#rewindreview: Little Brother ‘Separate But Equal’ 2008

  Initially released in 2006 for D.J. Drama’s ‘Gangsta Grillz’ mixtapes, is another project from the North Carolina team that was holding their ground during the mid 2000’s. After a critically acclaimed debut with ‘The Listening’ and a controversial but beneficial follow up album with ‘The Minstrel Show,’ Little Brother needed to keep their brand alive. They no longer had the hope of assistance with a major label and as a group they did not rely on drug raps are artificial street narratives to appeal to the masses. Having a ‘Gangsta Grillz’ tape was a huge thing for them as it put them in front of a crowd that needed (although they will never admit) the co-sign of a major label and want to hear that “ignorant sh!t” (c)Jay-Z. ‘Separate But Equal’ provides a different sound for “LB” that further closes the gap for an audience not keen on “truskool” HOP music. A good thing for that crowd but maybe not as good for day one fans. Hearing D.J. Drama scream his name through the transitions of these tracks was a personal turn off for me so it was a pleasure when the “Drama free” version was available a couple of years later. This release felt more like an album and I could appreciate the songs more but there was still an air of thinking this is not the best “LB,” in terms off songs one could get from the group. Production was provided by 9th Wonder and Khrysis with tracks from Illmind, D.R., The Kreators and Young Cee. All managed to give this release a more rugged vibe to suit the D.J. Drama crowd. Little Brother fans were familiar with featured acts like L.E.G.A.C.Y., Joe Scudda, Chaundon, Skyzoo, Supastition and Darien Brockington but there were a couple of shocking features like Bun B. and Mos Def. My personal issue with this release is the very apparent content and lyrics which saw Big Pooh being even more aggressive in his approach, which feels more like overcompensating for a certain audience than being authentic. For many who discovered Little Brother due to ‘The Minstrel Show’ or later, will probably appreciate this project more as it doesn’t do much in progressing the creativity Little Brother is known for. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Big Mon ‘Senses’ EP 2018

  The other side of Houston T.X.’s Hip-Hop music scene has yet to be truly recognized around the world. The images and sounds that people know the city for are as necessary as the images and sounds that gave cities like Los Angeles an identity. Like Los Angeles who have had a plethora of HOP music acts that did not fit in those narrow borders, as a music scene they have thrived over the years by recognizing and cultivating what made their scene great in totality. Houston is still waiting to not “box out” those who provided a different color of paint to an audience not from the city and one of those acts was a group called K-Otix, who consist of Damien, The ARE and Big Mon. After several releases since 1997, multiple features and even a controversial song that broke through to B.E.T. news, member Big Mon tried his hand at a solo release in 2018. Under the Da King & I Records which was Kay (of The Foundation) and bass player King Mason’s label, ‘Senses’ is blessed with a sound of funk, Jazz and hardcore rap that feels like one jam session. Big Mon takes the opportunity to enhance this fact among listeners, he has always been a premiere M.C. that can take immediate control of ones attention with his commanding voice. From the intro with Dungeon Family’s Big Rube to the last track with the vocal harmonies of PZ, Big Mon along with Kay & King Mason control one’s “senses” with the right frequencies, to add another piece of art to that often neglected sector of #HUEston Hip-Hop music. What did you think of the album? Singles include: ‘Crown/Fear’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

Get Ready for Laughs, Legacy, and Lyrics: Ep 155 of C.U.T.S. Podcast with Chey and Weather Park 

