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Lola Brooke feat. Jeremih; “No One Else” Music Review

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Ohhhhhhhhhhh, #MYCreatives the HOT STREAK CONTINUES for your Neighborhood #RugerSprayyyyyer and Social Dw33b of Hip Hop!!!! This time, I’m doing the latest review of Lola Brooke and Jeremih’s latest HOT TRACK!!!! Lola Brooke and Jeremih just dropped their new track called; “No One Else” and it’s the smooth blend of street and R&B vibes we didn’t know we needed. Lola, known for her gritty Brooklyn flow, does what she does best here — talk her talk, unapologetically. She’s got that confidence in her verses, spitting something soulful, and her “get the mood” right bars that show she’s not waiting on anyone to make her feel good. It’s all her, all day!!!! Jeremih, on the other hand, slides in with those signature silky vocals that we’ve come to love from him. His hook brings that sexy, late-night vibe, making the track perfect for a mix of chilling and vibing. The contrast between Lola’s hard-hitting, as well as soulful delivery and Jeremih’s smoothness is a win, creating this dope balance that keeps you coming back to the track. I had the opportunity to sit down with the Brooklyn Native, to really find out the scoop on the music video: Overall, “No One Else” is that joint you’ll have on repeat, whether you’re cruising through the city or just kicking back. Lola Brooke’s aggressive energy paired with Jeremih’s laid-back charm? Yeah, that’s a combo that works. Juuuuuuu’alreadyyyyy Know #MyCreatives, ON TO THE NEXT!!!!! Follow Me on Social Media: Instagram: https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: [email protected] Shop The Merch: https://reemomeerakbrand.myshopify.com

Hip Hop Caucus “Underwater Projects” Premiere — Art, Activism, and Climate Wake-Up Call – Movie Review

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          The other night, I had the chance to catch the premiere of “Underwater Projects”, and let me just say — this isn’t your typical film. You know how some documentaries hit you in the gut and then linger in your mind long after? Yeah, that’s exactly what “Underwater Projects” does. It blends hip-hop culture, environmental justice, and the very real threat of climate change into one visually stunning, thought-provoking piece of art. The Hip Hop Caucus has a way of making activism feel accessible, and this film was no exception. It’s raw, authentic, and honest, diving into the disproportionate impact climate change has on communities of color, especially those along the coasts. The message is clear: rising sea levels and environmental disasters are here, and they’re hitting Black and brown communities first and hardest. But this isn’t just a doom-and-gloom documentary. Underwater Projects feels like a call to action — or more accurately, a shout. It’s driven by sharp visuals and a killer soundtrack that weaves together hip-hop beats with real, hard-hitting facts. The film features a range of artists, activists, and everyday people talking about their experiences, struggles, and hopes for a future where we can fight back against climate change. The blend of personal stories and large-scale issues creates a powerful emotional pull. Here are interviews with; Rev. Lennox Yearwood, Elizabeth Yeampirre, and the Director of the film; Liz Havstad: One standout moment? When the film zoomed in on New Orleans, post-Katrina earlier on to show the contrast. It was heartbreaking, but seeing how the community still comes together to rebuild, resist, and thrive was incredibly moving. You could feel the resilience and the fight in every frame. If you’re a fan of hip-hop culture, you’ll appreciate how it’s woven into the fabric of this film, not just as a soundtrack but as a form of resistance and a platform for change. It’s clear the Hip Hop Caucus knows exactly how to speak to their audience — and man, do they make a lasting impression. At the end of the day, “Underwater Projects” is more than a movie. It’s a wake-up call for those of us who aren’t paying attention, and a rallying cry for those already in the fight. Do yourself a favor — watch this film. It’s an eye-opener, a reminder, and a motivator all in one. Trust me, you’ll leave the theater ready to take action. As per usual, ON TO THE NEXT #MyCreatives Follow Me on Social Media: IG: https://www.instagram.com/reemomeerak_/ X(Twitter): https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: [email protected] Shop The Merch: https://reemomeerakbrand.myshopify.com

