#rewindreview: Killer Mike ‘Michael’ 2023

  After a decade of rebuilding, rebranding and establishing his presence within HOP music, Killer Mike returned back to the roots of his music with the heavy introspective ‘Michael.’ Since the release of ‘R.A.P. Music’ in 2013 Killer Mike has garnered an audience 180 degrees from the audience he came in with. There is no issue with this but an act like Killer Mike doesn’t seem the type to “forget where he came from.” ‘Michael’ is unapologetically southern in its approach, from the music, to the stories and colloquialism that help the listener understand who is Michael Render. Production is mainly handled by No I.D. with tracks from Cool & Dre, D.J. Paul, longtime Run The Jewels collaborator Little Shalimar and others. Features are plenty but fit the idea and execution of this album that include Ty Dolla $ign, Cee-Lo Green, Mozzy, Future, Currency, El-P, 2 Chainz, a bigfoot on the mic sighting from Andre 3000 and others. Killer Mike showcases his ability to keep audiences interested with his commanding voice and rapping ability while showcasing the dichotomy of his personal life. Tracks like ‘Motherless’, Something For Junkies’ and ‘Shed Tears’ provide the pain and struggle one will hear on this album while ‘Spaceship Views’ and ‘Talk’n That Sh!t!’ allow complete turn up for those complaining in the back. “I add a motherfu..er so you ignant nig..s hear me,” is a Lauryn Hill quote that best describes this album. Killer Mike understands the idea of meeting people where they are and this is why the album works. The music might not sound ideal for the messages one will hear but those tuned into this frequency of music should be able to enjoy the “medicine within the candy.” Killer Mike deserved the accolades and awards for this album as one can tell he put a lot of effort into it. Only those who continue to lose against real music complained when he was recognized for it. What did you think of the album? Singles include: ‘Run,’ ‘Talk’n That Shit!,’ ‘Don’t Let The Devil,’ ‘Motherless,’ ‘Down By Law,’ & ‘Exit 9’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Roc Marciano ‘Marciology’ 2024

  Roc Marciano has created a lane that has roots in Raekwon’s ‘Only Built 4 Cuban Linx’ album, but takes the most raw parts of that album, mixed with an almost spoken word like tongue from a street pimp. ‘Marciology’ continues the ever growing discography from the New York rapper that gives fans exactly what they expect. Drumless beats provided by “Roc Marci” himself and lyrics equipped with so many one liners and punchlines, it challenges listeners to come back for more repeat plays. This is far from an album that will gain a crossover audience though. At times ‘Marciology’ sounds like an album that doesn’t match the “street energy” that surrounds it. In another era of HOP music this album would have been looked down on by “street cats” but in 2024 ‘Marciology’ can be ‘Art Basel’ in Miami, when the culture is trying to figure out what’s next. For me the downside to this album is that it doesn’t play well as something to drive to, and rarely has cuts that you can play out in a mix due to the drumless nature of the music. This isn’t the goal of Roc Marciano and his true fans understand this which has given the M.C. the space to create this unique lane over the years. What did you think of the album? Singles include: ‘Gold Crossbow,’ ‘LeFlair’ & ‘BeBe’s Kids’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Sach ‘Sach 5th Ave.’ 2004

  Continuing in the tradition of his former group The Nonce, Sach carried out an abstract composition of words and thoughts that even twenty years later is still being deciphered. ‘Sach 5th Ave.’ is the third release from Sach as a solo artist and was produced entirely by Omid. On this album the listener hears Sach exclusively as there are no features from other rappers, but are witness to a unique listening experience. Sach has always had a simple means to his delivery but on this release he utilizes a more spoken word style which to the untrained ear may seem as though he isn’t rhyming. Instead he uses his lyrics as parables with off-kilter execution to which Omid’s ominous yet often upbeat production compliments well. With all that being said ‘Sach 5th Ave.’ still feels a bit more straightforward than its predecessor ‘Suckas Hate Me’ from 2002. Cool out one time and take in one of the West Coast unsung heroes and veteran staples in that area’s underground scene. What did you think of the album? Singles include: ‘Joy’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Nas ‘Magic 3’ 2023

