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Month: January 2024

#rewindreview: Moka Only ‘Road Life’ 2000

Posted on by QUANTUM LEAP RADIO

  Yet another cog in the machine that is Moka Only’s almost one-hundred album discography; ‘Road Life’ is a collection of thoughts and beats from the Vancouver, British Columbia M.C. and producer. This was my second album from Moka Only after buying his album ‘Lime Green’ and one of the first albums I purchased online through the long standing Sandboxautomatic website. What I appreciated the most about ‘Road Life’ was how free it was in terms of “Moke’s” approach. Much like the album cover, the music feels like he is recording this while being nomadic and coming across unique experiences along the way. From this album one can ascertain that Moka Only’s influence are more Native Tongue than Deathrow records, but tracks like ‘Knockin’ Like This’ and ‘Madness’ still project a hint of the hardcore HOP music the M.C. has in him. For those not used to Moka Only, the length of this release might seem intimidating with twenty-five tracks at seventy-three minutes. It should be noted that during the days of purchasing physical albums that length felt like one was getting their money’s worth, especially if the album was consistent with what one wanted to hear. Moka Only has a vast discography and if looking to go down that rabbits hole, ‘Road Life’ is a good start but beware some ears may get caught in the habitat of the “Durable Mammal.” What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

Megan Thee Stallion vs. Nicki Minaj Beef: Hip-Hop’s Dynamic Figures Weekend Battle

Posted on by Reemo Meerak

What a Weekend?!!!!! The world of hip-hop has always been a stage for dynamic personalities, lyrical prowess, and occasional controversies. Megan Thee Stallion vs. Nicki Minaj beef is one such episode that grabbed headlines and ignited discussions within the rap community and social media world. In this article, we delve into the origins, key moments, and underlying power dynamics of this high-profile feud. Megan Thee Stallion and Nicki Minaj, both powerhouse women in the rap industry, found themselves at the center of a feud that captivated fans and media alike. The tension between the two artists seemed to emerge from a combination of industry competition, alleged behind-the-scenes disputes, and differing perspectives on female empowerment within the hip-hop scene. The beef gained momentum as fans observed the changing dynamics between Megan and Nicki, who had previously collaborated on the track like “Hot Girl Summer”. Speculations arose about a fallout, and misunderstanding on social media leading to heightened interest and scrutiny. Also, Megan’s latest track; “Hiss” seems to bring back the beef to the forefront!!!! The digital realm became a battleground for the feud, with both artists using social media platforms to express their sentiments. Subtle jabs, cryptic posts, and direct messages fueled the fire and provided fans with an inside look into the conflict. Fans played a significant role in amplifying the beef, taking sides and passionately defending their favorite artist. Social media debates and discussions further intensified the feud, turning it into a pop culture spectacle. Also, fans are leaning more towards Megan because of the recent track and Nicki’s fanbase; “The Barbs” have one again come in defense of their Queen. Megan Thee Stallion just released her track called; “Hiss” where it’s seemed as the shot for Nicki: “These hoes don’t be mad at Megan, these hoes mad at Megan’s Law I don’t really know what the problem is, but I guarantee y’all don’t want me to start Bitch, you a pussy (you a pussy), never finna check me (yeah) Every chance you get, bet your weak ass won’t address me (ho) Bitches swear they G, but the G must stand for goofy When the fuck did all the gangster niggas turn to groupies?” Nicki responds on her IG Live with a sample of her diss track called “BigFoot” stating: “Bad bitch she like six foot, I call her big foot, the bitch fell off I said, ‘Get up on your good foot.’” Some speculations that this beef could be off Megan’s friendship with Cardi B. whom she did a previous track called “W.A.P.” and their friendship grown since that time frame. Also, Minaj has a longtime issue with Cardi B. & a history of issues with those that are “cool” or in alliance with her (Cardi B). Besides Nicki, someone feels uncomfortable with Megan’s Bars, and that’s one Moniece Slaughter who took to X (Twitter) to express her insight: Despite the rules of “Rap Beef” or “Diss Tracks” changing over the years in the culture, Moniece poses an interesting question “Was Megan out of line for that bar?” Nicki dropped “Bigfoot” her response to “Hiss” track on Sunday at 6PM. A good amount of people took to social media, and were not pleased of Nicki’s response, but the Nicki posted on her X(Twitter) that she has four more tracks coming. Female rappers are often pitted against each other, perpetuating stereotypes and undermining their achievements. The hip-hop industry is highly competitive, and success is often measured in terms of chart performance, awards, and record sales. The feud highlighted the pressures artists face to maintain their status, with their “beef”becoming a symbol of the times within the culture. Both Megan Thee Stallion and Nicki Minaj are not only talented rappers but also symbols of empowerment for women of color. The beef raised questions about how intersectionality intersects with power dynamics in the hip-hop industry and the challenges faced by black women in navigating fame, success, and public scrutiny. Also, the changing of the guard amongst the artists. Conclusion: Megan Thee Stallion vs. Nicki Minaj beef provides a glimpse into the complexities of the hip-hop industry, where talent, competition, and societal expectations intertwine. As fans eagerly await resolution or further developments, the feud serves as a reminder of the ongoing nuances faced by women in the world of rap where the egos overweigh their need for a more supportive and inclusive environment within the music industry. As usual…. On the next #MyCreatives – Reemo Meerak, Correspondent/Contributor   Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: ReemoMeerakBrand.Info@Gmail.com

