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#rewindreview: Kendrick Lamar ‘Section 80’ 2011

Posted on by QUANTUM LEAP RADIO

  At the end of the 2000’s and beginning of the 2010’s, my filter for new acts in HOP music was fully active. Not many if any new acts was I giving a chance. This was mainly due to the overkill of acts that were springing up from the internet. It all felt too easy and a lot of it did not feel genuine but more like folks wanting to have “rap” on their resume when someone asks those individuals about themselves. Hip-Hop music at that time was like SXSW once it became corporate and everyone was just handing out CD’s on 6th street but didn’t even know how to perform on stage. Like a lot of those individuals I either turned them down or took an album and never listened. In 2011 a group I managed, H.I.S.D. was on the same ‘Beats, Arts + Lyrics’ show as Kendrick Lamar who headlined that show. Because of the co-sign of EQuality from H.I.S.D. (The HUE) I finally gave “K. Dot” a chance but needless to say this was only year before he would skyrocket as a HOP music force, and many at that event left by the time his set started. ‘Section 80’ was the album he was performing at the time and I stayed for a bit but was unfamiliar with the music so I couldn’t relate. Flash forward about a year later and I sat with ‘Section 80’ to see if I could understand the accolades he was receiving. From the first listen I was impressed with the production, although at the time the first half of the album I felt was not necessarily geared toward my ears but more toward the target generation he was in. Essentially the album felt like a better sounding effort of those CD’s that would be handed out at SXSW. Where this album has grown with me over the years is the projects after it giving me a better understanding of how ahead of his time and mature Kendrick Lamar was when ‘Section 80’ released. If ‘A.D.H.D’ is a summary of the youth and ignorance of his generation, ‘HiiiPower,’ ‘Kush & Corinthians’ are that medicine on this album that speaks to my generation. Kendrick Lamar was “bridging the gap” through teaching, giving his own life perspective and rapping at a high level. Day one fans often herald this as his best offering and I would never challenge their perspective because like Nas’ ‘Illmatic,’ sometimes you simply had “to be there” to understand. ‘Section 80’ is another example as to why I often compare “Kendrick’s” run to Outkast, as from their debut albums, the next and so on and so forth would sound so much different from the last. This will often cause discourse among listeners initially but when the dust settles and we all listen back, the greatness of the art is rarely ever challenged when looking at the landscape the art was created in. What did you think of the album? Singles include: ‘HiiiPower,’ ‘Tammy’s Song,’ ‘A.D.H.D.,’ & ‘Rigamortis’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: All Natural ‘Second Nature’ 2001

Posted on by QUANTUM LEAP RADIO

  One would not know it by the album cover but All Natural’s sophomore album ‘Second Nature’ is one of the rawest and realest HOP albums to come from the early 2000’s era. The Chicago duo consisting of Capital D. and Tone B. Nimble made sure that their second offering lived or at least tried to honor, what fans expected of them since their debut album in 1998. From the out set of the album ‘The Stick Up,’ listeners understand that the calming nature of the album cover is as mild as this journey will be. Capital D. upholds that “truskool” style of rhyme he has with a voice Rakim listeners would relate to. More importantly “Cap D.” uses his voice to not only show his talent but a beacon for providing truth to rhyme. ‘Uncle Sam’ featuring Slug is a point of view take on America and given current events can easily be applied to 2025. Same can be said for ‘Future Is Now’ as Capital D. prophesizes the importance of not waiting until the worst has happened to activate and mobilize. Other tracks like ‘Mr. Sexy’ go back to the days where the “line was drawn in the sand” between mainstream and underground while ‘Queens Get The Money’ adapts that popular Mobb Deep quote to talk about the women who deserve the spoils of men. Production is all in house, which is the Family Tree who on this album was G(R)iot, Memo, His-Panik, All Natural themselves and J. Rawls who produced one of the most banging tracks on this album, ‘The Renaissance’ featuring Lone Catalysts. New listeners will not hear this album and think that it was a monumental benchmark in HOP music but for me it is one of my favorite albums to listen to, due to how simple the approach is. My issue with the album over the years has been how it was mixed. Certain songs like ‘Ill Advisory,’ ‘Queens Get The Money’ and ‘The Renaissance’ sound great but the majority of the tracks have always sounded like there was an “amateur” engineer on the mix. Again this is balanced by how fresh and raw the songs are on ‘Second Nature.’ What did you think of the album? Singles include: ‘Stellar,’ ‘Elements Of Style’ & ‘Queens Get The Money’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

