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Month: February 2025

Cashrbe – Back In Motion (New EP)

Posted on by Stopbeefinradio

“ BACK IN MOTION “ EP This ep is for the world to know who Cashtank is I can describe it as authentic flow switch up is great .. you can expect word play .. uptempo beats and even a few samples … I named it “ Back in motion “ because I’ve been gone for a lil min and now I’m back at it but I don’t want anyone to ever think I fell off I just fell into a better Position! BIO I’m 1cashrbe always formally known as Cashtank started my rap journey at the age of 17 always been under spotlight .. in 2017 I dropped my first ever single called Own on SoundCloud from there I be began to perfect my craft … when I finished highschool I decided to take my rap career seriously and in 2019 I dropped  my first ever Ep titles “ Different Breed” with 6 songs I felt as if I was different from other so I grinded like no one could stop me I became more consistent I followed my Ep with numerous Singles .. that worked into a Album I later titled “ Count on Cash “ in 2021 I’ve always had the visual of how big I wanted to be just needed the correct platform I’ve been rapping over 5 years and never sold myself short I was always taught to never quit … once you quit you get nothing out of it . So I thank the man above for allowing keep my foot on the pedal and stay grounded . Cashrbe Grew up listening to all older Artists so as Gucci Mane , Young Jezzy , Project Pat , Tip.  New Age : Soulja Boy , Lil Wayne , Rich homie Quan lil baby n more.  I’ve won over 3 music showcases in my city and also traveled to ATL FOR 2 2020 , Off the porch Dirty Glove Interview. I’ve released 6 albums independently and I’ve released 27 singles / EPS, I’ve released 35 music videos within the course of 5 years independently.  “ I feel like I’m very versatile not too many artist can switch up flow , I have songs for the woman songs for people in the struggle and club bangers I paint pictures in my music and piggy back on things I’ve been through “  Whichever Picture Best Fits Contact Social Media @1cashrbe

“Crash The Industry”: Hip-Hop Show Spotlighting Legends and Rising Stars

Posted on by David Lopez

Mr. CEO, Shanti Mann interviewing  acclaimed producer Amadeaus on ” Crash the Industry.”   “Crash The Industry,” the innovative hip-hop series created by Shanti Mann (aka Mr. CEO) and executive produced by his wife, Queen Nat, is making waves in the entertainment world. Filmed at BronxNet’s state-of-the-art studios in the heart of the Bronx—the birthplace of hip-hop—the show offers a unique blend of inspiration, education, and entertainment by spotlighting the journeys of both established icons and rising stars. The series delves into the behind-the-scenes stories of individuals who have “crashed” their way to success across various industries, from music and fashion to entrepreneurship and politics. By featuring a diverse range of guests, including record executives, politicians, rappers, singers, and designers, “Crash The Industry” provides a platform for voices that might otherwise go unheard. A standout feature of the show is its “Pass the Torch” segment, where seasoned professionals mentor emerging talent, creating powerful moments of wisdom and opportunity. This segment underscores the show’s mission to bridge the gap between legends and the next generation of stars. Since its debut, “Crash The Industry” has already hosted an impressive roster of guests. Legendary Bronx-born producer Amadeus, known for his work with J.Lo and French Montana, shared his insights, while Kim Osorio, Executive Producer of “Love & Hip Hop” and “Black Ink Crew,” offered her expertise. Hip-hop heavyweight Agallah The Don also made an appearance with his rising protege M. Tundra.   The next wave of  artists like Maury Haze, Nay Blanco, TDI Musik, and Keen Streetz, who is signed to Jim Jones’ Vamp Life Records have also made appearances.  The show’s dynamic format keeps audiences engaged with live performances, fashion shows, comedy stand-ups, and deep dives into industry trends. Aspiring artists, entrepreneurs, and creatives are encouraged to submit their bios and performance-ready tracks (clean versions, MP3/MP4) to crashtheindustrytv@gmail.com for a chance to be featured. For exclusive behind-the-scenes content, follow “Crash The Industry” on Instagram (@crashtheindustry_tv) and YouTube (Crash The Industry TV). Tune in every Saturday at 6:30 PM on www.Bronxnet.org to catch the latest episodes and witness the fusion of hip-hop culture, mentorship, and innovation.        