ALBEE AL FOR 2024?!!!!! – EXCLUSIVE

Posted on by Reemo Meerak

  In the realm of music, artists often use their creative prowess to explore and comment on various aspects of life, society, and the environments they are from. Albee Al, a renowned Hip Hop artist, has recently released a compelling album titled “Albee For President”. This musical endeavor serves as a platform for Albee Al to express his views on his Jersey City raising, stories of surviving jail, and societal dynamics he embraces daily. In this article, we delve into the essence of the album, exploring its themes, tracks, and the artist’s unique approach to conveying political commentary through music. Also, check out the exclusive in-person interview at his listening event:   The Album’s Title and Concept: “Albee For President” immediately captures attention with its bold and intriguing title. While it might not imply a literal run for office, the album signifies Albee Al’s desire to contribute to the masses of the Hip Hop culture with his art. The title serves as a metaphor for an artist taking a stand and using their influence to address pressing issues, as well as of his lyrical template that has him as one of the most watch artist projectively for 2024. The album encompasses a diverse range of themes that reflect Albee Al’s perspective. From systemic inequalities to the struggles of marginalized communities, each track serves as a lyrical canvas where the artist paints a vivid picture of the world as he sees it. Albee Al’s ability to blend a narrative and paint the picture with social commentary creates a compelling narrative that resonates with listeners. Key Tracks: **”Who Ya Big Homie”**: This track sets the tone for the entire album, and that “Boom-Bap” feel we needed!!! Also, featuring Mozzy with powerful lyrics that call for the energy that’s derived from his Jersey City roots. The gritty quality of the song makes it a standout piece that captures the essence of the album. **”Press Conference”**: In this track, which is the first track of the album in the beginning. Albee Al amplifies the voices of those often unheard. Addressing the challenges faced by urban communities, he sheds light on the realities that many face on a daily basis. **“El Presidente”**: Albee Al takes more of the uptempo approach, as well as most definitely a well produced music video!!! At the listening party in The Cult Lab, this track was one of the choice options to drink, and it definitely was a #ReemoApproved Musical Style and Production: Beyond its lyrical content, “Albee For President” showcases Albee Al’s musical versatility. The album seamlessly blends various styles of rap creating a dynamic listening experience. The production quality enhances the impact of the messages conveyed, with carefully crafted beats complementing the weighty themes. “Albee For President” stands as a testament to the power of music as a medium for social and diverse commentary. Albee Al’s ability to intertwine meaningful lyrics with captivating and vigorous energy creates an album that not only entertains but also challenges listeners to reflect on the world around them. In an era where artists are increasingly using their platforms to address societal issues, “Albee For President” is a noteworthy addition that adds depth to the musical landscape while encouraging dialogue on pressing matters. As per usual, ON TO THE NEXT #MyCreatives Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: ReemoMeerakBrand.Info@Gmail.com  

#rewindreview: Walkin’ Large ‘Riverside Pictures’ 1995

Posted on by QUANTUM LEAP RADIO

The internet has allowed for more acceptance of international HOP music in the last 25 years but before that it was much harder for the same music to be heard or let alone respected. Walkin’ Large was an act from Capetown, South Africa and linked with producer Roe Beardie in Germany to create a bumping album, fresh for the year of 1995. ‘Riverside Pictures’ is the debut album from Walkin’ Large who consist of rapper Ono and D.J. Ara. I first heard this group listening to college radio in 1997 with a track called ‘Listen To This’ featuring Black Thought. Of course I had no real idea of who they were until I purchased a used copy of a compilation album called ‘International Griots.’ The group had two songs on ‘International Griots’ and one featured Jeru the Damaja called ‘When I Flow.’ Upon hearing the broken English accent of Ono, I realized this was the same group from ‘Listen To This’ and it was apparent that the influence of “truskool hip-hop” was with Walkin’ Large. I didn’t get to hear this album until 2017 but what is here is curated for the listener who loved and appreciated the sound of mid-1990’s HOP music. Walkin’ Large will remind you of Digable Planets with a bit more hardcore sound but that is mainly due to Ono’s aggressive delivery at times. D.J. Ara provides the cuts and ‘No Time For Weakness’ is one of the D.J.’s finest moments on this record. ‘Riverside Pictures’ is more about the vibes and atmosphere the music was created in. Lyrically there will not be an impressive amount of quotes but this album feels like a journey to another land in another time. What did you think of the album? Singles include: ‘Reachin’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#rewindreview: The Roots ‘Rising Down’ 2008