  Recently a post online mentioned how Outkast’s ‘Stankonia’ is now twenty-four years old and just twenty-four years prior to it’s release, the drastic change and evolution of the sound of HOP music. Can it really be said that the “music” of Hip-Hop has drastically evolved since the year 2000? It can be seriously argued that it has not but maybe the music evolving was simply the first stage of Hip-Hop’s growth. What has clearly evolved in HOP music in twenty-four years is the veterans that have continued to make the music. Since A Tribe Called Quest 2016 album ‘We Got It From Here…,’ it seems a renaissance or quite possibly an energy drink was put in rappers who had been in the game since the late 1980’s and 1990’s. In 2024 that motivation and energy has continued emphatically but the run of Nas might have been the new “energy drink.” ‘Magic 3′ marks the final album in the Nas and Hit-Boy series which started with the subtle comeback of Nas’ with the album ‘King’s Disease.’ ‘Magic 3’ serves as a send off to this collaboration and finds Nas giving himself flowers but not in an egotistical way but more as an official autobiography at times. Hit-Boy brings Nas back to what we love him for with the production and as a theme to all the ‘Magic…’ albums the one feature on this is Lil’ Wayne on the very hype ‘Never Die.’ Regardless of what many have thought about the last Nas run, what can’t be denied is how he added another stamp to his legacy. This is the second stage of Hip-Hop music’s growth and where unlike sports, you don’t need legs to keep you in shape, just ideas, a voice and a little magic. What did you think of the album? Singles include: ‘Fever,’ ‘I Love This Feeling’ & ‘Sitting With My Thoughts’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Nas ‘Magic 2’ 2023

  The fifth installment in the Nas & Hit-Boy saga was either overkill for some or a gift. ‘Magic 2’ comes off a stellar run of the ‘King’s Disease’ trilogy but even more a sequel to one of the most surprising and satisfying albums from Nas in years, ‘Magic.’ The question is was there a need for a ‘Magic 2’? The first installment played like an homage to ‘Illmatic’ with just nine tracks, one feature and a simple but effective focus of just beats and rhymes. ‘Magic 2’ plays like an apology for all those who could not accept or understand the nature of ‘Magic.’ From the opening track ‘Abracadabra,’ the Nas fan in me felt nervous that he was regressing back to playing to current and industry standards. ‘Office Hours’ brings back hope and although I initially was skeptical seeing 50 Cent featured on the track listing, I actually enjoyed his verse while many, who are fans of 50 Cent felt disappointed. The verse felt weird as it was very short and kind of reminded me of Saafir’s guest appearance on Casual’s ‘Fear Itself’ album. Almost as if the rapper could give more effort but chooses not, like he’s mere presence on the record is enough so maybe this was the 50 Cent fans’ issue. The majority of the album rides the line of keeping the traditional HOP music fans, and people who want to hear Nas over what the average beats rappers of the last 12 years have produced satisfied. Of course this to me is where the album is unnecessary and leans into the criticism of Nasir Jones over the years. When Nas sticks his landings it is GREAT but when trying to bridge gaps it just sounds like turkey without seasonings. What did you think of the album? Singles include: ‘Motion’ & ‘Black Magic’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