#rewindreview: Kidz In The Hall ‘School Was My Hustle’ 2006

Posted on by QUANTUM LEAP RADIO

  In the mid-2000’s, Rawkus records staged a comeback after a hiatus that came on the back of albums that tried to compete with mainstream releases and did not hit the mark, as well as a hostile takeover (or shutdown) that was reminiscent of the show ‘Succession.’ This comeback would include acts like The Procussions, Hezekiah and our subject of the day Kidz In The Hall. The idea for Rawkus seemed to bring back the idea of the “underground act” that was a hidden gem, but the attributes that made Rawkus a Hip-Hop stable were long gone by 2006. The internet washed away those moments that included late night mixshows, the joy of discovering new music at record stores and the initial decline of the “mom & pops” record store. Kidz In The Hall would look to be the flagship for this new Rawkus renaissance, and with their most popular track ‘Wheelz Fall Off (06′ Til)’ gaining some traction due to it’s homage of Souls Of Mischief ’93 Til…’ track, one would think the mission was on good course. The Chicago duo which consist of Naledge and Double O who were a rapper and beatmaker team. The dynamics were simple and given the success of Kanye West and Lupe Fiasco, their personas as the “nerd kids” respected by the streets looked to carry on what was coming out of Chicago for those ears wanting “truskool” HOP music. For me the Kidz In The Hall just didn’t seem to figure out where they stood within HOP music. Granted their personas are pretty much what every rapper that started from the internet in the mid to late 2000’s were built off of and maybe that is why I could never really get past this album. ‘School Was My Hustle’ is a solid project that gives the group a chance to take listeners on a journey through the perspective of “kids” not ten toes deep in street activity while not being stepped on by the street cats. Naledge has a flow that is smooth and relatable to the listener that is not ready to hear Company Flow or Quasimoto while Double O’s beats are a hairline away from meeting the quota’s of Roc-A-Fella rappers. This is music to “ride” to but can also be an acquired taste of one feels Kidz In The Hall doesn’t necessarily bring anything new to table especially with the Rawkus name attached to it. What did you think of the album? Singles include: ‘Wheelz Fall Off (06′ Til)’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

NEMS Levels Up to a Higher Plateau with his album America’s Sweetheart

Posted on by David Lopez

At first NEMS is challenging to figure out. At one end he is joking on folks on his Instagram posts, and spitting menacing disrespectful bars, as he yells “Fuck Your Life.” But the more you hear his music, you notice there is teddy bear quality to him. As he expresses his vulnerabilities, such as the pain of the death of his father due to AIDS on “Keep on, “on his last album Rise of the Silverback. And the murder of his two cousins on the track “Cousins,” on his 2021 release Congo. You get different layers from him; sensitivity, intelligence, pain, and humor.  His latest album “Americas Sweetheart” which was cleverly marketed and dropped on Valentine’s Day is fitting. As on the album cover, he is smiling but also delivering two middle fingers. The great sarcastic contrast. It is like a Larry David episode, you do not know what he has gotten in store next. Some might confuse Nems as a childish antagonist, but he is difficult not to love. His talent and respect for the craft of hip hop is undeniable. He makes you want to root for him. And root they do on the lead single “Go Fat Boy,” which is an underdog head nodding anthem. The production is solid throughout, serving as a  proper backdrop for his calculated lyrics. Tracks like “CTE, “is bar heavy, and “My Side,” featuring Millyz out of Boston is catchy as the chorus steals the show.  While “Gunther,” is a hilarious toxic exchange with a woman who has gotten to his very last nerve, as he showers her with the opposite of compliments.  And “Coney Island Part 1 or 2,” is dedicated to his neighborhood, which is known for its amusement park, beach, and history of professional basketball players.  “God’s Hands,” has him reflecting on his hurdles and thanking his blessings,  while “Afuera,” is a heat rock with Tony Touch as they exchange urban slang expressions in Spanish and will be a warm weather anthem and played heavy at the New York City Puerto Rican parade. The closing track “Viral,” shows a focused Nems emphasizing his goals, as he avoids any pitfalls or distractions on his way to higher plateaus.   On America’s Sweetheart NEMS continues to level up, as Coney Island’s Mayor is expanding his grasp through America and Beyond. But there is nothing sweet about his barz, Go Fat Boy! 

