With “God’s Favorite DJ”, Angie’s not just telling a story — she’s documenting the culture, the history, and the man who played a major role in it all. What’s the Documentary going to be about? This isn’t just a “get to know” piece — it’s a ride through hip-hop’s evolution, all through the eyes of DJ Clark Kent. Expect rare clips, untold stories, and appearances from the heavy hitters who owe a lot to Kent. This one’s for the real heads who appreciate the roots of the culture. World-class DJ and producer takes us through his four-decade journey in Hip-Hop, influencing icons like Jay-Z, Notorious B.I.G., and Lil Kim, while leaving an indelible mark on pop culture through his music and fashion collaborations. Courtesy of the Director debut of world known Media , and Radio Hall of Fame Figure; Angie Martinez. Why You Gotta See It? If hip-hop runs through your veins, or if you just vibe with a real story, God’s Favorite DJ is a must-watch. Angie’s keeping it raw and real, making sure the culture gets the shine it deserves. The doc’s dropping later this year, and you already know it’s gonna be something special. Don’t sleep on it. As per usual #MyCreatives, ON TO THE NEXT!!!! Follow Me on Social Media: InstaGram:  https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S.https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV:https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features:ReemoMeerakBrand.info@gmail.com Shop The Merch:https://reemomeerakbrand.myshopify.com

“Music at the Height of Social Media: What Do We Stand to Gain and Lose?”

Music in The Past I remember years ago when I was first introduced to Khia, the Philadelphia-born rapper with a lot to say about sex, clubbing, and independence. No matter how I felt about the content of the lyrics, it didn’t matter, I was 20 and the song had a catchy hook that reminded me I was young and carefree. In 2024 now a woman in her 30’s of course my outlook on music has changed but so has everything about the music landscape. Why do we not give grace to the 20-year-olds of today who enjoy music from Ice Spice, Sexxy Red, Glorillia, lotto, and Meg the Stallion? Have we become so cynical that we forget about artists like Lil Kim, Foxxy Brown, Khia, Adina Howard, and many others whose music was sexually charged and liberating to women in the culture? What about the new school that’s not the same? Has the Ratchet sound become too dominating over all other types of music? And has social media influenced us to not care about album sales and only about the personality and relatability of the artist? What About Album Sales? Let’s dive into some numbers and a bit of history. In 1996, Lil’ Kim released her debut album, “Hard Core,” which sold over 5 million copies worldwide and earned a double platinum certification from the RIAA when she was just 22 years old. In contrast, Ice Spice, at a similar age, sold around 28,000 units with her debut album, “Y2K!” Social media has had a profound impact on album sales, how music is marketed, consumed, and perceived. One major change is that artists who take advantage of social media now have access to global audiences with a single swipe. Artists can promote their music directly to millions of fans, so why are album sales so low? In theory shouldn’t it be higher? While physical sales have decreased, digital sales have skyrocketed replacing the need for physical copies. Without the help of social media Lil Kim sold 5 million physical copies with her debut album, yet Ice Spice streamed 90 million in digital streams through DSPs like Spotify. It’s impossible to know how many streams Lil Kim would have racked up for her debut album, but something should be said about the hard work required to sell 5 million physical copies. What’s Changed? Social media has drastically transformed the way we consume music in several keyways. Social media has brought changes that would have been unimaginable decades ago. Platforms like Instagram, TikTok, and Twitter have made discovering new music quicker and more effortless than ever before. Artist can share snippets of their latest tracks, which can go viral within hours. TikTok has become especially influential with many songs gaining massive popularity thanks to user-generated videos and dance challenges. Ice Spice for example gained her fame from posting a TikTok video to the “Buss it” Challenge in 2021 that went viral, she used her newfound internet fame to launch her SoundCloud song “Bully” and that fostered her deal with Capitol Records. Lil Kim’s career began after meeting Notorious B.I.G on a street corner where she performed an impromptu rap. No followers, no frills just a talented artist at the right place and right time. Direct connection with the artist is one of the most significant changes brought by social media. Back in 1996, unless you were invited into spaces that allowed you to have a more personal experience with the artist, there was no way to know what the artist did behind the scenes. Through platforms like Instagram Live or Twitter Spaces, we can feel way more connected to the artist without having to purchase anything or attend live events. Next, we must discuss Streaming and Playlists with the integration of social media. This transformation has made it so easy to hear new music, download it, share it with friends, and even use it to create your social media content. We all discover new music without really having to invest time in searching for it. Has this impacted our level of excitement for new music even from our favorite artist? Before social media there was so much anticipation for that latest single or album from an artist. With the music industry being so concentrated with new music on our algorithms, it’s hard to tell what new music we should be excited about. The Pros and Cons Although music has changed, we still have a lot to gain from utilizing social media like increased accessibility and exposure to global audiences, direct artist-fan interaction, viral marking opportunities and campaigns, real-time feedback on projects, and collaboration opportunities. On the flip side, there are downsides to music streaming and the social media influence, like short attention spans, the decline of album culture, buying physical albums and owning  intellectual property, the pressure artists are under to constantly produce content, and the authenticity of the artist, when everything is for the approval of social media how do we know when we are getting the real version of the artists or some sort of manufactured industry pleaser? Social media has undeniably changed the scope of the music industry offering many benefits but also presenting challenges that can impact artistic integrity and the traditional music experience that we have grown up with. There is a balance that can be reached, so let’s give grace to the new artist and the seasoned professionals attempting to navigate these unpredictable times. Sources: Lil’ Kim: Biography, Rapper, Musician Ice Spice Reacts To Her Debut Album ‘Y2K!’ Sales (rap-up.com) TikTok has changed music — and the industry is hustling to catch up : NPR Britney Cherry is a multimedia journalist, personality, producer, and radio host based in Chicago. She is the host of “The Social Media Rewind” on 104.3 Jams Chicago and serves as a media host for Digiwaxx. With a passion for storytelling and connecting with audiences, Britney covers a wide range of topics from entertainment to lifestyle, bringing her unique perspective and

