#rewindreview: Showbiz & A.G. ‘Runaway Slave’ 1992

  Growing up my interest in HOP music came from the benefit of cable television. This didn’t mean that I grew up in a rich home by any means but that cable was cheap enough to have during certain times in those years. A period that was missed for me was late 1992 thru about 1994, so I missed a lot of singles that might have only been shown on Rap City or Yo! MTV Raps. One single that I caught before that cable bill was overdue and it was gone again was ‘Soul Clap’ from Showbiz & A.G. For those alive or paying attention at that time, know that the single was heavy and stayed in rotation. It was the introduction to the duo and left a lasting impression on ears for years to come. This single was also one of my first CD purchases as the ‘Soul Clap/Party Groove’ maxi single I bought used at the original Soundwaves records store here in #HUEston, after returning a ‘Boys II Men’ album I got for Christmas one year. ‘Soul Clap’ and ‘Fat Pockets (remix)’ was the only songs I was familiar with from ‘Runaway Slave’ at the time. It wasn’t until about 2002 when I finally got around to this album and from then it grew on me. 1992 is not one I put in my “favorite years” of HOP music list so when I initially heard this album it sounded “suspended in time” but Showbiz’s beats were crazy and stick to one’s auditory canal like barnacle on boats. A.G.’s rough rhymes mixed with these beats just gave an energy that can’t be denied. ‘Silence The Lambs,’ ’40 Acres And My Props’ and ‘He Say, She Say’ all have this jazzy but dangerous feel to the songs. ‘Runaway Slave’ also provides interludes to each song with members of D.I.T.C. (Diggin’ In The Crates) while also introducing the world to Big L. The album is a time capsule to a world where rap music was more genuine in why it was being created which can be theorized as to why the music holds up after thirty years. Equipment had to be bought, music had to be listened to, time and money had to be scheduled for recording, and M.C.’s had to be ready when these other stars were aligned to make a mark. All this was not done with a click of a button but instead digging in crates to create a unique soul in HOP music. What did you think of the album? Singles include: ‘Soul Clap,’ ‘Fat Pockets’ & ‘Bounce Ta This’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

Urban Vegan Roots Delights the Palate with “Off The Menu” NIGHT IN NYC!!!!!

Can Urban Vegan Roots “shake the table” in 2024 within the Vegan Community? In the heart of the bustling city, Urban Vegan Roots stands tall as a haven for plant-based enthusiasts and curious foodies alike. This hidden gem seamlessly combines the vibrancy of urban life with the wholesome goodness of vegan cuisine. Also, in prime Astoria, Queens is where the owner; David Tianga selected to serve the community with a delicious array of vegan food. Courtesy of Miles “Hollyhood” Casso; a dope’ness of a host and really kept the patron entertained, and happily enjoying the night. I figured, ‘Hey, Why not give the restaurant a #ReemoApproved Review” “Off The Menu Night” is a one time monthly event where you get an Appetizer, Main Course(Depending Upon what they select), and Dessert with Drink Selections. Upon entering, the ambiance is inviting, with a modern and eco-friendly decor that mirrors the restaurant’s commitment to sustainability. The menu is a testament to creativity, offering a diverse array of dishes that go beyond the clichés of vegan dining. Cooking your delightful food is Chef Jimmy, who definitely is spot on with his mastery. One standout appetizer for the start is the Seitan Caldo. A delicious order with spice broth, potato, carrot, corn, and seitan (plant-based meat substitute made from wheat gluten) that really hits you to think, “Yo…..This Can’t Be Vegan”. For the main course, the Jackfruit Stuffed Maduro steals the spotlight. The delicious layered appetizer gives way to a sweet plantain with roasted jackfruit, vertage mozzarella, pico, and cilantro mint sauce. The dish is hearty, satisfying, and a testament to Urban Vegan Roots’ commitment to elevating vegan dining to new heights. Dessert at Urban Vegan Roots is a sweet symphony of flavors. The Orange Tart surprises the taste buds with its soft texture and decadent taste, with the graham cracker like crust, proving that vegan desserts can be just as indulgent as their non-vegan counterparts. Hip Hop ambiance from the art on the walls to the classic vinyl albums, and the DJ playing the great hits while you eat the delicious vegan food. Then their drinks menu goes well with the food, as well as adds onto the Vibe and a very good date spot. What truly sets Urban Vegan Roots apart is its dedication to using locally sourced, organic ingredients. Each dish is a celebration of fresh produce, expertly crafted to showcase the potential of plant-based dining. The attentive and knowledgeable staff adds to the overall positive dining experience, making patrons feel like they’re part of a community that values health and sustainability. In conclusion, Urban Vegan Roots is more than just a restaurant; it’s a culinary journey that challenges preconceptions about vegan cuisine. From innovative appetizers to soul-satisfying mains and delectable desserts, this establishment is a testament to the exciting possibilities within the world of plant-based dining. Whether you’re a committed vegan or a curious omnivore, Urban Vegan Roots promises a memorable dining experience that transcends dietary preferences and leaves you craving more. Not too far way from the city, or if you are flying into town; Urban Vegan Roots and it’s “Off The Menu” event is a #REEMOAPPROVED. If you want to be a guest of their next “Off The Menu” event which is this Monday, April 29th from 6-10PM….Contact Miles via Dm on Instagram for Reservations or Urban Vegan Roots main page. As per usual, “ON TO THE NEXT!!!” #MyCreatives   Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_/ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson   Subscibe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_   For Interviews, Cover your event, write a review, or Features: [email protected]   Shop The Merch: https://reemomeerakbrand.myshopify.com/