#rewindreview: Double A.B. & Git Beats ‘Lungs Of Mahalia’ 2024

  If looking for a HOP album that provides lyrics, concepts and production, look to Double A.B. & Git Beats ‘Lungs Of Mahalia.’ Often times certain M.C.’s can get comfortable in just showing how well they can rap which does not exclude Double A.B., but where he makes this release more than that are the concepts. ‘Lungs Of Mahalia’ will provide just enough street bravado to satisfy those that don’t want too much “left of center” music in their Hip-Hop. It also gives a couple joints to the ladies on the stand out ‘Sashimi’ and ‘Pimps Palace.’ Double A.B. expresses his love for the “greenery” on ‘Recliner’ while taking the time to wax poetic over his view of politics on ‘Justice.’ This is a well rounded album if closely listening and Git Beats provides some production that doesn’t keep the album stagnant while not succumbing to sounding current. That same production is complementary to Double A.B. as it fits his style and doesn’t overtake the listener’s attention to the rhymes. The album is not long and boasts some guest features that fit perfectly such as Prince Po, Eto, A-Plus, Homeboy Sandman, Young Zee and The Musalini on the aforementioned ‘Pimps Palace.’ ‘Lungs Of Mahalia’ is yet another cog in the wheel of the incredible year of 2024 HOP music. What did you think of the album? Singles include: ‘Sashimi,’ ‘On My Way’ & ‘Recliner’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

#rewindreview: Rockwelz ‘LL2J’ 2023

  On this release from Bronx, New York rapper Rockwelz, the listener will be transported to that same location with a soundtrack mirroring early 2000’s HOP music. Produced entirely by Nam Nitty with features from John Jigg$, The Bad Seed, M.O.U.F., J Waiters and The Musalini, make ‘LLJ2’ as “New York” as it gets in a modern day that seems to erase what the sound from the great Metropolis established. Rockwelz creates tracks that are not as street to where one can’t groove but don’t expect any “cookie cutter” tracks either. ‘LLJ2’ sounds like a love letter for those who love the Dipset and G-Unit era while giving a nod to L.L. Cool J’s style of hardcore lyricism with songs for the ladies. The latter part Rockwelz and Nam Nitty provide on a few tracks that go from not having enough time for the ladies on ‘Tick Tock’ to appreciating the special ones on ‘Around The Way Girl’ and the ones you can’t trust on ‘G.T.M.O.’ ‘LLJ2’ doesn’t establish itself as something that will be talked about years from now, but if one is looking for a break from standard “drill beats with doubled bass” and would like to return to a sound soon forgotten, press play. What did you think of the album? Singles include: ‘Heavy’ & ‘Tick Tock’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

Can Glorilla’s new album; “Glorious” draw Hip Hop Album Of The Year honors in 2025?

#MyCreatives what it dew…. Once again, Hip Hop Music in 2024 has really taken it this far with the jammed packed filled of multi-talented music with a mixture of current, and veteran artists really bringing the pain with quality, and well produced music for listeners. Now, we have one of the more known Hip Hop stars entering the mix with; Glorilla. Already with historical first week sale numbers, and popularity like no other. One or many will start coming to terms that “Glorious” could be stamped for high honors and awards in 2025. Make no mistake about it, Glorilla’s unique style, and tone makes her music not only relatable, but even a non-fan will have no choice to “bop” to her music. Her personality is a compliment to her already talented, as well as determination approach of being one the best in the industry and it shows heavily. Glorilla has some heavy competition in Hip Hop Music for her album to be crowned “Best Female Hip Hop Album Of The Year”. From Rapsody’s “Please Don’t Cry”, Nicki Minaj’s “Pink Friday 2″, Doechii‘s Alligator Bites Never Heal, Doja Cat‘s Scarlet 2 (Claude), Latto‘s Sugar Honey Iced Tea, Megan Thee Stallion‘s Megan, Sexyy Red‘s In Sexyy We Trust, Tierra Wack; “World Wide Wack”, that come to mind for me when it comes into 2025 possible selections for honors and awards. Now we know, and have come to terms that the Recording Academy sees things differently. For me, as a media figure, contributor, and fan of the culture this year has been one of the most fun-filled, and enjoyable displays of music within the culture. The parity is displayed heavily, as well as the contrast between the current younger generation talent, and the veteran artists is not a large gap by any means. The production quality amongst the albums are highly impressive and notable, as well as going into Grammy & American Music Awards season has never been this intense in a while. Don’t take my word for it, or feel I’m against Glorilla (I have no win in that race, or feel she is not talented). YES, I feel her latest album is a quality, and very diverse album. Definitely amongst the middle of the album where she goes deep with a few tracks, as well as the features with Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore, Muni Long, FRIDAYY, and T-Pain along with getting a Megan Thee Stallion feature shows that she wanted this project to be different than what she has already presented with her music. My Favorite Tracks: Procedure Featuring Latto TGIF Stop Playing Rain Down On Me feat Kirk Franklin, Maverick City Music, Kierra Sheard, and Chandler Moore Glo’s Prayer How I Look Featuring Megan Thee Stallion Let Her Cook (Grew on Me, but is still a “Вор”) I LUV Her Featuring T-Pain (Interesting) Queen Of Memphis Featuring Fridayy (A Solid track to close out) I will say, if she’s able to be victorious with “Glorious” in 2025 and receive multiple honors and awards, then for sure she will be cemented on the path of Greatness, and in a quick succession rate like no other. As per usual, #MyCreatives….. ON TO THE NEXT!!!!! Follow Me on Social Media: Instagram: https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok:  https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subscribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: ReemoMeerak1@reemomeerakbrand.com Shop The Merch: https://reemomeerakbrand.myshopify.com