Hey there, #MyCreatives, and hip-hop heads!!! You won’t wanna miss the next-level vibes on Reemo Meerak’s C.U.T.S. Podcast. Buckle up for Episode 155, where we chop it up with two rising stars, Chey and Weather Park. These two are bringing that fresh spice and those throwback feels, keeping the Wu-Tang vibes alive and kickin’. This ain’t just any convo — it’s a journey through humor, deep chats, and those rhymes that’ll keep you coming back for more. This episode got enough laughs, legacy, and lyrics to go around. Ready to hear the future of hip-hop? Dive into the stories and beats we’re about to unleash. Tune in here!   Get to Know the New Kids on the Block Say what up to Chey and Weather Park, two rising talents making their mark on hip-hop like it ain’t no thing. Each brings their own flavor to the mix, blending dope beats with some killer backgrounds to blaze their own trails.   Chey: She’s Got Words to Say! 🎤 Chey’s not just grabbing attention; she’s running the show with her unique flair and hard-hitting lyrics. Her sound? A seamless stampede of classic vibes and new-gen beats that leaves both old and new fans vibin’. Wanna catch her fire performances? Hit up YouTube. Chey flicks it up with host; Reemo Meerak Weather Park: Making Waves on His Way 🌊 Weather Park’s not just another name — you feel me? He’s that real deal, packing raw energy and truth in every line. Riding a creative wave, he’s proof that art and angst mix perfectly. Kick it with Weather’s growth and groove over at the Latest Weather Report. Weather Park with tha flcik’it up The Wu-Tang Clan Legacy: Still Running the Game 👐 Let’s take a sec to shout out the Wu-Tang Clan! These legends are the blueprint for the game, with a legacy that’s still shaping today’s artists like Chey and Weather Park. As they rise, they echo Wu-Tang’s creativity and authenticity. Those intricate bars and bada** beats are setting the stage for others to bust boundaries! Wanna dig deeper into their epic journey? Check ’em out on Spotify — “Yah-Yah”.   Latest Single out now!!!!! Behind The Scenes of Episode 155 🎧✨ Peek behind the curtains of Episode 155, where laughs and music blend for a podcast experience like no other. On deck w/ Episode 155 Laughs & Lyrics with Your Guy; Reemo Meerak!!!! Reemo threads the needle like no one else. Episode 155 serves a mix of soul-stirring stories and comedic gold with Chey and Weather Park in the spotlight. Ready to go on this rollercoaster of feels and fun? Jump into the convo on Apple Podcasts and get lost in Reemo’s storytelling heat. Why should C.U.T.S. Podcast be Your New Fave 🏆? For all you hip-hop culture vultures and music scene explorers out there, C.U.T.S. Podcast is your go-to. Reemo’s not just hosting; he’s throwing down with the artists who’s gonna shape tomorrow’s soundscape. Hungry for more? Find those dope and insightful convos you crave on Spotify. Here’s a Clip of the new segment; “BARS or CAP”: Spotlight on “Yah-Yah”: The Latest Music Video Drop 🎬🎶 As if Chey and Weather Park weren’t already turning heads, their latest music video “Yah-Yah” is here to blow minds and shake the scene. With visuals as dynamic as the duo themselves, “Yah-Yah” delivers a compelling narrative paired with an electric vibe. Picture a blend of raw talent and slick production — a feast for the eyes and ears. The video is a testament to their craft, weaving storytelling into an irresistible track that captures the energy of the streets while paying homage to the legends that paved the way. With each beat, “Yah-Yah” invites you to dive into its layered rhythms and lyrical prowess, a perfect extension of the vibes we explored in Episode 155. Can’t get enough of that fresh content? Check out the “Yah-Yah” music video and get ready to hit replay. 🎥👀 Watch “Yah-Yah” Now on YouTube! Keep your eyes peeled — because Chey and Weather Park are just getting started, and “Yah-Yah” is only the beginning of what promises to be an exciting journey in the world of hip-hop music videos! As per usual, ON TO THE NEXT #MyCreatives Author, Reemo Meerak Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subscribe To My Vlog Channel — Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: [email protected] OR [email protected]