Who Are The Best Independent Hip Hop Artists Of New York From 2021 until 2Q 2024?!!!!

  Have we forgot where the “Mecca” of Hip Hop started?!!! The answer to the question above is; The Bronx but for sake of using the word “Mecca” and of course the GARDEN is pivotal of letting you know you’re in NEW YORK!!! Apologies #MyCreatives, your Neighborhood #RugerSprayyyyyer was on the IR with a major injury (Since the Tierra Whack Listening Party), and God’s way of telling “Reemo Your Wildin’ Out….RELAX!!!” So during this time off, a rather interesting topic surfaced on an Independent Hip Hop Artist’s Social Media Page asking the question   “Who’s The Big 3 of Independent Scene?”. Derived from what occurred in Hip Hop which J.Cole mentions about the “Big 3” and it lead to a butterfly effect of massive “Diss Tracks”, and the Top Tier artists coming out with massive content, and songs all over the Hip Hop scene. Now juuuuuuu’already know to even compile a list like that would take some time, and serious effort from multiple people. I’m only one man here folks and ladies. I’m in my bed pondering what type of article could I make of this. Then, it hit me “Who Are The Current Top Independent Artists of NEW YORK?!!”, as well as “How many Years are we Covering?!!!”, “What’s The Criteria?!!” and ETC. This article will display of such, and truly hope the reader understands what’s taking place here. Also, no disrespect or dismissing of anyone who is an Independent Hip Hop Artist all over the world.   Main Focus: The list was derived from a Social Media post an independent artist posted asking “Who’s The Big 3 of the Independent Scene”. I was highly intrigued of how that would be achieved, and “Who would be on that type of pedigree?”. Honestly, too many independent artists in the world to compile down to “Top 3 artists”. So I figured, “Why not speak of the Top Independent Artists of New York?!!!!!”. I’ve pretty much covered or interviewed a vast majority within my media career, and encountered of their skill set improving over the years. The list is to highlight and give flowers to the artists who’ve made it possible and represented New York to the best of their talents and abilities. Each part of NY matters, as well as putting together a list of figures whom made it their mission and passion to display their skills. I wanted to meet the challenge of putting a list together, and did due diligence to be fair, and researched the artists (Some assistance from well hardworking Media Colleagues in the New York Hip Hop Media Space is noted as well). Overall this list is of an objective view, and things that occurred for the artists named on the list within the years of 2021 until now (2nd Quarter 2024).   