#rewindreview: Talib Kweli & Madlib ‘Liberation 2’ 2023

  The second full project offering from Talib Kweli and the elusive Madlib is a long awaited release considering the cult success of ‘Liberation.’ Kweli has been utilizing Madlib on albums dating back to 2007’s ‘Eardrum’ and a year prior to ‘Liberation 2,’ Madlib was the sole producer on the even more highly anticipated sophomore album from Black Star. ‘Liberation 2’ picks up right after that and continues a pattern of Talib Kweli records that seem to be annual releases from the M.C. Kweli will always delve into a subconscious and social awareness but there are a few new moments of awareness that address his online activity and instigators. Also this time around, Kweli’s progeny make an appearance, with his daughter Diani on ‘Air Quotes’ and son Amani on ‘After These Messages.’ Madlib provides his signature sound of dusty grooves with obscure audio clips as connecting interludes with songs. Even more satisfaction for HOP listeners is the pseudo-return of the Lootpack with Wildchild featured on ‘One For Biz.’ ‘Liberation 2’ is a solid record but does not seem to hold the same strength as the initial ‘Liberation’ album. Madlib’s album making seems to be best for rappers who are bit more simplistic in their rhymes. Madlib’s production is like free jazz and with Kweli’s more straightforward rhyming it often doesn’t seem to fit as well on this release. The first ‘Liberation’ felt more like a spur of the moment creation which is why it worked so well but this album might be a bit too calculated and ironically is why it doesn’t work as well as the first. ‘Liberation 2’ still is effective in providing another argument that age in Hip-Hop is not an “Achilles Heal” as neither Kweli or Madlib sound like they lost a step. What did you think of the album? Singles include: ‘After These Messages,’ ‘Best Year Ever,’ ‘Air Quotes,’ ‘Nat Turner,’ ‘Richies Part Two,’ ‘One For Biz’ & ‘The Right To Love Us’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.tv/QuantumLeapRadio

