Nap York City is DJ Mannie Faces and DJ Willy Bangz New Album ft Naptown Artists with New York Artist

Listen to Dj Mannie Faces and Dj Willy Bangz 2025 album “Nap York City” on Spotify, featuring 11 tracks of urban rhythms and showcasing artists from Naptown and New York. Full Album available after recap. Original Post on The Hype Magazine A New Collaboration Between DJ Mannie Faces and DJ Willy Bangz Nap York City is a new album from DJ Mannie Faces and DJ Willy Bangz. Nap York City blends hip-hop, R&B, and electronic music. The album has 11 tracks with different themes. City life, struggles, and creativity shape the sound. The two artists combine their styles in this project. Their influences and experiences drive the production. Each track brings a unique sound and story. Tracks That Highlight Different Aspects of the City Each song captures a different urban mood. “Midnight Skies” has layered beats and deep lyrics. “Empire Lights” features guest vocalists with vibrant energy. The tracks mix basslines, melodies, and rhythmic patterns. Listeners experience both smooth and dynamic sounds. The album reflects the highs and lows of city life. Every track tells a different musical story. Audience Response and Industry Discussion Fans and critics are talking about the album. Listeners have streamed it on major platforms. The mix of styles has drawn attention. The production has sparked debate among music fans. Some discuss its impact on modern hip-hop. Others focus on how it blends classic and new sounds. The album continues to gain traction worldwide. The Role of New York in the Album’s Themes New York influences the album’s sound and direction. The tracks capture the city’s energy and culture. Classic hip-hop elements mix with modern electronic beats. The nightlife, music history, and diversity shape the music. DJ Mannie Faces and DJ Willy Bangz honor the city’s legacy. The production pays tribute to its evolving sound. Future Plans for DJ Mannie Faces and DJ Willy Bangz The artists have teased new projects and tours. Live performances are planned in different cities. Possible collaborations may be announced soon. Streaming numbers continue to climb every day. The album’s success may shape their next moves. Fans are eager to see what’s next. The music industry is watching closely. The full album is available for streaming on Spotify, listen to it here. Stay Tuned for future music from Dj Mannie Faces and DJ Willy Bangz on The Hype Magazine DJs You can get all the files for Nap York City Exclusively on Digiwaxx Salute CL #NowPlaying #MusicLovers #StreamNow #ViralMusic #NextBigThing #IndieArtists #MusicIndustry #TopCharts

#rewindreview: Kendrick Lamar ‘Section 80’ 2011

  At the end of the 2000’s and beginning of the 2010’s, my filter for new acts in HOP music was fully active. Not many if any new acts was I giving a chance. This was mainly due to the overkill of acts that were springing up from the internet. It all felt too easy and a lot of it did not feel genuine but more like folks wanting to have “rap” on their resume when someone asks those individuals about themselves. Hip-Hop music at that time was like SXSW once it became corporate and everyone was just handing out CD’s on 6th street but didn’t even know how to perform on stage. Like a lot of those individuals I either turned them down or took an album and never listened. In 2011 a group I managed, H.I.S.D. was on the same ‘Beats, Arts + Lyrics’ show as Kendrick Lamar who headlined that show. Because of the co-sign of EQuality from H.I.S.D. (The HUE) I finally gave “K. Dot” a chance but needless to say this was only year before he would skyrocket as a HOP music force, and many at that event left by the time his set started. ‘Section 80’ was the album he was performing at the time and I stayed for a bit but was unfamiliar with the music so I couldn’t relate. Flash forward about a year later and I sat with ‘Section 80’ to see if I could understand the accolades he was receiving. From the first listen I was impressed with the production, although at the time the first half of the album I felt was not necessarily geared toward my ears but more toward the target generation he was in. Essentially the album felt like a better sounding effort of those CD’s that would be handed out at SXSW. Where this album has grown with me over the years is the projects after it giving me a better understanding of how ahead of his time and mature Kendrick Lamar was when ‘Section 80’ released. If ‘A.D.H.D’ is a summary of the youth and ignorance of his generation, ‘HiiiPower,’ ‘Kush & Corinthians’ are that medicine on this album that speaks to my generation. Kendrick Lamar was “bridging the gap” through teaching, giving his own life perspective and rapping at a high level. Day one fans often herald this as his best offering and I would never challenge their perspective because like Nas’ ‘Illmatic,’ sometimes you simply had “to be there” to understand. ‘Section 80’ is another example as to why I often compare “Kendrick’s” run to Outkast, as from their debut albums, the next and so on and so forth would sound so much different from the last. This will often cause discourse among listeners initially but when the dust settles and we all listen back, the greatness of the art is rarely ever challenged when looking at the landscape the art was created in. What did you think of the album? Singles include: ‘HiiiPower,’ ‘Tammy’s Song,’ ‘A.D.H.D.,’ & ‘Rigamortis’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

M City JR – “Rollin Roaches”