Legacy Defined: Smif-N-Wessun’s Infinity Blends Soul, Grit, and Elite Lyricism

Posted on by David Lopez

On Infinity Smif-N-Wessun cement their legacy as Hip-Hop Hall of Famers, proving they’re still performing at the highest level. Delivering profound bars over 9th Wonder and the Soul Council’s production, this collaboration is a masterclass crafted for purists. The opening track, “Infinity,” samples a KRS-One line: “We will be here forever,” encapsulating their history and enduring presence in the game. “Moses Promise” features Steele and Tek trading verses, spitting wisdom over a soulful beat. Meanwhile, “Namaste” finds them reflecting on the pursuit of love and a brighter future. The bouncy “Medina,” backed by a children’s chorus, sees Pharoahe Monch delivering a razor-sharp verse, detailing warfare tactics with precision. “Black Eminence,” featuring the late Prodigy of Mobb Deep, pairs earnest verses with an R&B-inspired groove. “Chuuch,” featuring Jalisa, is a conscious and thought-provoking anthem, offering reflection and inspiration for overcoming unjust conditions. The 9th Wonder-produced “Enjoy Ya Life” combines energetic drums and a spirited chant, creating a sonically uplifting vibe. “Shine,” featuring Ralph Tresvant, showcases the duo trading bars over Tresvant’s harmonic melodies. The Jodeci-inspired “Just Stay,” featuring Conway the Machine, finds the trio delivering raw, heartfelt lyrics over a smooth, soulful backdrop. Another standout, “Heard About Me,” features the late Sean Price and Maverick Sabre, adding depth and intensity to the album. Infinity is a stellar contribution to the hip-hop ethos, with elite production from 9th Wonder and the Soul Council, paired with sharp, insightful lyrics from Steele, Tek, and their guests. The album is cohesive, blending soulful grit with contemporary relevance, taking listeners back to the essence of hip-hop while remaining fresh and forward-thinking.

#rewindreview: K. Sparks ‘Seasons Theme’ 2016

Posted on by QUANTUM LEAP RADIO

  In the first years of QUANTUM LEAP RADIO, we were introduced to many new M.C.’s, that due to how loud the internet was by 2016, the “underground rapper” title held even less weight than ever. It was too easy to make music and even if it wasn’t easy the amount of acts to discover was overwhelming to the public. The advantage QUANTUM LEAP RADIO has is a benefit to the listener because we can be the conduit to filter these many acts that dwell in this newer age of the underground. K. Sparks sent his music to us at some point in 2016 and it was a satisfactory submission. The New York rapper upholds the attributes one would suspect is synonymous with that area but by 2016 I personally was thinking he was from the mid-west or a region not always associated with having a Hip-Hop scene. K. Sparks can rhyme without question. Has an active and engaging delivery, speaks on issues, intentional with his lyrics and chooses production that keeps heads nodding. All those things seem to be fleeting for New York rappers in this era. ‘Seasons Theme’ gives K. Sparks a means to plant the flag back in that corner of HOP music, if not for a moment. The album is a full record as it is close to an hour and K. Sparks handles all the rhymes with no features. Production remains consistent as Es-K, Moe Productions and Kurser take care of the release. K. Sparks guides listeners through all four seasons and the good and bad that can come with each one. A stand out track ‘#TRENDY’ is made during one of the last moments humanity had to listen, when so many warnings about the effects of social engineering were being actualized a decade ago. ‘Him vs Her’ is a soundtrack to the ever growing misunderstandings of men and women and the struggle to find common ground. Where ‘Seasons Change’ could have been better is K. Sparks himself. He raps a lot and at times the songs can be a bit long and one might lose their focus because he can be very bar heavy. That being said, if this is the weakest link it is a strong link to have and gives this album foundation and purpose. What did you think of the album? Singles include: ‘Black Caesar’ & ‘#TRENDY’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