CRITERIA Impact the Last 3 years Since Post Pandemic (2021 to 2nd Quarter 2024) Relevance (Known and Heard Throughout the STATE) Headline or Featured on Shows (Major Festivals, Concerts, or Events) Media Publication Appearances for Music “Hot Streak” (Major Platforms, Podcast, & ETC) Multiple Plays on Radio or Network Skills (Bars, Flow, Story, & Creativity) Consistency (Not just One Year Here & there) Performance Energy Potent Music Tracks that caught a big wave, and moved heavily amongst NY. Major Features or have Collab with Mainstream Hitters on Tracks Sales, Followers, Engagement, or Friendship have nothing do to with selection **** On label, but their consistent contributions within the NY Independent Scene *** Recently Independent amongst the timeline of 2021 until 2Q 2024 (Honorary Pick) – Despite signed or recently Independent, their impact alone for the state lead to their success, or for that matter empowered many.   TOP CURRENT HIP HOP INDEPENDENT ARTISTS of NEW YORK (No Particular Order) Torae Eddie Kaine NEMS**** GRAFH She-Real (Harlem) K-Goddess 38 Spesh Lazaris The Top Don GMim$ Debonaire D.CHAMBERZ SNS ICY GANG Arnstar Kony Brooks Bakeman Global D Dave Dyce Pesos Deveye  Rome Streetz Steph G Haddy Racks Fab Tha Don Iman Nunez Cash Cobain Zeddy Will M Dot Porter Flowboy Duece Toni Steelz Molly McCoy Genny Genn UFO Fev Ron Suno Neek Bucks Kyah Baby Warren Wint Billboard Baby Jakkah J.Dollaz Timeless Biz Joe West Zay The Profit Sig Tha Trig (Signature) Johnnie Floss Diany Dior Sunny So Fancy Rich P Solo Jones TDI Muzik X-YLE Sluggo Da Don Ricky Bats Billy B (Female Artist) Maiya Tha Don Stunna Dior Nani Blanco Decapo SwaveHMG Jae Skeese Math Hoffa Oun P Cortez Chow Lee J.Sos RTM Sway Leigh Paris Nik Moody BHCG (Group): Earn Dinero, Scrilla Scambino, Sugar Hill Prophet, Well Made Choice, Mack Wyatt, and Cane Green Miah Kenzo YNVS Conan Keen Streetz JUS PLAY Nino Man Frank Knight Euro Solomon Josh Jacobs Fergie Baby Chuck Platinum (HONORARY PICK) PHRESHER**** (HONORARY PICK) Lola Brooke**** (HONORARY PICK) Benny The Butcher**** (HONORARY PICK) Westside Gunn*** (HONORARY PICK) Conway*** (HONORARY PICK) Jim Jones **** (HONORARY PICK)   Conclusion: I did my best to compile of this list, as well as being from New York for a very long time. Also, with some assistance from a few of my colleagues in the Hip Hop Media space. Highlighting the artist felt as a right thing to do, as well as accepting the challenge of putting the list together, and to really show my appreciation to figures who really made valuable contributions on the strength of their own to putting together teams to assist their success. The “Independent” moniker is not to claim as stamp of approval within Hip Hop culture but more so to be taken as an achievement of the journeys the figures mentioned have endured within it. Nonetheless, some may feel New York is losing its “footing” in the culture, but make no mistake the artists are continuing their efforts to make their presence known. End all be all, what’s considered “LOST” only means there’s opportunities to GAIN it right back again!!! As per usual, “ON TO THE NEXT!!!” #MyCreatives Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_/ X(Twitter): https://twitter.com/reemomeerak_