M City JR just dropped his new video for his single “Rollin Roaches”. The new single features production from #YAK and an accompanying music video, The Detroit native released this after a 3-year hiatus from music. M City JR burst on the national scene years ago with his viral smash hit “Addicted to My Ex”. The single has consistently been used in viral videos on platforms like TikTok, YouTube, and more. The single hit #15 on Billboard when it debuted and later achieved RIAA Gold Status. However, recently, the single crossed the 100 Million Streams milestone. As he prepares for new releases, including an EP, M City JR continues to record and focus on other business ventures. Follow him on Social Media: Instagram | IG Fan Pag | Twitter    

Talib Kweli, J Rawls, Maseo, Black Thought, Posdnuos, Mike G, Afrika, Busta Rhymes – Native Sons Part 2

Hip-hop heads, get ready for a legendary link-up! Native Sons Part 2 brings together an all-star lineup of some of the most influential voices in the culture. Talib Kweli, J Rawls, Maseo (De La Soul), Black Thought (The Roots), Posdnuos (De La Soul), Mike G (Jungle Brothers), Afrika, and the one and only Busta Rhymes unite for a track that pays homage to the roots of hip-hop while pushing the genre forward. With masterful production, sharp lyricism, and a powerful message, this track continues the legacy of Native Tongues, reminding us why these MCs remain some of the most respected in the game. The visuals capture the essence of hip-hop’s golden era, blending classic vibes with modern energy. Tap in, vibe out, and witness hip-hop history in the making. Watch the full video now! 👉 Watch Now The Native Tongues family unite for “Native Sons” Part 2 by Talib Kweli & @jrawls82 featuring @wearedelasoul, @blackthought, @bustarhymes, @mikegjungle and @bam_jungle of @junglebrothers4life. Produced by J Rawls, “Native Sons Part 2” is the lead single from the upcoming @javotti_media compilation ’NOTES FROM THE UNDERGROUND’ coming Spring 2025 on #FatBeats   DOWNLOAD FILE NOW FROM DIGIWAXX

#rewindreview: All Natural ‘Second Nature’ 2001

  One would not know it by the album cover but All Natural’s sophomore album ‘Second Nature’ is one of the rawest and realest HOP albums to come from the early 2000’s era. The Chicago duo consisting of Capital D. and Tone B. Nimble made sure that their second offering lived or at least tried to honor, what fans expected of them since their debut album in 1998. From the out set of the album ‘The Stick Up,’ listeners understand that the calming nature of the album cover is as mild as this journey will be. Capital D. upholds that “truskool” style of rhyme he has with a voice Rakim listeners would relate to. More importantly “Cap D.” uses his voice to not only show his talent but a beacon for providing truth to rhyme. ‘Uncle Sam’ featuring Slug is a point of view take on America and given current events can easily be applied to 2025. Same can be said for ‘Future Is Now’ as Capital D. prophesizes the importance of not waiting until the worst has happened to activate and mobilize. Other tracks like ‘Mr. Sexy’ go back to the days where the “line was drawn in the sand” between mainstream and underground while ‘Queens Get The Money’ adapts that popular Mobb Deep quote to talk about the women who deserve the spoils of men. Production is all in house, which is the Family Tree who on this album was G(R)iot, Memo, His-Panik, All Natural themselves and J. Rawls who produced one of the most banging tracks on this album, ‘The Renaissance’ featuring Lone Catalysts. New listeners will not hear this album and think that it was a monumental benchmark in HOP music but for me it is one of my favorite albums to listen to, due to how simple the approach is. My issue with the album over the years has been how it was mixed. Certain songs like ‘Ill Advisory,’ ‘Queens Get The Money’ and ‘The Renaissance’ sound great but the majority of the tracks have always sounded like there was an “amateur” engineer on the mix. Again this is balanced by how fresh and raw the songs are on ‘Second Nature.’ What did you think of the album? Singles include: ‘Stellar,’ ‘Elements Of Style’ & ‘Queens Get The Money’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

Legacy Defined: Smif-N-Wessun’s Infinity Blends Soul, Grit, and Elite Lyricism

On Infinity Smif-N-Wessun cement their legacy as Hip-Hop Hall of Famers, proving they’re still performing at the highest level. Delivering profound bars over 9th Wonder and the Soul Council’s production, this collaboration is a masterclass crafted for purists. The opening track, “Infinity,” samples a KRS-One line: “We will be here forever,” encapsulating their history and enduring presence in the game. “Moses Promise” features Steele and Tek trading verses, spitting wisdom over a soulful beat. Meanwhile, “Namaste” finds them reflecting on the pursuit of love and a brighter future. The bouncy “Medina,” backed by a children’s chorus, sees Pharoahe Monch delivering a razor-sharp verse, detailing warfare tactics with precision. “Black Eminence,” featuring the late Prodigy of Mobb Deep, pairs earnest verses with an R&B-inspired groove. “Chuuch,” featuring Jalisa, is a conscious and thought-provoking anthem, offering reflection and inspiration for overcoming unjust conditions. The 9th Wonder-produced “Enjoy Ya Life” combines energetic drums and a spirited chant, creating a sonically uplifting vibe. “Shine,” featuring Ralph Tresvant, showcases the duo trading bars over Tresvant’s harmonic melodies. The Jodeci-inspired “Just Stay,” featuring Conway the Machine, finds the trio delivering raw, heartfelt lyrics over a smooth, soulful backdrop. Another standout, “Heard About Me,” features the late Sean Price and Maverick Sabre, adding depth and intensity to the album. Infinity is a stellar contribution to the hip-hop ethos, with elite production from 9th Wonder and the Soul Council, paired with sharp, insightful lyrics from Steele, Tek, and their guests. The album is cohesive, blending soulful grit with contemporary relevance, taking listeners back to the essence of hip-hop while remaining fresh and forward-thinking.