“Crash The Industry”: Hip-Hop Show Spotlighting Legends and Rising Stars

Posted on by David Lopez

Mr. CEO, Shanti Mann interviewing  acclaimed producer Amadeaus on ” Crash the Industry.”   “Crash The Industry,” the innovative hip-hop series created by Shanti Mann (aka Mr. CEO) and executive produced by his wife, Queen Nat, is making waves in the entertainment world. Filmed at BronxNet’s state-of-the-art studios in the heart of the Bronx—the birthplace of hip-hop—the show offers a unique blend of inspiration, education, and entertainment by spotlighting the journeys of both established icons and rising stars. The series delves into the behind-the-scenes stories of individuals who have “crashed” their way to success across various industries, from music and fashion to entrepreneurship and politics. By featuring a diverse range of guests, including record executives, politicians, rappers, singers, and designers, “Crash The Industry” provides a platform for voices that might otherwise go unheard. A standout feature of the show is its “Pass the Torch” segment, where seasoned professionals mentor emerging talent, creating powerful moments of wisdom and opportunity. This segment underscores the show’s mission to bridge the gap between legends and the next generation of stars. Since its debut, “Crash The Industry” has already hosted an impressive roster of guests. Legendary Bronx-born producer Amadeus, known for his work with J.Lo and French Montana, shared his insights, while Kim Osorio, Executive Producer of “Love & Hip Hop” and “Black Ink Crew,” offered her expertise. Hip-hop heavyweight Agallah The Don also made an appearance with his rising protege M. Tundra.   The next wave of  artists like Maury Haze, Nay Blanco, TDI Musik, and Keen Streetz, who is signed to Jim Jones’ Vamp Life Records have also made appearances.  The show’s dynamic format keeps audiences engaged with live performances, fashion shows, comedy stand-ups, and deep dives into industry trends. Aspiring artists, entrepreneurs, and creatives are encouraged to submit their bios and performance-ready tracks (clean versions, MP3/MP4) to crashtheindustrytv@gmail.com for a chance to be featured. For exclusive behind-the-scenes content, follow “Crash The Industry” on Instagram (@crashtheindustry_tv) and YouTube (Crash The Industry TV). Tune in every Saturday at 6:30 PM on www.Bronxnet.org to catch the latest episodes and witness the fusion of hip-hop culture, mentorship, and innovation.        

#rewindreview: Kidz In The Hall ‘School Was My Hustle’ 2006

Posted on by QUANTUM LEAP RADIO

  In the mid-2000’s, Rawkus records staged a comeback after a hiatus that came on the back of albums that tried to compete with mainstream releases and did not hit the mark, as well as a hostile takeover (or shutdown) that was reminiscent of the show ‘Succession.’ This comeback would include acts like The Procussions, Hezekiah and our subject of the day Kidz In The Hall. The idea for Rawkus seemed to bring back the idea of the “underground act” that was a hidden gem, but the attributes that made Rawkus a Hip-Hop stable were long gone by 2006. The internet washed away those moments that included late night mixshows, the joy of discovering new music at record stores and the initial decline of the “mom & pops” record store. Kidz In The Hall would look to be the flagship for this new Rawkus renaissance, and with their most popular track ‘Wheelz Fall Off (06′ Til)’ gaining some traction due to it’s homage of Souls Of Mischief ’93 Til…’ track, one would think the mission was on good course. The Chicago duo which consist of Naledge and Double O who were a rapper and beatmaker team. The dynamics were simple and given the success of Kanye West and Lupe Fiasco, their personas as the “nerd kids” respected by the streets looked to carry on what was coming out of Chicago for those ears wanting “truskool” HOP music. For me the Kidz In The Hall just didn’t seem to figure out where they stood within HOP music. Granted their personas are pretty much what every rapper that started from the internet in the mid to late 2000’s were built off of and maybe that is why I could never really get past this album. ‘School Was My Hustle’ is a solid project that gives the group a chance to take listeners on a journey through the perspective of “kids” not ten toes deep in street activity while not being stepped on by the street cats. Naledge has a flow that is smooth and relatable to the listener that is not ready to hear Company Flow or Quasimoto while Double O’s beats are a hairline away from meeting the quota’s of Roc-A-Fella rappers. This is music to “ride” to but can also be an acquired taste of one feels Kidz In The Hall doesn’t necessarily bring anything new to table especially with the Rawkus name attached to it. What did you think of the album? Singles include: ‘Wheelz Fall Off (06′ Til)’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