#rewindreview: Animal Gang ‘Sen City’ EP 2022

  What is Animal Gang? A collective of M.C.’s with a mission to out rap your favorite or best M.C. at the drop of a dime. If you are a fan of crews like Stronghold or Slaughterhouse, Animal Gang is there to carry on the tradition. Mic Handz, Jamil Honesty, Unreal, Cayoz Da Beast, O*Zee, Don Streat, Dready Krueger and Senica Da Misfit (may he rest in peace), are the Animal Gang with D.J. Grasshoppa. ‘Sen City’ EP is a release from 2022 but a bit rare in it’s existence as one might not find it on any streaming apps, so allow us to give you a slight breakdown of what one would hear. In this twenty-five minute EP, Animal Gang makes it feel longer as from tracks one through six it’s a lot of punchlines and metaphors to process. Don’t expect much in conceptual songs but more the auditory experience of hardcore raps and beats. Production is provided by D.J. Grasshoppa, Neckbrace Productions, Cool FD and Hobgoblin who provide some dark frequencies under the boisterous raps of Animal Gang. This won’t be a project for everyone as the M.C.’s don’t provide much in substance or really distinguishing themselves but for those who just like to hear “bars,” ‘Sen City’ will scratch that itch. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

Mets Honor Black Legacy with DJ Webstar, Baseball great Strawberry and More!

The New York Mets’ 3rd Annual Black Legacy Game at Citi Field was a vibrant celebration of history, culture, and community, headlined by Mets legend Darryl Strawberry, DJ Webstar, and a lineup of artists and activists.   Strawberry’s Tribute to Jackie Robinson: Darryl Strawberry delivered a powerful tribute to Jackie Robinson, challenging recent attempts to downplay Robinson’s legacy in Major League Baseball. “Shame on them if they erase Jackie’s story—he fought for all of us,” Strawberry declared, recalling the racism he faced in the 1980s minors. He urged MLB to reinvest in inner-city youth baseball and market Black players with the same energy seen in other sports.   The Soundtrack of Legacy: The night’s rhythm came from DJ Webstar, who lit up the stadium with high-energy sets. In his suite were DigiWaxx DJ Pool collaborators Ron Browz, DJ Suss One and DWI of DaMatrix Studios. Their presence wasn’t just about sound—it was about legacy. Black DJs have long been cultural storytellers, using music to connect generations and amplify voices too often overlooked. From block parties to ballparks, their influence continues to shape the culture.   Culture and Community: The night featured a gospel performance of Lift Every Voice and Sing and a Jackie Robinson Museum scavenger hunt for families. Celebrity chef Kwame Onwuachi threw out the ceremonial first pitch to Strawberry, bridging sports and the culinary arts. Fans left with commemorative hats honoring the night’s purpose.   As DJ Webstar’s final beats echoed, Strawberry’s words lingered: “Jackie wasn’t just a player—he stood tall against hate. That’s a legacy to protect.” Through rhythm, remembrance, and real talk, the Mets showed that honoring the past can inspire the future.