#rewindreview: K. Sparks ‘Seasons Theme’ 2016

  In the first years of QUANTUM LEAP RADIO, we were introduced to many new M.C.’s, that due to how loud the internet was by 2016, the “underground rapper” title held even less weight than ever. It was too easy to make music and even if it wasn’t easy the amount of acts to discover was overwhelming to the public. The advantage QUANTUM LEAP RADIO has is a benefit to the listener because we can be the conduit to filter these many acts that dwell in this newer age of the underground. K. Sparks sent his music to us at some point in 2016 and it was a satisfactory submission. The New York rapper upholds the attributes one would suspect is synonymous with that area but by 2016 I personally was thinking he was from the mid-west or a region not always associated with having a Hip-Hop scene. K. Sparks can rhyme without question. Has an active and engaging delivery, speaks on issues, intentional with his lyrics and chooses production that keeps heads nodding. All those things seem to be fleeting for New York rappers in this era. ‘Seasons Theme’ gives K. Sparks a means to plant the flag back in that corner of HOP music, if not for a moment. The album is a full record as it is close to an hour and K. Sparks handles all the rhymes with no features. Production remains consistent as Es-K, Moe Productions and Kurser take care of the release. K. Sparks guides listeners through all four seasons and the good and bad that can come with each one. A stand out track ‘#TRENDY’ is made during one of the last moments humanity had to listen, when so many warnings about the effects of social engineering were being actualized a decade ago. ‘Him vs Her’ is a soundtrack to the ever growing misunderstandings of men and women and the struggle to find common ground. Where ‘Seasons Change’ could have been better is K. Sparks himself. He raps a lot and at times the songs can be a bit long and one might lose their focus because he can be very bar heavy. That being said, if this is the weakest link it is a strong link to have and gives this album foundation and purpose. What did you think of the album? Singles include: ‘Black Caesar’ & ‘#TRENDY’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

Harlemite and Hip-Hop Veteran G Dep Performs New Album “Lessons Never Losses,” at I9ine Bistro in the South Bronx

(Photos by @Rawnyc) On Friday, February 28th, Harlem-born hip-hop artist and veteran G Dep performed his new album, Lessons Never Losses, at I9ine Bistro in the South Bronx. This marks G Dep’s first album since being released from prison, where he served 14 years of a 15-year sentence for a robbery that tragically resulted in the death of John Henkel who was shot in chest in 1993. G Dep, whose real name is Trevell Coleman, turned himself in for the crime in 2010, seeking to clear his conscience. In 2024, he was granted clemency by New York State Governor Kathy Hochul, allowing him to return to society and his music career earlier than expected. The listening party for Lessons Never Losses was a celebratory event, attended by a mix of influencers, family, friends, and longtime supporters. G Dep, also known as “The Deputy,” performed the entire album live, showcasing his resilience and growth as an artist and individual. The album’s intro, “Exodus,” sets the tone for the project, focusing on overcoming obstacles and embracing a brighter future. This theme of redemption and personal evolution resonates throughout the album. Some standout tracks include: “How Can I”: A soulful track that samples Lisa Fischer’s 1991 classic “How Can I Ease the Pain,” G Dep reimagines the song to convey how he provides comfort despite his own sorrow and struggles. “That’s the Old Me”: A reflective and catchy tune where G Dep sings on the hook, emphasizing his personal growth and transformation. “Highly Motivated”: A track that highlights his faith and determination, produced by G Dep himself. “Put That on a Shirt” : A creative and entrepreneurial anthem where he shares his hard-earned wisdom and lessons through merchandise-inspired lyrics. The album’s production is cohesive featuring contributions from various producers. Despite being incarcerated for over a decade, G Dep’s cadence, and delivery remain sharp. The event was a triumph, with attendees getting an exclusive first listen to the album before its official release on all major streaming platforms on March 4th. G Dep’s gratitude and faith were palpable as he raised a glass of champagne to celebrate the occasion, embodying the lessons he’s learned through his losses. As he often says, “Praise the Creator,” a testament to his spiritual journey and newfound freedom. Lessons Never Losses is another special delivery for G Dep.      G Dep performing music off his album Lessons Never Losses.  ( Photos by @Rawnyc).  

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