#rewindreview: Kev Brown & J Scienide ‘Stray From The Pack’ 2021

  Kev Brown and J Scienide proved they were “two peas in a pod” on 2019’s ‘Drum Machine Tape Cassette’ album. They epitomize the idea of grassroots HOP music. Beats and rhymes with no room for filler material. All songs are made with purpose but that purpose is not deep. The outcome of the music seems like practice while Kev Brown and J Scienide sound casual over the beats the two provide. ‘Stray From The Pack’ easily describes the music and it’s position to popular culture. There are no “trap beats” or 808’s that will slightly resemble the common trend in rap music for the past fifteen years. Kev Brown and J Scienide have figured out a way to make rap music sound as grimey and authentic as possible in a digital era of music. Thumping drums and a few heavy piano keys like on ‘Out The Safari’ and ‘Leave It To The Pros,’ catch the audiences ear early on this project. In fact the only time this album “tries” to get mellow is on ‘High Standards,’ and ‘Cutless Supreme’ which simply feels like moments to sit on the bench and rest. This album to me is slightly better than their first effort because songs seem to stand out more. Kev Brown and J Scienide take turns on production, similar to how Madlib and Jay Dee a.k.a. J-Dilla did on 2003’s ‘Champion Sound.’ What also adds attraction to ‘Stray From The Pack’ is the precise cuts from D.J. Jon Doe. He provides the “period (and often exclamation) on the end” of songs like the ultra hype ‘Grand Prize Winners’ and ‘The Set Up.’ It’s really not a complicated decision to make with this album. One is either here for this type of HOP music or they or not. Albums like these are so necessary in a time where the sound of HOP music seems to be getting erased and reshaped to this hybrid form of a genre. Kev Brown and J Scienide remind listeners that it is “ok” to still make rap music even if it means “staying form the pack.” What did you think of the album? Singles include: ‘Out The Safari’ & ‘Orange Julius Landover Mall’

#rewindreview: Jourden ‘Straight, No Chase’ EP 2024

  This “Brooklynite” rapper is one to look out for in the future. It always warms my heart to know that there are generations far removed from mine that still respect making real HOP music. Jourden is in her early twenties and given the vibe of ‘Straight, No Chase,’ one can only imagine where she can take her music from here. I was introduced to Jourden through Digiwaxx New Music Wednesdays. A video of her rapping on a set of Brownstone steps, I saw in passing but did not really pay attention. While she was on Digiwaxx that video was played again and slowly I was beginning to realize at the least, she should be in my ear shot. At the time she was promoting this EP and the song ‘Flow’ was played, to which I was now completely invested. ‘Straight, No Chase’ is a quick introduction of Jourden that displays her unique voice, rapping and singing abilities. She has a delivery that seems effortless while providing a vibe that is reminiscent of Simple E’s ‘Play My Funk’ or Bahamadia’s ‘True Honey Buns.’ It’s a breathe of fresh air and adds on to the number of women rappers that can be added to the rogue’s gallery of M.C.’s that deserve respect, dating back to Roxanne Shante. This EP won’t be a waste of your time if you like good HOP music with a little R&B infusion. Jourden keeps the frequency consistent throughout this release and by the end one will more than likely yearn for more. What did you think of the album? Singles include: ‘Flow’ & ‘Minerals’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) or get the KPFT APP in your playstore!!! Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: N.W.A. ‘Straight Outta Compton’ 1989

  ‘Straight Outta Compton’ could quite possibly the most polarizing HOP music album to date. From the idea that music industry standards needed more negative images to sell rap, to pushing the envelope on “freedom of speech,” has been some of the narratives around this album over the years. What it did do without question is create a benchmark in music whether one sees this as good or bad. The roots of this album have sprouted many a career, which in hindsight one has to respect the humble beginnings of a simple twelve track album that was looked at with such skepticism. Admittedly it was until 2014 that I listened to this whole album. Contrary to popular belief not all “youth” is attracted to the most vile music and imagery of their time. This is simply a narrative to often excuse low brow entertainment for the sake of non-accountability but I digress… Over time I had heard the majority of this album in different situations, so by 2014 ‘Straight Outta Compton’ was the equivalent of a “PG-13” film compared to what had come through the pipeline of rap music. N.W.A. was the next step in a blossoming new genre that challenged the term “rebel music” by the late 1980’s. Eazy-E who’s independent label Ruthless Records, took Dr. Dre, M.C. Ren, Ice Cube and D.J. Yella to the height of stardom with this album that could not have been imagined nor prepared for given the lifespan of the group. The imagery of this collective overpowered the actual music. For the most part N.W.A. is simply freestyling many of the tracks with the exception of Ice Cube’s excellent storytelling on ‘I Ain’t Tha 1’ or Eazy-E’s ‘Dopeman (remix).’ The same might also be said for ‘8 Ball (remix)’ which sounds much like a track from Ice Cube’s former group C.I.A. The dichotomy of this album can often lie right next to each other which is a further tale in why this album has been so polarizing. On ‘Express Yourself’ Dr. Dre’s claim of not “smoking weed or ces” has a quote within the same song that states rappers being fake by claiming they don’t do drugs but then go “looking for the dopeman.’ A testament to how fast HOP music was evolving as the next big thing Dr. Dre would do is his own album centered around substance use entitled ‘The Chronic,’ just a mere three years later. ‘Straight Outta Compton’ is a “classic” record that I can honestly say is not a favorite of mine but I’m okay with this. I give my younger self credit that my “audio filter” was working just fine and I heard things when I needed to and thus was able to appreciate and understand albums like this with a more mature ear and mind. To this day I’m not a fan of “cursing” in lyrics for the sake of overcompensating for less rhyme writing or simply trying to engage an audience with “shock value.” It helped that when I did finally lock into this album it was a clean version and I could value the fact that N.W.A. were still simply rappers making solid HOP music at the time, just with an extra layer of “sauce” to gain the world’s attention. What did you think of the album? Singles include: ‘Gangsta Gangsta,’ ‘Express Yourself’ & ‘Straight Outta Compton’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) or get the KPFT APP in your playstore!!! Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

WP Twitter Auto Publish Powered By : XYZScripts.com