The Impact Kendrick’s “Not Like Us,” has had on Pop Culture

Kendrick Lamar’s “Not Like Us,” and its references have appeared in TikTok dances for middle school proms, marching bands, and even utilized  by a weatherman. The  hysteria has consumed popular culture, creating a line in the sand on what’s authentic and what’s disingenuous . With Kendrick’s “The Pop Out,” concert in Los Angeles on Juneteenth, the entire West came out to support and give resistance to Drake’s claim that he got more love than K. Dot in his own city. When Doctor Dre whispered “ I see Dead People,” over the DJ Mustard produced hit, and NBA Basketball star Russell Westbrook and YG danced all over the “ Not Like Us,” set which he performed five times for good measure. Hip-Hop fans understood we were witnessing Drake’s public crucifixion and funeral. In an article I published on May 5th for Diggiwaxx,https://digiwaxx.com/drake-vs-kendrick-whos-ahead-on-the-score-card/ I had this mega battle with Drake and Kendrick Lamar being close. At the time I had Drake’s “Family Matters,” as the best song in the combat exchange. And though I knew K. Dot came on strong with four songs in one week. I felt like Drake won points for seeming more truthful. Kendrick’s accusation of Drake having a daughter and being a pedophile had no supporting evidence and I felt at the time it came across as a desperate attempt to defame Drake. My article  did not age as well as I anticipated.   The  public and internet declared  Kendrick as the decisive winner. The impact of “Not Like Us,” changed everything for Drake and the outcome of this battle. So the question is what is it about “Not Like Us” that made it such an anthem and viral sensation? Here are 10 reasons I mustered up, get it ( DJ Mustard). Ha Ha, I crack myself up sometimes, lol.  DJ Mustard gifted Kendrick a taunting piano chord that was the perfect backdrop for Kendrick’s expose of Drake’s fraudulent ways.  Kendrick picked Drake apart by highlighting his close proximity to Atlanta rappers for cultural acceptance, even going so far to call him a “colonizer.” The “Ov Ho”side to side dance is hilarious. The clever connections to Karl Malone, Tekashi 69, and Bill Cosby all either guilty or accused of inappropriate sexual assaults on women is genius. The line about beating Drake and hiding the Bible if God was watching has shock value that only elite emcees can bring to the table . He lived up to certified boogeyman mystique, Kendrick is not one to play with. “Not like Us, “becomes an anthem, at a perfect time while people are outside, the summer. It felt like we got more music from K. dot in a week than we got all of 2024. Just when Drake was looking like Thanos, K.Dot not only stole his thunder he sent him to Hip- Hop exile for the foreseeable future. K. Dot utilized the diss moment at ” The Pop Out” to unite the West Coast gangs in a sign of celebration and  unity. It feels good to finally admit my wrongs, and to see what the majority saw quite early on. Kendrick  created a significant hip hop moment, highlighting Drake for clout chasing artists when beneficial, and unified what seems like the entire world in ensuring the rapper who created the song “God’s Plan,” was instead destined to be exposed as a “liar.” Drake is as quiet as a church mouse these days with music right now, let’s see if he can reincarnate out of the  pet cemetery Kendrick Lamar buried the For All The Dogs  pop Star in.   By David Lopez Follow on Instagram @DLopez_718