From Streets to Beats: Exploring Authenticity in Today’s Hip Hop Culture

Are the Casual Hip Hop fans just overreacting for “Likes & Follows”? Hip Hop Culture is buzzing over what’s “real” and what’s “fake” in music today. 🎤 From the streets to the beats, authenticity is key, but the recent Jadakiss controversy resurfaced in 2025 has some fans questioning their idol. Are rappers staying true to their roots, or are they just acting the part? With urban culture debates heating up and everyone—from Fans, social media “addicts” to podcast listeners—joining in, it’s a perfect time to explore this hot topic. Whether you’re into the latest hits or old-school vibes, you won’t wanna miss this conversation! Authenticity in Hip Hop Culture Authenticity in hip hop has been debated since the genre began. Recently, fans and critics are questioning today’s artists. Are they sharing real stories or just playing roles? Let’s break it down. Real Versus Fake Rappers The “real versus fake” debate is a big deal in hip hop. Authenticity often means staying true to your roots and sharing real experiences. Fans love artists who “keep it real” with unfiltered truths. But sometimes, the line between real and performance blurs. Hip hop, like any art, allows creative expression that might not reflect the artist’s life. Does this hurt their authenticity, or make the story richer? Audiences play a big part. They crave gritty realism, pressuring artists to fit stereotypes. So, is being “real” about personal truth or meeting culture’s unreal expectations? Music Authenticity in Question Fans want honesty, valuing artists who reveal their true selves. However, commercial success often ties to image, pushing some to wear a facade. Critics say a focus on marketability over authenticity disconnects artists and audiences. This tension shows in songs where fame and personal integrity clash. For listeners, spotting authenticity takes critical thinking. Is an artist genuine, or just crafting a persona for success? Urban Culture Debates Urban culture debates put authenticity front and center. Hip hop’s urban roots shape its stories. Is an artist’s background real, or just an image? Questions surface when artists’ lifestyles don’t match their lyrics. Social Media Critics wonder if they exploit urban culture for profit, watering down its essence. Some supporters say hip hop needs to evolve, as to the “Casual” Fans are highly alarmed by this (which is highly laughable). As it shouldn’t go “Global”, it just shows what type of society we are in, and especially the tomfoolery that seemingly happens within the nuance of the Hip Hop Culture. The latest brewing upon Jadakiss “Background” The Jadakiss controversy is back at it, sparking fresh talk on authenticity in hip hop. Should there be a case study upon on the importance of such within a culture that’s of Entertainment?   What Sparked the Debate? Questions over Jadakiss focused on his lyrics. Social Media critics claimed his music, though powerful, didn’t mirror his life but an amplified persona. From two years ago (2023), a recent video resurfaced on a guest appearance his father, son; Really Jaewon, and himself made on The Joe Budden Podcast where allegedly his father expresses about Jada’s home raising, as well as schooling. This led some fans online and social media the audacity to rethink authenticity of Jadakiss’ skillset. Is Jadakiss a storyteller or wearing a false mask? The issue highlights the tough task of telling artistic expression from genuine narrative in hip hop. It shows the complex link between an artist’s image and their art’s truth. (For me, outright ridiculous to say the least…..but, I digress) Reactions from the Hip Hop Community Reactions to the Jadakiss controversy were mixed. Many fans defended him, loving his lyrical prowess and storytelling. Some saw it as part of a bigger problem, where the quest for commercial success overshadows true artistry. Community talks stressed balancing artistic freedom with staying true to one’s roots. This reflects hip hop’s ongoing struggle with performance versus authenticity, or for that matter the sensitivity of social media. The Jadakiss controversy impacts from social media. It’s reignited the authenticity debate in a changing genre. Some view it as overreacting nonsense, and others a chance for artists to redefine authenticity, allowing creative freedom while keeping storytelling genuine. For some, it’s a reminder that authenticity is crucial to the genre’s integrity. As hip hop grows, genuine connections between artists and audiences are vital. (Honestly, just needs to Grow-Up!!!) Navigating Today’s Hip Hop Landscape Today’s hip hop scene needs balancing commercial ambitions with real expression. As the genre shifts, artists and fans must decide what staying true to hip hop means. Also, these unrealistic expectations for Artists and Rappers are being far too blurred for selective premise dismissing the skillset one obtains. Balancing Fame, Authenticity, and Legal Challenges Navigating the complexities of fame and authenticity is no easy feat. Success often demands a polished image, but fans yearn for raw, unfiltered truth. On top of these pressures, artists now face the additional challenge of their lyrics being scrutinized in legal settings. Stay grounded: Anchoring success in community ties ensures that creative work remains genuine and relatable. Embrace personal stories: Authentic narratives resonate deeply with audiences who crave realness. Adapt creatively: Innovate with new sounds while honoring one’s roots to remain true to the genre. Consider lyrical impact: Artists do recognize that lyrics can shape perceptions and even influence legal judgments. Also, they can not control of what evokes a fan nowadays The true challenge lies in balancing external pressures and maintaining artistic integrity, all while being mindful that lyrical expressions could be used in courtrooms. The Role of Fans in Shaping Culture Fans are key to hip hop culture. Their call for authenticity shapes the genre, influencing which artists shine. Support genuine artistry: Fans can back artists with real stories, breaking ground for honesty. Engage critically: By questioning music’s authenticity, some casual fans show what their knowledge is, and for others are purists to the core. Celebrate diversity: Embracing varied experiences lets hip hop grow, blending diverse stories with its core values. Level of Fan Accountability: Yes, they

From Wu-Tang to “Southside”: Guest Appearance by Mathematics with C.U.T.S. Podcast