NEMS Levels Up to a Higher Plateau with his album America’s Sweetheart

Posted on by David Lopez

At first NEMS is challenging to figure out. At one end he is joking on folks on his Instagram posts, and spitting menacing disrespectful bars, as he yells “Fuck Your Life.” But the more you hear his music, you notice there is teddy bear quality to him. As he expresses his vulnerabilities, such as the pain of the death of his father due to AIDS on “Keep on, “on his last album Rise of the Silverback. And the murder of his two cousins on the track “Cousins,” on his 2021 release Congo. You get different layers from him; sensitivity, intelligence, pain, and humor.  His latest album “Americas Sweetheart” which was cleverly marketed and dropped on Valentine’s Day is fitting. As on the album cover, he is smiling but also delivering two middle fingers. The great sarcastic contrast. It is like a Larry David episode, you do not know what he has gotten in store next. Some might confuse Nems as a childish antagonist, but he is difficult not to love. His talent and respect for the craft of hip hop is undeniable. He makes you want to root for him. And root they do on the lead single “Go Fat Boy,” which is an underdog head nodding anthem. The production is solid throughout, serving as a  proper backdrop for his calculated lyrics. Tracks like “CTE, “is bar heavy, and “My Side,” featuring Millyz out of Boston is catchy as the chorus steals the show.  While “Gunther,” is a hilarious toxic exchange with a woman who has gotten to his very last nerve, as he showers her with the opposite of compliments.  And “Coney Island Part 1 or 2,” is dedicated to his neighborhood, which is known for its amusement park, beach, and history of professional basketball players.  “God’s Hands,” has him reflecting on his hurdles and thanking his blessings,  while “Afuera,” is a heat rock with Tony Touch as they exchange urban slang expressions in Spanish and will be a warm weather anthem and played heavy at the New York City Puerto Rican parade. The closing track “Viral,” shows a focused Nems emphasizing his goals, as he avoids any pitfalls or distractions on his way to higher plateaus.   On America’s Sweetheart NEMS continues to level up, as Coney Island’s Mayor is expanding his grasp through America and Beyond. But there is nothing sweet about his barz, Go Fat Boy! 

#rewindreview: DcQ ‘Save The Children’ EP 2013

Posted on by QUANTUM LEAP RADIO

  DcQ might not be known to many but for those ears that listened to Rawkus records in the late 1990’s, his voice will bring you back to a certain era. DcQ was apart of Medina Green who’s ’12 inch single ‘Crosstown Beef’ was an underground classic for those vinyl collecting D.J.’s and listeners of mixshow radio. Also he was one third of UTD (Urban Thermo Dynamics) who consisted of Ces and DcQ’s blood brother Yasiin Bey a.k.a. Mos Def. In 2013 I found this EP somehow as it was a “free release.” I was a bit off put by the cover art as it felt uninspiring, and that a person with the resume I just described would have more effort put into the presentation of anything he would release. What I would hear is about twenty minutes of that nostalgic feel I remember from Median Green but with more emphasis on a message of cultural awareness for black youth. Produced entirely by Ayotallah who was working heavy with the likes of Mos Def, Busta Rhymes and others during the early 2000’s, and Shawneci Ice-Cold, gave this EP the sound needed for DcQ to continue the vibes he was known for. Features include Sadat X, Joell Ortiz, Kash Ru, Jah Born and fellow Medina Green members Mos Def and Ali Shine. The album cover notwithstanding, this is a solid release and a rare find as it was released during the digital age but no where is the full project available online and no known physical copies. Stick with QUANTUM LEAP RADIO because we got it for you! What did you think of the album? Singles include: ‘Save The Children’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: R.Z.A. & D.J. Scratch ‘Saturday Afternoon Kung Fu Theater’ EP 2022

