#rewindreview: Apollo Brown ‘Sincerely, Detroit’ 2019

  I have said on record (you can see old Late Nite Snax radio shows) that “there was something in the water” in Detroit. For many Eminem is the reference point for the city. Others might be older and M.C. Breed is that origin point. For me it was Slum Village and anyone that was affiliated with them. That unit clearly had a certain sound and type of rhyming that might be in total contrast to an Eminem. What was undeniable was there was a diverse Hip-Hop scene in Detroit that any listener could choose from. Enter Apollo Brown, who’s name I started to see around 2010. Initially I had no idea where he was from but the music was enough to keep me interested. In 2014 he did a collaboration album with Ras Kass called ‘Blasphemy’ which I personally think is one of Ras Kass’ best albums. Now there is no denying Apollo Brown which come to find out is from that city with that “…something in the water.” In 2019 the beat maker put out ‘Sincerely, Detroit’ which is truly a thank you letter to the cities most effective and talented M.C.’s and gives somewhat of a “crash course” to those not in the know of these acts. This is a compilation record with Apollo Brown exclusively on the beats while he also had the daunting task of gathering Detroit’s best for an almost hour and a half album. The audience will recognize names like Royce Da 5’9, Slum Village, Elzhi, Melanie Rutherford and Kinuva; but Apollo digs deeper and highlights those acts that have been effective not just on the Detroit underground scene but across the world like Boog Brown, Boldy James, Guilty Simpson, Black Milk, Leaf Erikson and Ty Farris just to name a few. This is a hefty album that I have to warn is strictly Hip-Hop with no room for trying to fit in or cookie cutter material. If there is an issue listeners might have, is the amount of time one would have to sit with the record. It can be argued that it is too long but at the same time this “love letter” of Detroit HOP music might not mean the same if all these acts could not be represented on one project. What did you think of the album? Singles include: ‘The Backbone,’ ‘Deception & Woes, ‘365’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: ‘Silent Weapons For Quiet Wars’ 1997

  The mark that Wu-Tang Clan left on the music industry will probably never be duplicated, in terms of ideas and themes that seemed so opposite of what Hip-Hop was. With that influence there were acts that clearly were trying to duplicate what the crew brought to listener’s ears. It was only fitting that by the time of their second album in 1997, Wu-Tang introduced their immediate family who they felt deserved to be “cuban linx” by proximity. Killarmy was a six M.C. crew with an in house producer. Killa Sin, Beretta 9, Islord, 9th Prince, P.R. Terrorist and ShoGun Assasson provided raps while 4th Disciple made his way on to the Wu-Tang chess board with his production on this album. ‘Silent Weapons for Quiet Wars’ fits the theme of Killarmy’s name and they lean heavy on it throughout this record. The book ‘Behold A Pale Horse’ was somewhat of a bible for many rappers that came up during the 1990’s to which the album name is a quote from the publishing. A lot of “theory” on how the world was operating and who was “in control,” played a huge factor in the content listeners received. Killarmy is a mashup of “strength in numbers” instituted in the Wu-Tang Clan lure, and soldiers ready for the “quiet war” that was being fought for people’s minds. The question is why this album and group never made the splash of their predecessors and it can be because they felt too “familiar.” With the six M.C.’s it was often hard to distinguish who was who but one could also pinpoint their rapping style to someone in the original nine members of Wu-Tang Clan. Also with 17 tracks the album can meander as the group tries to fit in so many bars over production that is trying to separate these songs while keeping the “DNA” of the Wu-Tang sound. For the absolute “Wu-fan” that only wanted to hear the type of music they brought, ‘Silent Weapons For Quiet Wars’ satisfies that urge. The album is not bad for what it is but at the same time it doesn’t create new fans not already down with the Wu-movement. What did you think of the album? Singles include: ‘Camouflage Ninjas,’ ‘Wu-Renegades,’ ‘Swinging Swords,’ ‘Fair, Love & War’ & ‘Wake Up’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

Jermaine Dupri Drops Club-Ready Single “Turn Around” with T.I., 2 Chainz & Young Dro

Jermaine Dupri shared with Digiwaxx that before creating this record, he would reach out to DJs and tastemakers to see what the club was missing – and then he’d go right in the studio and deliver exactly that. That’s why he’s always been ahead of the curve. Now, the GRAMMY®-winning producer, Songwriters Hall of Famer, and true cultural icon is back with another banger. His new single “Turn Around,” featuring Atlanta rap royalty T.I., 2 Chainz, and Young Dro, is out today via on all platforms including the Digiwaxx record pool!  Serving as the lead single from his highly anticipated full-length album inspired by the upcoming STARZ docuseries Magic City: An American Fantasy (executive produced by JD and premiering August 15, 2025), “Turn Around” is a full celebration of Atlanta’s influence on music and strip club culture. The bass-heavy, club-ready anthem is unapologetically Southern, encouraging women to smile, let loose, and “turn that thing around.” The high-energy video, debuting June 13, captures ATL’s strip club scene in all its rawness, featuring cameos from Bow Wow, 21 Lil Harold, and other local legends. When we interviewed Jermaine Dupri about his new Magic City project and his latest single “Turn Around,” he shared powerful insight into his creative process. Speaking on the writing and production of the track, he told me, “I believe good music is good music.” He went on to explain how he approaches his work with intention, saying, “I see a void, and when I see a void, I try and fill it at all times.” It’s that mindset that has kept him at the forefront of music for decades, always listening to the culture and giving the people exactly what they didn’t even know they were missing. The full project, dropping August 15 alongside the docuseries, brings together an all-star lineup of Atlanta artists, marking the first time a producer from the city has curated an entire album exclusively featuring Atlanta talent across generations and genres. It’s a historic moment, with JD and So So Def once again pushing the culture forward. Fans can expect an immersive listening experience that captures the essence of Atlanta’s iconic strip clubs while honoring the roots, legends, and lasting impact of Magic City on hip-hop and pop culture. As someone who’s witnessed JD’s passion up close, it’s clear he’s always stayed tapped in with his city – showing up for his own with an unshakable sense of hometown pride. With the summer heating up, “Turn Around” is just the start. Get ready for an Atlanta takeover led by one of its founding architects. It’s an Atlanta Summer.

#rewindreview: Camp Lo ‘Short Eyes’ EP 2001

  With a solid debut album under their belt and a certified hit, Camp Lo needed to make sure they were able to survive the “new millennium.” In comes a very rare “taste test” of a release in an EP called ‘Short Eyes.’ If one listened to the last remaining college radio shows around this time or knew D.J.’s who were in support of HOP music, a track or two from this release might have been heard like ‘Sunkiss’ or ‘Baby Mother.’ Otherwise you might have needed to be in Japan or perusing online outlets like ‘sandboxautomatic’ to own this EP. Much like the records title the listener is granted a short collection of new music from Camp Lo. The group continues their signature raps that often can seem to need a translator but still keep it as “fly” and stylish as they can be while paying homage to 1970’s black films. Although the film this references is much darker in contrast to the vibes one hears on the release. Camp Lo manages to keep the party groove throughout the twenty minutes of this EP and they seemed to assimilate easy into the “cha cha” sound that came with popular music from about 1999 to 2002. The record is consistent and gives insight into where the group was heading musically but it does not break any ground or has those obvious moments of greatness their debut album has. For the Camp Lo fan they would be satisfied, and even the fly by night listener of HOP music, if they could understand their lyrics. What did you think of the album Singles include: ‘Army’ & ‘Baby Mother’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

WP Twitter Auto Publish Powered By : XYZScripts.com