Reemo has another Hip Hop LEGEND on deck? Hey #MyCreatives, are you ready for an adventure? Hip-hop fans and podcast lovers, listen up! When Wu-Tang’s legendary DJ/Producer, Mathematics, joins the chat, magic indeed happens! So, don’t miss Episode 154 of the C.U.T.S. Podcast. Tune in on Thursday, April 17th at 6 pm on Spotify and YouTube. Wu-Tang Legend speaks on New Album!!! C.U.T.S. loves hip-hop stories, especially those from legends like Mathematics. Indeed, his segment is pure magic! Mathematics isn’t just a name; he’s a Wu-Tang architect. Therefore, his appearance on the C.U.T.S. Podcast is groundbreaking. It dives into his new album, “Black Samson: The Bastard Swordsman.” Get ready for exclusive stories from the master himself. You’ll gain insights into his musical journey. “Black Samson: The Bastard Swordsman” is set to become a new hip-hop milestone. Glimpse into “Black Samson: The Bastard Swordsman” Mathematics on C.U.T.S. offers more than just a recap. Instead, it’s a sneak peek into his next big project. You’ll explore his creative process, blending old and new hip-hop. With each beat, anticipation builds, bringing fans closer. Tune into C.U.T.S. (Link). You’ll hear sessions where beats unite listeners. Moreover, Mathematics shares behind-the-scenes Wu-Tang stories, packed with hip-hop wisdom. Keen to dive deeper into hip-hop? This episode is your golden ticket. It provides creative insights for beatmakers and fans alike. Inspire with Learning Moments The podcast is a treasure for aspiring audio creators—a masterclass taught by Mathematics! Sampling Secrets: Learn about creative and respectful sampling. Breaking Boundaries: Discover advanced techniques that reveal a producer’s mind. Powerful Influence: Understand how music shapes and is shaped by culture. Looking for real talk and tips? Mathematics shares insights on blending classic vibes with new beats, making this episode both educational and inspiring. Wu-Tang Clan: Inside Stories Wu-Tang tales delve into team dynamics and more. Roots and Realness: Wu-Tang’s journey includes pivotal hustle moments. Teamwork: Their unified spirit crafts a unique sound. Cultural Icons: Discover Wu-Tang’s impact and Mathematics’ views on their chemistry. These stories highlight resilience, creativity, and unity. Cultural Fire and Beats Feel Mathematics’ passion for culture and beats. The podcast showcases his deep connection to music. Unmatched Passion: Discover the drivers of his production success. Bridging with Sound: Explore music as a cultural link. Future Visions: Learn about his plans for hip-hop evolution, pushing innovation while honoring roots. This episode celebrates hip-hop culture and is loaded with engaging stories. Dive into Mathematics’ world through this exclusive podcast episode. As per usual, ON TO THE NEXT #MyCreatives Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subscribe To My Vlog Channel – Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: [email protected] OR [email protected]

#rewindreview: Encore ‘Self Preservation’ 2000

  This is a deep cut right here. For those who were listening to the independent movement of the late 1990’s and purchased the fruit of those labors in the early 2000’s, you know that the West Coast was cornering a market. With acts like Dilated Peoples, Lootpack, Jurassic 5, People Under The Stairs and so on, it was getting to a point that if you were looking for “truskool” HOP music at the turn of the millennium, look West. Encore was able to sneak in under this umbrella with a couple of previous 12″ inch singles that were collaborations with Peanut Butter Wolf and Evidence, prior to this album which created an anticipation for it’s release. ‘Self Preservation’ is the debut album from Encore that was produced by Architect and one track by Joey Chavez. What Architect and Encore provided was an album that compliments the two’s addition to the core of HOP music. Encore has a tone and execution of rhymes similar to Rakim while the simple but hardcore production of Architect drives the album home for listeners who appreciate the stylings of D.J. Premier. Features included some names that were buzzing at the time of this release like Dave Dub, Kedar, The Bishop and a couple that had made a name for themselves by then like Pep Love of the Hieroglyphics Crew and Grand The Vis of Homeliss Derelicts. I remember first buying this album on the same day that I purchased Common’s ‘Like Water For Chocolate,’ so unfortunately my focus at the time, simply stated was… elsewhere. Over the years the album has remained solid and although it never had the impact of the albums from names mentioned earlier, it added to an era of consistent and trustworthy HOP music releases that were made to get your ACTUAL money’s worth. What did you think of the album? Singles include: ‘For You,’ ‘Sporadic,’ & ‘Love & Hate (the mellow drama)’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: L.M.N.O. & Kev Brown ‘Selective Hearing 2’ 2010