Drama G’s “Gangster Love” Highlights the Heart of a Hustler

Posted on by essince

Chicago-born and Minneapolis-based artist Drama G is once again capturing hearts and minds with his latest single, “Gangster Love.” Known for his ability to craft raw, authentic street anthems, Drama G shows a more vulnerable side with this emotionally resonant track. The song blends passion and grit, diving into the life of a man hardened by the streets yet yearning for genuine love and connection. Drama G’s unique lyrical storytelling shines in “Gangster Love.” The song narrates the journey of a hustler trying to navigate relationships while grappling with the challenges of his environment. It’s a universal tale wrapped in urban poetry, reminding listeners that no matter how tough someone’s exterior may be, everyone longs for love and understanding. Drama G’s smooth delivery and ability to paint vivid pictures through his lyrics make this song relatable and impactful. This single is a testament to Drama G’s growth as an artist and individual. Beyond the music, Drama G is making a significant mark on the industry as the CEO of GOGETTAZ ENT and an A&R for Maverick Global Distribution. His work doesn’t stop with his artistry—he actively seeks to uplift others, identifying and nurturing new talent while growing his brand. Born and raised in Chicago, Drama G embodies the spirit of a hustler with an unrelenting drive to succeed. His journey has taken him from the streets of Chicago to the forefront of the Midwest music scene. With tracks like “Big Rakes” and now “Gangster Love,” Drama G continues to prove that he’s not only a talented artist but also a visionary. As a leader and an artist, Drama G has strategic affiliations with Rap-A-Lot Midwest and Come Clean Empire, which further enhance his credibility and reach. His ability to blend hard-hitting street anthems with introspective tracks like “Gangster Love” showcases his versatility and keeps listeners coming back for more. Whether you’re drawn to his music for its authenticity, relatability, or catchy melodies, Drama G ensures there’s something for everyone in his catalog. With “Gangster Love,” he invites listeners to explore the duality of strength and vulnerability, making this a standout addition to his growing body of work. Follow Drama G on Social Media Instagram | YouTube | TikTok | Spotify

#rewindreview: DcQ ‘Save The Children’ EP 2013

Posted on by QUANTUM LEAP RADIO

  DcQ might not be known to many but for those ears that listened to Rawkus records in the late 1990’s, his voice will bring you back to a certain era. DcQ was apart of Medina Green who’s ’12 inch single ‘Crosstown Beef’ was an underground classic for those vinyl collecting D.J.’s and listeners of mixshow radio. Also he was one third of UTD (Urban Thermo Dynamics) who consisted of Ces and DcQ’s blood brother Yasiin Bey a.k.a. Mos Def. In 2013 I found this EP somehow as it was a “free release.” I was a bit off put by the cover art as it felt uninspiring, and that a person with the resume I just described would have more effort put into the presentation of anything he would release. What I would hear is about twenty minutes of that nostalgic feel I remember from Median Green but with more emphasis on a message of cultural awareness for black youth. Produced entirely by Ayotallah who was working heavy with the likes of Mos Def, Busta Rhymes and others during the early 2000’s, and Shawneci Ice-Cold, gave this EP the sound needed for DcQ to continue the vibes he was known for. Features include Sadat X, Joell Ortiz, Kash Ru, Jah Born and fellow Medina Green members Mos Def and Ali Shine. The album cover notwithstanding, this is a solid release and a rare find as it was released during the digital age but no where is the full project available online and no known physical copies. Stick with QUANTUM LEAP RADIO because we got it for you! What did you think of the album? Singles include: ‘Save The Children’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: R.Z.A. & D.J. Scratch ‘Saturday Afternoon Kung Fu Theater’ EP 2022

Posted on by QUANTUM LEAP RADIO

  At the tail end of the world being “inside” due to COVID 19, legends of HOP music R.Z.A. and D.J. Scratch dropped an EP many were not aware of. The pandemic caused a lot veterans to get back to making music and test their fortitude among ears that might not have heard from them in a while or never heard of them at all. R.Z.A.’s success over the years has been highly underrated as he is clearly known as the architect for Wu-Tang Clan but people often forget his stamina to find work that includes acting and scoring music for such classic films as ‘Kill Bill.’ All of this while still staying true to his inner self and still having the passion to do music. R.Z.A. is often overlooked because he is not in his prime in terms of production, and I think he knows this himself. It was only right but extremely surprising for R.Z.A. to link with producer D.J. Scratch, who has worked with Busta Rhymes, E.P.M.D. and a collage of others throughout his almost 40 year career. Scratch provided all the production on ‘Saturday Afternoon Kung Fu Theater’ which left R.Z.A. to focus on his thoughts and off-kilter delivery of those lyrics. R.Z.A. crafts this release as a battle between ‘The Abbot’ and ‘Bobby Digital,’ two personas the Wu-Tang Clan veteran has adopted over the years. A concept that one has to really hone in on this EP as R.Z.A. has always been an “acquired taste” among listeners, and in his more elder years his style might not translate to many in these current times. ‘Saturday Afternoon Kung Fu Theater’ is more of an appetizer as oppose to a full meal with it only being an EP of seven songs. A release for those Hip-Hop heads still wanting to hear that unapologetic Wu-Tang theme. What did you think of the album? Singles include: ‘Saturday Afternoon Kung Fu Theater’ & ‘Fate Of The World’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