Posted on by QUANTUM LEAP RADIO

  At the tail end of the world being “inside” due to COVID 19, legends of HOP music R.Z.A. and D.J. Scratch dropped an EP many were not aware of. The pandemic caused a lot veterans to get back to making music and test their fortitude among ears that might not have heard from them in a while or never heard of them at all. R.Z.A.’s success over the years has been highly underrated as he is clearly known as the architect for Wu-Tang Clan but people often forget his stamina to find work that includes acting and scoring music for such classic films as ‘Kill Bill.’ All of this while still staying true to his inner self and still having the passion to do music. R.Z.A. is often overlooked because he is not in his prime in terms of production, and I think he knows this himself. It was only right but extremely surprising for R.Z.A. to link with producer D.J. Scratch, who has worked with Busta Rhymes, E.P.M.D. and a collage of others throughout his almost 40 year career. Scratch provided all the production on ‘Saturday Afternoon Kung Fu Theater’ which left R.Z.A. to focus on his thoughts and off-kilter delivery of those lyrics. R.Z.A. crafts this release as a battle between ‘The Abbot’ and ‘Bobby Digital,’ two personas the Wu-Tang Clan veteran has adopted over the years. A concept that one has to really hone in on this EP as R.Z.A. has always been an “acquired taste” among listeners, and in his more elder years his style might not translate to many in these current times. ‘Saturday Afternoon Kung Fu Theater’ is more of an appetizer as oppose to a full meal with it only being an EP of seven songs. A release for those Hip-Hop heads still wanting to hear that unapologetic Wu-Tang theme. What did you think of the album? Singles include: ‘Saturday Afternoon Kung Fu Theater’ & ‘Fate Of The World’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

The God Emcee Rakim Starts Financial Technology Company Notes

Posted on by David Lopez

The God Emcee Rakim has started a new financial technology company powered by Artificial intelligence, called “Notes.” Known for his lyrical mastery and showmanship in his performances, Rakim is now using his celebrity to give back to creatives who may not have the resources to fund their projects. The fintech company aims to provide funding and financial literacy for creatives so they can make and sustain their work.  The press release  from  company  states, “This innovative financial technology and AI-powered platform merges ‘music, money, and knowledge’ to address the unique challenges faced by independent urban music artists and creators, redefining access to capital to fund their creative projects, while providing financial literacy, and entrepreneurial and music business education to build sustainable careers. ” “Notes is designed to empower these creatives with financial independence while retaining control over their careers in an industry often marked by exploitation.” The Notes company provides membership-focused access, connections to loan and credit providers for access to capital, AI-powered financial literacy and entrepreneurial education content, and an exclusive “Ask RA” feature, an AI voice assistant and agent in the iconic voice of RAKIM purpose-built for independent urban music artists and creators. “Independent urban music artists and creators often struggle to gain financial stability despite their market impact,” RAKIM says. “With Notes, we’re building a community- and lifestyle-driven platform that combines cultural connection, technology, and empowerment to give them the tools they need to thrive.” The platform is poised to expand its offerings, introducing business banking and debit cards, P2P payment services, cryptocurrency solutions, and other features to drive deeper engagement and long-term user value. Independent urban music artists and creators can join the waitlist to be notified when Notes is available for early access at www.notestechnology.com.

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