  Two underground HOP music staples got together to bring a not so subtle collection of songs honoring the great James Brown. L.M.N.O. of the Visionaries and Kev Brown of the Low Budget crew present ‘Selective Hearing 2,’ where the two select to chop up some of the best James Brown quotes and samples for a head nodding adventure. This is thirty-five minutes of pure HOP music that does not leave listener’s feeling overwhelmed from rapping as L.M.N.O. and Kev Brown compliment the vibe and beats on this project like jazz musicians. They are not alone on the mic and incorporate the talents of Mr. Brady, Hassan Mackey, Declaime, Kaimbr, Trek Life, Kenn Starr and Charlie 2na. All voices fitting extremely well among Kev Brown’s beats and the precise scratches by D.J. LD. ‘Selective Hearing 2’ reminds those who appreciate HOP music of why we took to it during those mid to late 1980’s and 1990’s, which was the DNA of James Brown and the soul he provided for black music. “It’s spring again,” so pull this album out for a repeat or dig in for the first time while touching some grass today! What did you think of the album? Singles include: ‘Ya Know’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Kendrick Lamar ‘Section 80’ 2011

  At the end of the 2000’s and beginning of the 2010’s, my filter for new acts in HOP music was fully active. Not many if any new acts was I giving a chance. This was mainly due to the overkill of acts that were springing up from the internet. It all felt too easy and a lot of it did not feel genuine but more like folks wanting to have “rap” on their resume when someone asks those individuals about themselves. Hip-Hop music at that time was like SXSW once it became corporate and everyone was just handing out CD’s on 6th street but didn’t even know how to perform on stage. Like a lot of those individuals I either turned them down or took an album and never listened. In 2011 a group I managed, H.I.S.D. was on the same ‘Beats, Arts + Lyrics’ show as Kendrick Lamar who headlined that show. Because of the co-sign of EQuality from H.I.S.D. (The HUE) I finally gave “K. Dot” a chance but needless to say this was only year before he would skyrocket as a HOP music force, and many at that event left by the time his set started. ‘Section 80’ was the album he was performing at the time and I stayed for a bit but was unfamiliar with the music so I couldn’t relate. Flash forward about a year later and I sat with ‘Section 80’ to see if I could understand the accolades he was receiving. From the first listen I was impressed with the production, although at the time the first half of the album I felt was not necessarily geared toward my ears but more toward the target generation he was in. Essentially the album felt like a better sounding effort of those CD’s that would be handed out at SXSW. Where this album has grown with me over the years is the projects after it giving me a better understanding of how ahead of his time and mature Kendrick Lamar was when ‘Section 80’ released. If ‘A.D.H.D’ is a summary of the youth and ignorance of his generation, ‘HiiiPower,’ ‘Kush & Corinthians’ are that medicine on this album that speaks to my generation. Kendrick Lamar was “bridging the gap” through teaching, giving his own life perspective and rapping at a high level. Day one fans often herald this as his best offering and I would never challenge their perspective because like Nas’ ‘Illmatic,’ sometimes you simply had “to be there” to understand. ‘Section 80’ is another example as to why I often compare “Kendrick’s” run to Outkast, as from their debut albums, the next and so on and so forth would sound so much different from the last. This will often cause discourse among listeners initially but when the dust settles and we all listen back, the greatness of the art is rarely ever challenged when looking at the landscape the art was created in. What did you think of the album? Singles include: ‘HiiiPower,’ ‘Tammy’s Song,’ ‘A.D.H.D.,’ & ‘Rigamortis’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 1-3a.m. CST on 90.1 FM KPFT Houston in HD11 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

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