The God Emcee Rakim Starts Financial Technology Company Notes

Posted on by David Lopez

The God Emcee Rakim has started a new financial technology company powered by Artificial intelligence, called “Notes.” Known for his lyrical mastery and showmanship in his performances, Rakim is now using his celebrity to give back to creatives who may not have the resources to fund their projects. The fintech company aims to provide funding and financial literacy for creatives so they can make and sustain their work.  The press release  from  company  states, “This innovative financial technology and AI-powered platform merges ‘music, money, and knowledge’ to address the unique challenges faced by independent urban music artists and creators, redefining access to capital to fund their creative projects, while providing financial literacy, and entrepreneurial and music business education to build sustainable careers. ” “Notes is designed to empower these creatives with financial independence while retaining control over their careers in an industry often marked by exploitation.” The Notes company provides membership-focused access, connections to loan and credit providers for access to capital, AI-powered financial literacy and entrepreneurial education content, and an exclusive “Ask RA” feature, an AI voice assistant and agent in the iconic voice of RAKIM purpose-built for independent urban music artists and creators. “Independent urban music artists and creators often struggle to gain financial stability despite their market impact,” RAKIM says. “With Notes, we’re building a community- and lifestyle-driven platform that combines cultural connection, technology, and empowerment to give them the tools they need to thrive.” The platform is poised to expand its offerings, introducing business banking and debit cards, P2P payment services, cryptocurrency solutions, and other features to drive deeper engagement and long-term user value. Independent urban music artists and creators can join the waitlist to be notified when Notes is available for early access at www.notestechnology.com.

#rewindreview: Lupe Fiasco ‘Samurai’ 2024

Posted on by QUANTUM LEAP RADIO

  Lupe Fiasco has never seemed to be the one to get looped into a box. In fact I personally believe that to his detriment he has had moments where in order for him not to “seem” nostalgic, he has used his music as a contrarian vehicle. One thing can’t be denied and that is his talent for rapping but better still when he is provided certain music he shines emphatically. ‘Samurai’ is a short release that can almost be a possible “EP” but this thirty minute release is one of the most satisfying projects I’ve heard from Lupe Fiasco in his catalog. Lupe will either give you an epic, close to two hour album or a short EP, but the difference in ‘Samurai’ is it feels like a combination of both. Soundtrakk is Lupe’s muse because when these two get in a zone it is grand. The production provided by Soundtrakk is more straightforward HOP music and doesn’t play into current tropes and frequencies. It is a laid back sound but this is ok and makes songs like ‘Palaces’ matter more to listeners as they can truly understand the stages of life and death. ‘No.1 Headband’ is a Spring season banger and although I’m twenty-five years removed from High School, the track takes me back to those days. From start to finish ‘Samurai’ is an audio treat and added more to the incredible year for Hip-Hop veterans who released albums. This one is often overlooked because Lupe Fiasco might not have the same celebrity he had previously but for fans of his album ‘The Cool’ there is no way not to dig ‘Samurai.’ What did you think of the album? Singles include: ‘Samurai,’ ‘Cake,’ ‘No.1 Headband’ & ‘Palaces’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

Big V (of Nappy Roots) Releases New Hit “Get Money”

Posted on by essince

Big V, the unmistakable voice behind Nappy Roots’ multi-platinum hits, returns with a motivational anthem, “Get Money.” As a solo artist, Vito Tisdale continues to captivate fans with his relatable lyrics and powerful storytelling. Produced by Kyng Of Da Beatz Productionz and paired with a video directed by Mr. Statictv 210, “Get Money” is more than just a song—it’s a declaration of resilience. Big V explains, “When things go wrong or others try to take advantage of you, don’t take it personal. Don’t get mad, go get your money.” Since leaving Nappy Roots in 2012, Big V has redefined his sound as a solo artist. Tracks like “Street Boy” and “All On Me” showcase his evolution, blending soulful melodies with raw lyricism. His ability to connect with audiences through deeply personal themes has solidified his place in the hip-hop landscape. In addition to music, Big V has made a name for himself in acting, with roles in films like Business of Christmas 2 and Blue and Black Tears. His diverse career highlights his commitment to creativity and storytelling. With “Get Money,” Big V proves that his passion for music and inspiring others remains as strong as ever. Fans can expect more powerful releases from this hip-hop icon as he continues to build his solo legacy. Follow Big V on Social Media: Facebook | Instagram | TikTok | Website | LinkTree

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