The Consequences of Meeting Rapper Consequence

Me and Consequence the day we recorded “Hip Hop Unpacked,” podcast. Damien DWI Williams,  Caiden the Crown Holder, and Consequence May, 2023 at listening party for earlier version of Nice Doing Business With You. I attended a listening party in May 2023 for Consequence’s studio album “Nice Doing Business With You,” at Platinum Sound Recording Studios in New York City. It was a fan’s, writer’s, and media coordinator’s delight. Here I was, getting an early listen to the album from one of the premier songwriters of our time — someone who has worked with Kanye West, Beyoncé, and a member of arguably the greatest hip-hop group of all time, A Tribe Called Quest. I took a liking to the album, with heat rocks including the Amerie-assisted “Blood Stain,” and a witty track that spoke to the difficulty of co-parenting with Sheek Louch, “Baby Moms.” He also provided social justice content on tracks like “Who Shot Jamal,” with his son Caiden the Crown Holder, which describes the impact of gun violence in inner-city communities, and a feature from Chuck D on “What Has America Done for Me?” which dives into effects of slavery and the history of racial oppression in the United States. The album felt necessary. It’s hip hop — entertaining, but also filled with commentary that challenges the status quo and moves the conversation toward change. You can imagine the joy I felt on Friday, September 27th, 2024, the day the actual album dropped — a whole year and four months after that listening party in New York City. I was hyped, finally going to listen to the official album from one of NYC’s elite emcees, an artist I had sung along to as a teenager on his epic standout appearance on “Stressed Out” off ATCQ’s “Beats, Rhymes, and Life,” album. This excitement turned into disappointment when several of the songs I heard weren’t on the album. I felt cheated. Hearing the album, which on first listen felt more R&Bish than the version I heard with several singing choruses gave me more New Edition vibes than Hip Hop, and had me confused. I shared this confusion with a well-respected media friend, and he shared that with Consequence. It was relayed to me that the Queens rapper respected my thoughts about the missing songs and that a deluxe version was actually coming out in a few weeks with some of the tracks I heard at listening party. He connected me to the rapper and  Consequence himself wanted to personally show me the video for the track with Chuck D, “What Has America Done for Me,” which will be included in the deluxe version of “Nice Doing Business With You.” And this is how I set up my first podcast interview ever with the illustrious Consequence. I asked my good friend Damien “DWI” Williams, to co-host, he is known as the pioneer of podcast production in hip-hop circles in New York City, and he provided his studio to watch the “What Has America Done for Me” video and interview Consequence. It had been a while since I interviewed anyone in person, and it was my first time having it recorded. I was a little nervous. I’m good at preparing questions and passionate about writing and booking artists for other radio shows, but I was not sure how I’d do on a podcast. I came up with the name of the pod the day before we recorded, “Hip Hop Unpacked,” because I wanted to create a podcast in which I delved deeper into the root and inspiration for creating hip-hop. Consequence showed up to the pod, and we were ready to rock. We spoke briefly, and I asked why the album took so long to be released, considering I had heard a version of the album in May 2023. He explained that he was taking his time to get the right distribution for the album. My follow-up question was, “What happened to all the other songs I heard at that listening party that didn’t make the album?” He said he would be releasing the deluxe album within a few weeks, with songs like “Who Shot Jamal” and “What Has America Done for Me.” Then he showed me the video for that song featuring Chuck D. The video is moving — an exposé of the atrocities and inhumane treatment given by the United States power structure to African Americans. We spoke with Consequence for an about an hour about different topics including the health scare he endured with lupus and diabetes, and how he had to change his diet which altered his outlook on life. He even selected an album cover to show him in a successful, celebratory state in a Maybach, wearing a Rolex, to show him living life fully when just a few years ago he was concerned about surviving. I quickly learned how passionate he is about his art. He recited his lyrics when explaining the meaning of songs like “Overdose.” On the track that features YNW Melly, you can hear the pain he lived through during the 80’s crack era. The album is full of mature content that makes you think about the effects of drug abuse, mass incarceration, and relationship struggles. I’m happy to see Cons get this moment. He has always been hungry and talented, but on this new album, he finally gets to shine as a solo artist as he and his son are the only ones who rap on the entire album. During the podcast interview, we spoke about how much his cousin Q-Tip liked the project, and how he had a full-circle moment — close to 30 years in the music business, and getting praise from his cousin was like Coach K awarding him the championship. After better understanding the challenges he’s overcome, and discussing his growth as an artist and human being, Cons is hard to root against. He’s tackled life, music industry hurdles, and is still competing for his proper place in the hip-hop pantheon. And next up for him is

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