Ghostface celebrates Set the Tone album and his birthday in New York City

  Ghostface Killah celebrated his birthday and premiered his new album Set the Tone (Guns & Roses), at the same damn time last night at Republic Records in New York City. Media and influencers previewed the album just hours before it was released to the public on digital streaming platforms. The LP features a cast of Hip Hop’s elite including Kanye West, Jarule, Nas, Fat Joe,  Busta Rhymes and Remy Ma. The album has a feature on every track except for the skits and outro. The evening was highlighted by the sounds of DJ Scram Jones, who played a heavy 90’s NYC set, with artists like Nas, Mobb Deep, and Jay Z to the crowds preference. The audience enjoyed Belaire champagne, appetizers, and Ghostface’s gourmet coffee “Killah Kofee.” Some artists who came to support Ghostface included “Simon Says,” emcee Pharoahe Monch, who shared with me that he’s working on a new album titled External Affairs which will drop later this summer. Rock the Bells personality and emcee Torae, Saturday Night Live’s  Kenan Thompson, reggae singer Serani, and rappers Jim Jones, NEMS, and Large Professor. Ghost performed some tracks off the album including the up tempo Kanye West featured “ No Face,”  “ 6 Minutes,” featuring Jim Jones and Sheek Louch and ” Pair of Hammers,” with  Method Man. The crowd was later treated to a super hype freestyle from Wu alum Cappadonna,  a Serani performance of “ No Games,” and Jim Jones  jump shot gesture as Scram Jones played his iconic ” Ballin.”  Set the Tone is well-rounded with a blend of R&B and soul features on “Locked In,” & ” Skate Odyssey,” a boom bap moment with “Kilo In the Safe,” and reggae-influenced tracks like ” Shots,” and “Champion Sound.” His storytelling is unparalleled and on tracks like “Cape Fear,” and “Scar Tissue,” he showcases these narration talents. And like his Wallabee collection, he’s got  various styles to chose from. On his born day, Ghost owned the night,  and Hip Hop was better for it! You can find Set the Tone on all streaming platforms. Written By David Lopez Video Credit: Damatrixstudio  

Drake vs Kendrick: Who’s Ahead on the Score Card?

A lot has happened over the weekend with Drake and Kendrick Lamar, and if rapping was boxing, both heavyweights have shown up to compete for the belt. After finally responding to Drake’s “ Drop and Give Me 50,” with the cryptic “Euphoria,” K. Dot followed up days later with “6:16 in LA,” keeping the pressure on Drake’s neck. Over an Al Green sample, Kendrick alludes to Drake having moles in his camp that are feeding him info, “ Are you finally ready to play have-you-ever? Let’s see, have you ever thought that OVO is working’ for me?… Fake bully, I hate bullies, you must be a terrible person. Everyone inside your team is whispering that you deserve it.” Kendrick honed in on the OVO team’s disloyalty and their dislike for their cash cow. K. Dot’s pressure did not last long as Drake’s “Family Matters,” dropped fourteen hours later. The track is accompanied by a video where the same minivan Kendrick’s mom drove, and he featured on the cover of good kid, m.A.A.d city album was crushed to pieces. And Drake is seen eating at the restaurant Kendrick recently brought attention to on “ Euphoria,” in Toronto, New Ho King, trolling Kendrick. The track is sonically pleasing as Drake changes rap patterns over three different fire beats from Boi-1da, Tay Keith, and Mark Ronson.  In my opinion, this is the best complete and radio-friendly song that came off the battle series this weekend. With allegations that Kendrick is abusive to the mother of his children Whitney Alford, and that one of his children may be fathered by K. Dot’s general manager Dave Free. He even adds that J Cole is losing sleep over battling K Dot but he’s stepping up to the challenge. And  he takes a shot at Rick Ross, “body after body, Ricky reading me my Miranda rights,” an assertion to Ross’s former employment in law enforcement. Drake is taunting and showcasing his dominance over K Dot and the rap universe over this 7-minute-plus track. Drake’s response did not get much time to settle. An hour later Kendrick responds with “ Meet the Grahams,”  over eerie piano chords, he recites a toxic letter to Drake, his parents, his son Adonis, and a mystery eleven-year-old daughter. The track  is  straightforward and  disrespectful  as he questions Drake’s existence and expresses that K . Dot would be a better father figure to Drake’s son than him. As Kendrick reads, “ Dear Adonis I’m sorry that that man is your father, let me be honest takes a man to be a man, your dad is not responsive I look at him and wish your grandpa would a wore a condom I’m sorry that you got to grow up and then stand behind him.” The song  has its moments of providing shock value and describes Drake as a man with several vices including gambling and pill popping.  However, Kendrick has to lose  some points if he is wrong about Drake having a hidden daughter. It shows a level of desperation or bad intel. Drake has denied hiding his daughter on an Instagram story. Less than 24 hours later, Kendrick dropped his 4th song this week “ Not Like Us, “ where he claims Drake and his OVO camp are pedophiles. One of the OVO artists Baka Not Nice, was charged with prostitution and human trafficking in 2014, the charges were later dropped. In addition, K. Dot accuses Drake of using artists from Atlanta like 21 Savage and Future for credibility and that he was not a colleague but more of a “colonizer.” This was definitely a moment for K. Dot Fans, with the personal and comedic content such as “‘scream OV HO.” With Kendrick’s output of four tracks in a week gave him advantage, but Drake has the better song with “Family Matters,”  and Kendrick may have reached with the accusations of hidden children. I had Kendrick in the lead because of all the music he’s put out the last week, as he keeps  applying the pressure, but the fact that Drake is holding his own is a win within itself, as Kendrick is more revered for his lyricism in the court of Hip Hop popular opinion. With the release of  “The Heart Part 6,” Sunday night, reactions  began to shift to Drake being up in this battle. On the song, he talks about setting Kendrick up with false information to trick him to thinking he had a daughter, and about Kendrick being sexually abused as kid.  He also reveals that the mother of children is not following him on Instagram, but is following the manager Dave Free, adding to the idea that Kendrick and her are on the outs, and her and Free may be romantically involved. At the moment it feels like Kendrick won lots of the mini battles with his heavy onslaught of content over the last week.  But Drake is currently winning the bigger contest, the one of truth. And Hip Hop fans are getting the best of this war of words.   Written By David Lopez

