#rewindreview: Intelligent Hoodlum a.k.a Tragedy ‘Saga Of A Hoodlum’ 1993

  Those that know me often hear me say I was not the biggest fan of HOP music between late 1991 thru 1993. I often call this the “shout rap era” where there was a lot of dark baggy clothes with the “east coast stomp” movement and overcompensating cursing in rhymes. Over the years I believe this happened out of necessity for a lot of East Coast acts to counter the very real rugged sound coming from the “gangsta rap” of the West Coast. Some of the “shout rap” album releases made it thru the era but many were suspended in time and often don’t age well. Intelligent Hoodlum was a bit of a young prodigy out of Queensbridge New York, under the guidance of the legendary Marley Marl, who also produced his debut album. The M.C. had the 10 year old me looking at the rapper as an inspiration with songs like ‘Black & Proud’ and ‘Arrest The President.’ I was extremely caught off guard years later when I realized he was Tragedy Khadafi whose content seemed like a complete 180 degrees from who I was introduced to. The reason for my shock was because I missed this album and transitional era of Intelligent Hoodlum. At the time of this release, there was no cable T.V. in my home which would be how I stayed up on HOP music and although I heard the singles Grand Groove (bonus mix) and ‘Street Life (return of the life mix), they sounded in line with what I would expect from the rapper. Years later I would hear this album and understand how Tragedy Khadafi was born. ‘Saga Of A Hoodlum’ is either the effects of pressure from the music industry or who Intelligent Hoodlum was all along. Then of course those two thing could be true at the same time. Knowledge is still born on this album but much of it falls under the “shout rap era” of just sounding extremely dangerous on record with rough beats as the backdrop. The music is not exactly the problem as K-Def and Marley Marl handle the majority of the production. Tracks like ‘At Large’ and ‘Role Model’ are undeniable heaters but then the first single off this album which was in line with the soundtrack to Mario Van Peebles’ movie ‘The Posse’ provides knowledge on the “Black Cowboy,” but doesn’t age well as a song. Features are minimal but there is a very young Havoc verse for posterity purposes. ‘Saga Of A Hoodlum’ is often forgotten when talking about albums from the mid-1990’s and although not perfect it is a very important piece to a rappers journey. What did you think of the album? Singles include: ‘The Posse (shoot em’ up),’ ‘Grand Groove’ & ‘Street Life’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: One Be Lo ‘S.O.N.O.G.R.A.M.’ 2005

  One Be Lo, One half of Binary Star and the “One Man Army” made a statement twenty years ago with ‘S.O.N.O.G.R.A.M.’ The title stands for “Sounds of Nashid Originate Good Rhymes And Music,” a mission One Be Lo whose real name Nahshid Sulaiman, has been on since entering the music game. As a former convicted felon for armed robbery, One Be Lo has always seemed to counter his past mistakes with very stern messages of choosing another route. Utilizing his voice and platform as a way to explain the challenges and causes of why so many black youth are faced with hard choices and minimal options for success. On his second solo album since the disbandment of his former group Binary Star, One Be Lo creates a sort of epic album that never glorifies ignorant activities while still providing a strong sense of street knowledge and guidance. On the song ‘Oggie’ One Be Lo discusses the reality of consequences after a life changing decision versus rappers using that same decision as just fodder for songs. ‘Decepticons’ which was probably the biggest and most impactful track off this album when it was released, is an ear opening track about politics of the mind, street and country as the hook sums up the fact that “some things change, some things stay the same.” The album features production mainly by One Be Lo and Decompoze with Chic Masters and Majestik Legend on a few others. One can walk away from this album knowing that in the spirit of Public Enemy, The Coup or Dead Prez, One Be Lo and many others throughout the history of HOP music have always understood that “Edutainment” is necessary for the minds listening to this art form. That assignment can never be deterred by the likes of propaganda and those who are sent out to start narratives to downplay artist in service of a greater cause. What did you think of the album? Singles include: ‘Rocketship,’ ‘Decepticons’ & ‘Sleepwalking’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: D.J. Unknown ‘Prisoners Of Gravity’ 2023

  The compilation release lives on and so those does the “D.J.” Releases like “D.J. Unknown’s ‘Prisoners Of Gravity’ were a normal thing in the late 1990’s and 2000’s but ironically became less produced in a time when access is much simpler for humans. Maybe due to everyone controlling their exposure through the internet and not needing these compilations for awareness is the reason but the fun of these albums still live on. D.J. Unknown is from Toronto, Canada and one thing about HOP music in other countries is the appreciation for what is often taken for granted in the states. ‘Prisoners Of Gravity’ introduces a lot of underground acts with a few known veterans of the underground like Raz Fresco, Mega Ran, Prem Rock and Phoenix Pagliacci. Production and scratches is strictly handled by D.J. Unknown with fourteen tracks featuring a different act. There are solid tracks on here but the issue with the release is it feels extremely monotonous with a very “grey” tone. One should not expect energy motivation but more sitting back lounging on a raining day. Respect is still given for D.J. Unknown to appreciate the foundational elements of HOP music and provide his version of the music. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following —-> linktr.ee/QLEAPRADIO

#rewindreview: Rapsody ‘Please Don’t Cry’ 2024

  The latest album from Rapsody can be served as a litmus test for both her, her fans and so-called fans. Since 2019’s ‘Eve’ (one of the best Hip-Hop albums of that year), Rapsody’s name has often been used as a barometer when discussions on the state of women in HOP music is brought up. Now it was time for fans and so-called fans to show up when product is on the street. The challenge for listeners was to go into this album ready to experience life for Marlanna Evans rather than simply jam to songs from Rapsody. ‘Please Don’t Cry’ sounds therapeutic for Rapsody as she utilizes this release to address her conflicts, joys and complexities while also addressing rumors and outside thoughts about her. This is the first time since being a major act that she is without 9th Wonder but is serviced production from the likes of S1, Major Seven, Hit-Boy, Eric G and others, with the majority of production from BLK ODYSSY. Rapsody continues to showcase her talent even as she wax’s poetic about the aforementioned subjects and with the exception of the Lil’ Wayne featured ‘Raw,’ this album does not waste rhymes about how “dope she is.” One of the replay value challenges of this album is that it can feel like an audio book with the interludes and music. The other challenge with this record is possibly the way it is mixed. It feels very flat and even when it comes to “dense albums” such as Common’s ‘Like Water For Chocolate’ or Kendrick Lamar’s ‘To Pimp A Butterfly,’ having a strong mix will often be the determiner on how the public responds to the release over time. ‘Please Don’t Cry’ was a very anticipated record but seems to not have made the same impact one would have expected it to, in a very great year of HOP music in 2024. Essentially this is making a statement which is I’ve given you (the listener) everything and now it’s time to understand who Marlanna is. Rapsody can add another notch to her ever growing catalog of music that listener’s can always depend on as ‘Please Don’t Cry’ was her testimony but bore witness to many who could relate. What did you think of the album? Singles include: ‘Asteroids,’ ‘Stand Tall’ & ‘Back In My Bag’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

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