#rewindreview: Run The Jewels (Killer Mike & El-P) ‘Run The Jewels’ 2013

  I could never imagine in 1998 that while listening to Company Flow’s ‘Funcrusher Plus’ and Outkast ‘Aquemini,’ that I would ever hear El-P and Big Boi rapping on the same track. This has been the legacy of Run The Jewels, which is providing the most amalgamated circumstances to all of us who were listening to HOP music prior to the 2000s. For those younger ears or one’s simply not in the know, this collaboration between El-P, Killer Mike and the features they have had is standard practice in a rap music world where that proverbial “line in the sand” is no longer existent. ‘Run The Jewels’ is the second collaboration with El-P and Killer Mike, but the first of what would make them a cultural favorite among younger ears. Unlike Killer Mike’s ‘R.A.P. Music’ album from 2012, El-P was strongly motivated to rap again by Killer Mike, thus creating this rapping duo. This album is to the point and really displays the chemistry “El & Mike” have. The content was a lot more abstract and fun, to which those aspects were really sold by the visual components of the record. The first single ’36’ Chain’ has one of the most laugh out loud moments as “RTJ” re-envision L.L. Cool J’s intro to the ‘I’m Bad’ single. More “inside joke” hilarity is found on the Prince Paul featured ‘Twin Hype Back’ where he reprises his role as “Chess Rockwell” of Handsome Boy Modeling School. ‘Run The Jewels’ for me is the easiest album to digest next to ‘RTJ4′ in the Run The Jewels catalog. El-P handles the majority of the production and keeps that “futuristic b-boy” feel which keeps this album strange in 2013 but over the years it has marinated to feel a little ahead of it’s time. If the run (no pun intended) of the duo is done, within a decade they have stamped their ticket as a solid rap group and boosted the value of Killer Mike, so run these jewels back one more time *no Diddy*. What did you think of the album? Singles include: ’36’ Chain’ & ‘A Christmas F***king Miracle,’ ‘Banana Clipper,’ ‘Run The Jewels’ & ‘Get It’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

#rewindreview: Run The Jewels (Killer Mike & El-P) ‘Run The Jewels 3’ 2016

  As a Christmas gift for a world who would now see a clown as the leader of the “free world,” Run The Jewels activated one more release before the end of the 2010’s. ‘Run The Jewels 3’ felt like a much darker album from the previous releases, if one could differentiate the music with expert ears. As collaboration albums go “RTJ” by this point felt more like an actual group than two separate entities getting together for another run. For me it was starting to feel like a burn out as by the time of this release I was still getting familiar with the first two. ‘Run The Jewels 3’ has more of an alternative rock influence which sonically is why I probably don’t find it as my favorite. The message and mission of the group remains which is providing a cynical outlook on society and more important how critical things seem to be in the election year of 2016. El-P and Killer Mike perform effortlessly through rhymes and ideas and are once again joined by Zack De La Rocha while adding a couple of more unexpected guest like Trina and Danny Brown. ‘Run The Jewels 3’ isn’t a bad record but it lacks the ability to convert “hip-hop heads” to the movement of RTJ with it’s overtly left of center/Trap music feel. What did you think of the album? Singles include: ‘Legend Has It’ & ‘Call Ticketron’ Listen to @QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST @90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

#rewindreview: Run The Jewels (Killer Mike & El-P) ‘Run The Jewels 2’ 2014

  In the third collaboration for El-P and Killer Mike the duo find themselves caught in an unexpected cultural phenomenon. With the success of the first ‘Run The Jewels’ album the critical response among new fans and a younger generation looking for more than the average top 40 radio sounds, “RTJ” become the new anti-establishment group of choice. After the Mike Brown killing in St. Louis, there was a sense of reality among “twenty-something year old’s” who grew up thinking racism was in the past and the world was as “black and white” as the villains and heroes in their favorite anime. ‘Run The Jewels 2’ serves as a “truth serum” that does not come off as preachy or mild musically with a rebellious energy. El-P embraces the southern bounce that seemed to connect with more ears from the first “RTJ” record and with the help of Wilder Zoby and Shalimar, intertwine a futuristic rock element that doesn’t allow the listener to fall asleep. ‘Run The Jewels 2’ really focuses in on the dangers of corrupt governing and questioning the leaders put in place to uphold law. Although there are a couple of different moments like the raunchy ‘Love Again (Akinyele back)’ which features Gangsta Boo as all three express the dirty side of wanting that “good ol’ thing back.” Where this album fails or in some ears succeeds is it all sounds like one long song. It can be hard to really distinguish the majority of songs but then again to the “RTJ” fan this is probably the best thing about the album. ‘Run The Jewels 2’ is made for the festivals, where suburban kids can live out their dreams of going wild and crazy while thinking this is “sticking to the man.” What did you think of the album? Singles include: ‘Blockbuster Night Part.1,’ ‘Oh My Darling Don’t Cry,’ ‘Lie, Cheat, Steal,’ ‘Close Your Eyes (And Count To F**k),’ ‘Early,’ ‘Angel Duster’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episode by searching and following @fanlink.tv/QuantumLeapRadio