Will “Tale Of The Tape” be good enough to BUY OR RENT on Amazon Prime Video?

Amazon Prime Video: “Tale Of The Tape” Review Written & Directed by Malik K. Buie Executive Producer; Kim Osorio Executive Producer; Rashad Casey  Producer; Joslyn Rose Lyons  Hey #MyCreatives, Whoooooooooo what a few weeks of HIP HOP. From J. Cole bowing out spiritually and respectfully, Chris Brown smoking the dust pedals off of Quavo with his bars, and DRAKE vs KENDRICK Battle getting more intense as the weeks go on. Now onto the ordeal at hand that’s rather is sparking the question, “Will This Documentary help support the DJ Community”. The documentary at hand, called “Tale Of The Tape”. The documentary is an exclusive Buy ($7.99USD) or Rent (Up To 30 days for $4.99USD) on Amazon Prime Video. I will breakdown and review the GOOD, BAD, and #ReemoApproved of this documentary. The GOOD:  I will admit this was a solid and substantially researched documentary. The testimonies from Today & Older generation DJ’s and Music artists really giving props and honoring the impact of mixtapes. I feel they meshed the emotional and intellectual tie of the documentary of the culture. Honestly, can’t see too much of a “BAD”. The BAD:  I don’t think this is a documentary for the Hip Hop Culture Purists. This is more for the Fan who was of the mid 80’s to Mid 2010’s (Where Mixtapes got pushed away due to streaming) that lived through the emergence and impactful movement during those times. The video content seems “Dated” but the stories are still epic. Also, they should’ve broke it up to a series like “Hip Hop Evolution” (Netflix) did by regions would suffice the Hip Hop purist.  The #ReemoApproved  Honestly, there shouldn’t be any complaints past breaking it up by regions instead of seemingly the North, despite the one time with DJ Drama from Atlanta(By way of Philly). Also, it was debuting on Amazon Prime so they collectively had to put the best figures that are going to draw engagement and the dollars back to profit….end all be all this is still a business. For me as a semi-historian of Hip Hop, very entertaining and pleased of what was presented. Salute to Malik K. Brie, Kim Osorio, Rashad Casey, and Joslyn Rose Lyons for putting the documentary together.    In conclusion, “Tale Of The Tape” on Amazon Prime Video delivers a gripping narrative that seamlessly intertwines the worlds of Mixtapes & Music within the Hip Hop Culture. With its compelling figures of Hip Hop, nuanced storytelling, and powerful testimonies, it immerses viewers into the impact and intensity of the movement while exploring deeper themes of business growth and resilience in Hip Hop Culture. Coupled with its high production values and authentic portrayal of the Hip Hop,          “Tale Of The Tape” emerges as a semi-must watch for both Hip Hop enthusiasts and fans who want to relive of those times. As per usual, ON TO THE NEXT #MyCreatives     Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_/ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscibe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: ReemoMeerakBrand.info@gmail.com Shop The Merch: https://reemomeerakbrand.myshopify.com/

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