#rewindreview: Gang Starr ‘Step In The Arena’ 1991

  If one was not born, not paying attention, or simply was not into HOP music between the late 1980’s and early 1990’s, a good barometer for how fast the sound changed is Gang Starr’s first two albums. ‘Step In the Arena’ was released in early 1991 and was a complete contrast to their debut album ‘No More Mr. Nice Guy’ in 1989. The sound and look of Hip-Hop seemed to change drastically from within that year and a half. Of course this change was positive for the music, and although subtle to ears back then it is a clear evolving when looking back. Guru and D.J. Premier seemed to be getting it right on ‘Step In The Arena.’ The album sounded more consistent and confident. Guru was providing ‘street knowledge’ while D.J. Premier was showcasing his responsibility to help lead this duo to new heights. They were becoming the perfect combination and setting a standard for how HOP music should be received and respected. As a kid seeing videos for ‘Who’s Gonna Take The Weight?’ and ‘Just To Get A Rep,’ was like “knowledge being born,” to coin a phrase. One song provided an outlook on worldly events, and either foresaw or was simply a warning to how the past predicts the future. The other song was the greatest lesson in universal law, and the consequences of ones actions. Gang Starr was beginning to master putting the “medicine in the candy” for those listeners who might have thought acts like Poor Righteous Teachers or KRS-One was too “preachy.” An error of judgement made by too many listeners even today, but I digress. This sophomore release is judged as “classic” by many but personally I think is simply a solid album. The best was still yet to come and Gang Starr gave a taste of what was next with songs like ‘Check The Technique’ and ‘What You Want This Time?’ These tracks felt like D.J. Premier starting to really experiment with the music which he fully leans into on their next album ‘Daily Operation.’ The direction with ‘Step In The Arena’ was clear, and would really set the tone for this legendary duo, while establishing an expectation and responsibility listener’s had for their rap favorites. What did you think of the album? Singles include: ‘Just to Get a Rep,’ ‘Take A Rest,’ ‘Lovesick,’ ‘Who’s Gonna Take the Weight?’ & ‘Step in the Arena’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) or get the KPFT APP in your playstore!!! Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Smoke DZA & Benny The Butcher ‘Statue Of Limitations’ EP 2019

  This marks the first time I listened to a whole release involving Benny The Butcher. At this time the Griselda crew was making heavy noise that was starting to be undeniable. Smoke DZA was another name that had been buzzing in my ear for at least a decade prior to this release, although I finally got around to hearing him on the Pete Rock produced ‘Don’t Smoke Rock’ album. The collaboration of the two rappers might seem arbitrary but the pairing was so in sync one would have thought they were a veteran group. ‘Statue Of Limitations’ is a quick twenty minute EP that gives the HOP listener a exhibition in rapping with a street edge, over undeniable “truskool” beats. Benny The Butcher and Smoke DZA trade rhymes like Jadakiss and Styles P., with such effortless style. The EP also features Styles P. and the remaining Griselda members, West Side Gunn and Conway The Machine. The glue to ‘Statue Of Limitations’ is the legend Pete Rock who handles all the production on the EP. In the past decade Pete Rock has shown up and kept his name and skill relevant, for many rappers old and new. However this release often gets forgotten in the discography of “Pete.” Possibly because of how short the release is or being that both “Benny” and “DZA” drop so many releases themselves that this EP has not had the chance to “breathe” the way it deserves. It can be argued that this should have been a full album, regardless of the fantasy street themes it relies on. The pairing of Benny The Butcher, Smoke DZA and Pete Rock might be something that needs revisiting soon. What did you think of the album? Singles include: ‘By Any Means’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) or get the KPFT APP in your playstore!!! Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Maspyke ‘Static’ 2005

  In my close to 40 years of listening to HOP music, there have been albums deemed classic, good, great, and their opposite. What I find even more rare are those albums that are one’s “favorites,” but if only more people knew of said album it would be in the classic, good, great category. For example Slum Village’s ‘Fantastic Vol.2’ was fortunate enough to be heard by the right people and right amount of ears, or it would be in that unsung greatness category. Maspyke’s ‘Static’ falls into this lane for me. In 2005 while on 90.1 F.M.’s ‘Late Nite Snax,’ we were able to get a promo copy of this album and I personally could not put it down. I had heard this group briefly before 2005 on a mix CD presented by Echo Unlimited, called ‘Underground Airplay.’ Their voices I was familiar with but the idea that they possessed the ability to put together such a unique piece of music was lost on me. Maspyke is a three man group comprised of rappers Tableek Hanif Jamiyl a.k.a. “H-Bomb,” and producer Roddy Rod. Tableek and Hanif glide over the production with a free flowing style that turns their voices into added instruments on this record. However it is Roddy Rod who turns ‘Static’ into one hell of a listening experience. These beats are heavy and abstract while not going too left of center. The production is infectious and no one’s ears are safe from being caught in a constant state of headnodding and an often “scrunchy face.” ‘Static’ does not let up from start to finish and I believe is one of the most underrated releases that came out in the 2000’s. The worst part about this album is that it feels like a wasted effort because Maspyke seemed to put their best foot forward on ‘Static,’ when it didn’t seem like a burden to them, but yet fun, original and genuine. There was never a follow up to this album and I hope it wasn’t due to fatigue of creating and not a large enough audience hearing. I can say that without a doubt I heard, and to this day ‘Static’ is a hidden gem that so few have been privileged to bear witness. What di you think of the album? Singles include: ‘Step’ & ‘Lightly Anxious’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) or get the KPFT APP in your playstore!!! Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

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