Posted on by QUANTUM LEAP RADIO

  ‘Rising Down’ is the eighth full length album for The Roots who by 2008 had proven that as a collective, a fan base would always be present for anything they do. Their celebrity had grown by hit songs they made, touring they had done and collaborations with everyone from Dave Chappelle to Jay-Z and everyone in between. This album seemed to be something different just from the cover art and as it contrasted to the first single off this record ‘Rising Up.’ The song was very upbeat and fit the true Roots sound while being assisted by the R&B vocals of Chrisette Michelle and continuing a Roots tradition of putting on upcoming rappers who would be bigger stars, with Wale. The album begins with an “eye-catching” audio clip of Black Thought and ?uestlove arguing over the direction of the group at some period during The Roots career. The album title and album art start to make sense but will this be the start of the last album for The Roots? The title track welcomes listeners back to a Roots experience with Mos Def and Styles P., while ‘Get Busy’ goes a bit more hardcore in it’s music approach with Dice Raw and Peedi Peedi a.k.a. Peedi Crack. This project is showing a darker side of The Roots but at this point it is looking upward in terms of songs. The Hip-Hop archive appreciates the ‘@15′ track where fans get to hear the legend Black Thought at the age of fifteen showing why his “10,000 hours” have brought him to the legendary M.C. he is currently; which is then followed by him displaying that on ’75 Bars (Black’s reconstruction).’ This album seemed to be on track as their best since ‘Things Fall Apart’ but then a couple songs bring that “Metacritic” score down a bit. ‘I Will Not Apologize’ and ‘I Can’t Help It’ are not up to par with the music The Roots are known for or can do. These songs started to feel like the album was going in a ‘Phrenology’ direction but the group picks up the “loose ball” and from ‘Singing Man’ until the end of the album, fans get to hear the real Roots. As a bonus to the very personal and dark ideas of this album, it closes out with another audio clip of the group as they are discussing very real matters only for their rental vehicle to be wrecked causing all tension to be quelled by laughter. This is the most ?uestlove way to end a dark album on a light note. What did you think of the album? Singles include: ‘Rising Up’ ‘Get Busy’ & ’75 Bars (Black’s reconstruction)’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

Unpopular Opinion vs Dismissing The Message: Stephen A. Smith or Rashad McCants

Posted on by Reemo Meerak

Rashad McCants vs SAS (Stephen A. Smith) is rather ironic at best because it’s two people whom people dislike overall of their upfront takes but their messages get misconstrued of the person themselves because of such within the Sports Media world of Today. The spark of their back and forth over the Internet derived from a take on Stephen A. Smith Podcast where he made the claim that “Kobe Bryant isn’t the 2nd Greatest Basketball Player of all-time”. Rashad “Clap-Back” on Gil’s Arena to rebuttal against that claim, but took to things rather “Too Defensive” in some eyes. He felt, SAS was decimating Kobe’s overall legacy with that claim. Along with he never would or did such when the NBA Legend was alive. For Stephen A. Smith, there are times people may not like his takes but, can’t say he’s never upfront with sports topics or his knowledge is never on display, as well as he holds back of such. Oftentimes, it’s misconstrued by dislike of his takes as a Sports Journalist and Media Personality vs the actual person. Stephen A. Smith is like a “Professional Sniper”, who just gets the job done, and quite frankly doesn’t care for the emotions until after it’s all said and done. Also, has a humorous, and entertaining element to his craft. You can’t blame him or have a heavy distain upon him for that. If such were the case, then ESPN would’ve released him like they did previously in his career. He’s the “Cash Cow” for the network, and he’s been the most consistent sports analyst/figure the network as had since God rest his soul; Stuart Scott. Rashad McCants may seem “off the chart” with his takes on Gil’s platform; but he speaks entirely off of a Player’s preference mindset and rightfully so being a former Professional Athlete, as well as he’s highly passionate about it. The only thing is, his personality is brewing towards being “Unlikeable” and that’s where things get unfortunately tricky and convoluted as to if he’s just talking out his “Ass”. Also, gets highly dismissed because his career wasn’t considered or respected as such to make claims or sports takes of that caliber. End all be all, he’s a figure and element on the platform that adds onto the litany of edge that the Gil’s Arena platform requires. Face it folks, he’s not going anywhere. Say what you want or feel, but I really wish when it comes to hearing the “Ugly Truth” from them, or anyone in Sports Media just minus your feelings and could we just GROW UP!!!!. “Ugly Takes” or “Unpopular Opinions” are in Sports Topics for a reason, to inflict a difference amongst people who don’t think the same or don’t feel to “fluff”around in conversation. Sports Topics in its entirety are going to have that “Hero vs Villain” effect because of the personality you’re coming to grow, and become a fan of. Should it be as high of a “Popularity Contest” to not have in conversation? NO!!!. What if everyone agreed, then it would be BORING AF!!!! (Apologies for the children reading at home…lol). Who’s going to watch that? What ratings are coming in, or streaming numbers? There’s going to be a debate regardless of Sports Topics, but dismissing Opinions or claiming a person is willingly disrespecting towards a legacy just because of not liking the person is a reach. YES, there’s Opinion but in today’s society it counts only for who’s liked the MOST, and for that it’s UNFAIR. On to the next #MyCreatives Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: ReemoMeerakBrand.Info@Gmail.com

