Times Are Changing in Hip Hop Music, and She Real is NEXT!!!!!
She Real: “I Don’t Rap About My Pussy” Album Review In this Hip Hop Culture, and the Hip Hop Music within it comes a lot of layers that many don’t understand of why an omega talented artist would struggle or rather go through a very not needed difficulty of process to make a successful career. Also, for Female MC’s like our guest and featured artist whom now has a Triple Headed monster to deal with all because “She Don’t Play The Game” or just flat out doesn’t allow her immensely high level talent to be compromised with tomfoolery and fluff just for the sake of appeasement, and down right mediocre effort being rewarded. The L.A. transplant native by way of HARLEM, NYC (Born and Raised majority of her life) was rippin’ the NYC Independent Circuit, and I’ve met her during my early years in Media around 2014. The fact that NYC didn’t push her as much as we should have is blasphemy AF, and just downright awful to make the things difficult for her. Unfortunately, the case for a very talented MC like her to go through a litany of tomfoolery and fukery that would make the average person crash out and just give up on their dreams entirely. She Real took her talents west to L.A. and since that time continues to lace the culture with her presence and overall impactful skillset. I have a sit down with her about her upcoming project, and 9th Studio Album; “I Don’t Rap About My P_ssy!!!” How do you feel about your brand and music so far in 2024, and how do you want to close the year? SR: My brand voice is both deeply personal and empowering, focusing on resilience, transformation, and using music as a channel to overcome pain. I use musical storytelling to share a narrative of personal struggle and recovery, aiming to inspire others facing similar challenges and connect with them on a personal level. I also strive to reflect contemporary issues and highlight the experiences of Black and Brown communities. Showcasing my natural afro hair is a defining aspect of my visual identity. My clothing style features a blend of Kung fu gees and Hip Hop attire, merging cultural influences with urban aesthetics. I do believe I am Hip Hop’s the last dragon like Bruce Leroy lol. My reputation is built on my dedication to my craft and work ethic. I’m here to uplift my people. My values shine through in my commitment to inspiring others and openly sharing my journey. As I wrap up the year, I plan to uphold and showcase my brand through my relentless hustle and dedication to my music. I aim to demonstrate that women deserve a prominent place in the conversation, showing that we can craft compelling stories and deliver impactful messages with exceptional lyricism and captivating cadences. Not all women need to resort to hyper-sexualization to succeed in music!!! It seems in 2024, the switch that a vast majority within the Hip Hop Culture have been begging for occurs with Lyricists and Conscious MC’s coming out with bangers and high quality albums. What do you feel is the cause of this, and what part do you feel your contributions will take effect in this surge? SR: History often repeats itself, and the music industry has seen a surge in party-themed tracks that glorify the use and selling of drugs, sexual indulgence, and the pursuit of money at all cost. Yet, Hip Hop has always been the voice of the streets, reflecting the minds, hearts, and souls of the community. For the culture to thrive, Conscious Hip Hop must co-exist with more mainstream styles. We cannot rely solely on club anthems for sustenance; if we did, tracks like “The Message” by Grandmaster Flash and The Furious Five wouldn’t have had such a profound impact. Recent examples, such as Kendrick Lamar’s “Not Like Us” reinforce this truth by demonstrating that culture will always take precedence over corporate interests. Regardless of what trends or commercial pressures emerge, we live and breathe Hip Hop every day. This enduring authenticity is evident in the success of albums like Killer Mike’s “Michael” which won Best Hip Hop Album at the 2024 Grammys, proving that the truth and the culture will always prevail. This is why my album is necessary for black woman in Hip Hop everywhere because we represent more than just our bodies. In “Consequences” what made you made to use so many of today’s modern “Vices” on the track? SR: I reflect my times. I pay attention to my people. I also watch what trends are promoted to us daily. “Consequences” would not be relevant without these “vices”. The entire story revolves around an age-old tale that continuously resurfaces in today’s times. Many men of power take advantage and manipulate women by physically and sexually abusing them. The “vices” assisted in painting the picture of revenge. Shoutout to the producer 1719 for crafting the perfect soundtrack to a story that empowers women everywhere, transforming their voices from those of victims into symbols of strength. One thing I can say about you, that you always have the knack of making your projects like the 90’s & early 2000’s with the skits, and just overall structure of the album. When it comes to the skits it seems that you enjoy playing the multiple roles on the track, did you ever want to act or be in movies prior to rapping? SR: Absolutely!!! I stated to God while creating these skits that I pray they will double as my audition tapes for voice over acting. I have always been greatly influenced by phenomenal women such as Cree Summer, Regina King and Anika Noni Rose that we too can thrive in an animated world. I’m excited to see how it all unfolds. For the record I have always wanted my own show like Moesha as well. Brandy was the first to inspire me to believe that as an