New Skool Rules Announces Exciting Lineup and for 2024 Event

New Skool Rules, the premier international urban music conference, is thrilled to announce its lineup and innovative format for the highly anticipated 2024 event. This year’s conference promises to be bigger and better than ever before, offering attendees a unique experience at the forefront of the urban music industry. Among the highlights of this year’s conference are: – Diverse and Dynamic Lineup: New Skool Rules has curated a stellar lineup of industry experts, artists, producers, and influencers from around the world. Attendees can expect insightful panels, workshops, and performances featuring some of the most exciting names in urban music today; – Innovative Format: Building on its reputation for innovation, New Skool Rules will introduce a new format that combines in-person and social media elements. This hybrid approach ensures that participants can engage with the conference’s content and networking opportunities regardless of their location; – Networking Opportunities: One of the hallmarks of New Skool Rules is its focus on fostering meaningful connections. The 2024 event will provide numerous networking opportunities, allowing attendees to connect with industry professionals, explore collaborations, and forge new partnerships; – Educational Content: From masterclasses by industry veterans to discussions on the latest trends and developments in urban music, New Skool Rules offers a wealth of educational content designed to empower aspiring artists and industry professionals. – Showcase Performances: As always, New Skool Rules will feature electrifying showcase performances by up-and-coming artists, giving them a platform to shine in front of industry insiders, media, and fans. “We’re incredibly excited to unveil the lineup and format for this year’s New Skool Rules conference,” said [Organizer’s Name], [Title] at New Skool Rules. “Our goal is to provide a dynamic and inclusive platform that empowers artists, educates industry professionals, and fosters connections across the global urban music community. With our innovative approach and exceptional lineup, we’re confident that the 2024 event will be a transformative experience for all involved.” The 2024 New Skool Rules conference is scheduled to take place May 31st- June 2nd 2024. For more information and to register, visit www.newskoolrules.com. About New Skool Rules: New Skool Rules is an international urban music conference that brings together artists, industry professionals, and music enthusiasts from around the world. Since its inception, New Skool Rules has been at the forefront of showcasing emerging talent, providing educational resources, and facilitating networking opportunities within the urban music industry. For media inquiries, please contact: Henca Maduro [email protected]

#rewindreview: Jay Dee a.k.a. J-Dilla ‘Ruff Draft’ EP 2003

  During the days of Jay Dee’s life, when he was still under utilized by the music industry and the “Dilla changed my life” audience thought “Jay Dee” was a misspelling of Jermaine Dupri, the Detroit native was dropping solo music that barely saw the light of day. ‘Ruff Draft’ was an EP that was originally only released on vinyl after “J-Dilla’s” solo debut ‘Welcome 2 Detroit’ and the shelved MCA Records debut album ‘Pay Jay.’ ‘Ruff Draft’ like it’s namesake was a collection of tracks which sounded like Jay Dee was in practice and still better than most beat makers at the time. “Dilla” has this genius way of making the most calm and vibing tracks feel like a build up of energy that keeps one’s neck and constant motion. ‘Let’s Take It Back’ is a grand example of this as it starts off the release. ‘Make’em NV’ is another banger where Jay Dee utilizes Fame of M.O.P.’s voice to bring this track’s energy over a “ruff” drum loop. It’s been said by Jay Dee’s family members and close friends that he liked to sing and on this release the audience gets to hear a bit of that on the hypnotic track ‘Nothing Like This.’ With ‘Ruff Draft’ falling under the radar in 2003 it was only right that it was re-released in 2007 after the passing of James Dewitt Yancy in 2006. ‘Ruff Draft’ further shows the world what they took for granted as while Jay Dee was alive, his modus oparandi was to constantly create and elevate his music no matter who was listening. What did you think of the album? Singles include: ‘Nothing Like This’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

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