#rewindreview: Black Moon ‘Rise Of Da Moon’ 2019

Posted on by QUANTUM LEAP RADIO

  2019 was a heavy year for HOP music releases with some veterans making comeback albums. Often forgotten is the return of Black Moon who had not released an album as a group since 2002’s ‘Total Eclipse.’ ‘Rise Of Da Moon’ is as “Duck Down crew” as it can get in the later years of rapping. No one is missing as Buckshot, 5 Ft. Accelerator and D.J. Evil Dee present the dynamic first seen on their debut album ‘Enta Da Stage,’ with all music provided by The Beatminerz. ‘Creep Wit Me’ sets the tone of the album as Buckshot offers his low and rough voice while “5 Footer” adds his high pitched energy to a Beatminerz track worthy of those late night sounds fans come to know from the group. The two emcees feed off of each other like this throughout the album and as far as 5 Ft. Accelerator, fans get to feel he’s presence much more on this album. Features are kept to a minimum and only include Smif-N-Wessun, Method Man and Rockness Monsta. This also makes the album much more streamlined but makes it a challenge for Black Moon to keep the listeners attention span for fifty minutes. As a whole the album could have been shortened by a few songs as there isn’t enough diverse content. The majority of the album is either about their return to the music, boisterous claims of street credibility or how nice their skills are on the microphone. As a Black Moon fan one can appreciate these angles but after such a long hiatus it would have served the album to delve into more ideas. The strength of this release is how the music doesn’t divert too far from who Black Moon is. This is beats and rhymes, the attributes that created the rise of Black Moon. What did you think of the album? Singles include: ‘Creep Wit Me’ & ‘Black Moon Rise’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

Katt Williams Unleashes Controversial Critique on Comedians and Entertainment Industry

Posted on by Reemo Meerak

  Was this for CLOUT, GLORY, or TRUTH?!!! In a recent interview on Shannon Sharpe’s; Club Shay Shay, that sent shockwaves through the comedy, entertainment world and the internet for 2024!!!, renowned comedian/actor Katt Williams didn’t hold back as he unleashed a scathing critique on fellow comedians and the entertainment industry. Known for his unfiltered and bold statements, Williams took the opportunity to address what he sees as significant challenges within the comedy landscape and the broader entertainment business. During the interview, Katt Williams touched on various aspects of the entertainment industry, offering a candid and unapologetic perspective. He critiqued not only the art of comedy but also the inner workings of an industry that has both propelled and hindered countless careers. Williams, known for his unique style and fearless approach to comedy, provided insights into the motivations behind his critique. Drawing from his own experiences, he shed light on what he perceives as systemic issues, discussing the challenges faced by comedians trying to navigate an industry that can be both cutthroat and unforgiving. He named dropped the likes of Steve Harvey, Rickey Smiley, Cedric The Entertainer, Faizon Love, Aries Spears, and Kevin Hart as those that either stole jokes, lackluster talent, or in some shape or form were “Plants” to the industry.   Not going to lie here, I was rather amazed what transpired throughout the whole interview, as well as some keen and unique facts about him and his background. Overall, must give tremendous props to Shannon on his composure and demeanor. YES, a good amount of people would want him to control the interview as “conventional” as possible, but I don’t think we would have a potential interview like we all seen to kickoff this YEAR. Honestly, if such was a “Mission On Hand”, then Katt Williams was direct hit on his targets.   Here’s a clip of the interview:   The INTERNET went on INFERNO MODE as many were on the side of Katt Williams, and some comedians and Entertainers were sharing their humbling and honorable stories of interactions with him. Also, defending of his character, and skillset. Then, comes the rebuttals, or we like to call the “Clapbacks” Some of them were “MID” at best, and some were spot on from a different perspective. Like Ludacris’ Freestyle wasn’t really needed, I get it but, BRUHHHHH you already have yours and thensome from the movies:     Kevin Hart kinda had some “Pewn Pewns” with his rugers, but the Plastic Cup Boyz had the better jokes during the New York Knicks vs 76ERS game via ESPN:     Aries Spears had a different outlook, but honestly with the way of society today…I really doubt the message is “CLEAR”:     Conclusion In the aftermath of the interview, the comedy community and entertainment industry have responded with a mix of support, critique, and contemplation. Some comedians rallied behind Williams, applauding his courage to speak out, while others offered counterpoints, defending the industry’s structure and citing their own positive experiences. As is customary in the digital age, social media played a significant role in amplifying the impact of Williams’ statements. Twitter, Instagram, and other platforms exploded with discussions, memes, and a spectrum of opinions. The interview quickly became a focal point for fans and industry insiders alike to engage in a lively debate about the state of comedy, and entertainment, as well as it’s reach of engagement across the internet, and YouTube at 30 Million Views in 4 days (Original Release: January 3rd, 2024). Katt Williams’ recent interview has undoubtedly shaken the foundations of the internet, and cast the light on him for 2024 thus far. Whether you agree or disagree with his viewpoints, the conversation he started is one that demands attention and introspection. As the comedy community grapples with the comments, it’s clear that the reverberations of Williams’ words will continue to be felt for some time. Most definitely leave a comment below, and as per usual….. ON TO THE NEXT #MyCreatives. Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: ReemoMeerakBrand.Info@Gmail.com        

#rewindreview: Joell Ortiz & Kxxg Crooked ‘Rise & Fall Of Slaughterhouse’ 2022

Posted on by QUANTUM LEAP RADIO

  As a full disclaimer, I was never a Slaughterhouse listener. Not that any of the M.C.’s were not talented but during their initial run the music was not what I wanted to hear, on top of the fact original member Joe Budden I was not a fan of. His voice was always annoying to me and anytime his name was coming up outside of music, he was having issues with people I was actually fans of musically. Myself notwithstanding, Slaughterhouse had a solid fanbase and that audience was waiting on a follow up album from the group called ‘Glasshouse.’ Unfortunately for the audience the album never came to fruition due to the group’s label situation at Eminem’s Shady Records and the “retirement” of Joe Budden. Enter this album which provides a bit of closure for the Slaughterhouse fans as it’s title literally points out. Joell Ortiz and Crooked I a.k.a Kxxg Crooked break down the “rise and fall of Slaughterhouse” in a forty-five minute record that for me was surprisingly entertaining. The two had already made an EP called ‘H.A.R.D.’ as they continued to keep the gears from not being rusty but obviously were lacking the likes of their two other Slaughterhouse members. For me the only other person needed for either of Joel and Crooked’s releases was Royce Da 5’9,” who had also been seeing a renewed interest in the albums and music he was releasing. ‘Rise & Fall Of Slaughterhouse’ can be a bit awkward as eighty percent of the album is describing the disappointment Joel and Crooked have with the break up of the group and more specifically their disappointment with Joe Budden. What makes the album work for me is although the theme is obvious the music is more of what I would want to hear from the crew which was provided by The Heatmakerz, D.J. Pain 1, Hesami, D.J. Silk and a touching song ‘Look Mama’ produced by Fong Sai U. ‘Rise & Fall Of Slaughterhouse’ can feel like the the “b-team” crying about not getting as much playtime but this might be due to HOP music never really hearing an album themed with the tragedy due to the demise of a group. Joell Ortiz and Kxxg Crooked make for a solid duo, while Royce Da 5’9″ continues to elevate his solo career; and ironically I am a fan of “media Joe” Budden but still have not been sold on his previous music as of the time of this typing. Don’t take my thoughts about this group as an outsider listening in but see if as a fan one can understand the rise and fall of this “super group.” What did you think of the album? Singles include: ‘Vacancy,’ ‘Backstage,’ ‘Smoke’ & ‘Look Mama’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

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