#rewindreview: Thonio & D.J. Kefran ‘In My Dreams’ EP 2023

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  QUANTUM LEAP RADIO was new to this duo when we received a promo of ‘In My Dreams’ EP. Thonio, who is from Buffalo, New York and D.J. Kefran from Paris, France provide a short twenty-five minute release compatible to Spring and Summer seasons. On this release Thonio raps about relationships, be it with women, social circles or himself. Rhymes are not too complicated and although this would be an underground release, it fits a more mainstream rap music audience. Thonio’s influences seem to be that of Young Jeezy, Lupe Fiasco etc., while D.J. Kefran provides a more basic music palette that fits the style and content provided by Thonio. ‘In My Dreams’ might not have the appeal to the “super-rap” fan but could garner some spins at the neighborhood backyard barbeque or kickback event. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

#rewindreview: Moka Only ‘In And Of Itself’ 2023

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  The Canadian “Energizer Bunny” never stops even when one thinks he is over rap music. Moka Only has… a lot of albums and it seemed that during and post COVID, the Vancouver BC, M.C. might have slowed down production of music. In 2023 he popped up again with ‘In And Of Itself,’ which for those who have been fans of Moka Only for the past 25 years, got that signature sound and feel that compliments him and listener’s ears. Moka Only always finds that balance between vibes and head nodding sounds that seems to uplift the frequency within one’s self, if not for a moment of euphoria, that never seems to get old. This album’s consistency tracks with what Moka Only does for his projects where there are not many moments you might feel one part of the album is better than the other. Although ‘I Do Rap’ is one of those merry moments Moka Only traps listener’s with snares, drums and subtle sounds, while using his own voice as an instrument to make one rewind the track multiple times. ‘In And Of Itself’ can be added to the pantheon of “Moke’s” albums but it really is a standout release among his latter chapter of projects. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

#rewindreview: Example ‘impulses’ EP 1997

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  When talking about Hip-hop in Houston certain names will always come up by default. Those names are just one side of what the great city has to offer though. For those like myself who grew up in the 1990’s surrounded by a certain sound from the city it was a surprise and proud moment to hear Example when listening to a local college radio show in Houston. ‘Slow Motion’ sounded like anything one would expect to hear on a college radio show back then but the difference was this song mentioning certain places in Houston. In 1997 this was rare to my ears and made me look into who this was. Kay, who went by “Dekay” at the time and D.J. Cipher made for this group Example, that seemed like they were speaking for that part of me that didn’t have a loud enough voice at the time. The music was what I wanted to hear, the content was relatable and for a younger me in my last couple of years in high school, there was a sense of the music not taking itself so serious but still having a positive frequency to it. For almost half a decade I didn’t hear this full release but when I did hear it, realized I actually heard all the tracks just in different spaces. This took nothing away from experiencing the eight track EP and simply made me appreciate the idea of being dedicated to releasing HOP music like this, as a physical medium, in a market not designed for the music provided. This really is a stepping stone for Kay as one can see how his rapping and production abilities have advanced over the years but nothing to look back at and be ashamed of. It’s more likely the reason ‘impulses’ has been re-released in the last couple of years, as for it to not be forgotten and display how a critical part to Houston Hip-Hop has evolved over the years for a particular generation. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

#rewindreview: Roc Nation Presents ‘Humble Soles’ 2023

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  The lineage of what started from Jay-Z’s ‘Reasonable Doubt’ is still trying to branch out, regardless of the controversy, member changes and time itself. Roc Nation which has been a management avenue since the break up of Roc-A-Fella Records in the 2000’s, has had some great success but going into the 2020’s there’s a need for “new crop.” In 2023 Emory Jones who has been a long time collaborator and friend with Jay-Z, appeared on The Breakfast Club to talk about a project that would serve as way to introduce the newer acts under the Roc Nation flag. This would be described as a sort of “mixtape” which is hosted by D.J. Clue and in collaboration with Puma sneakers. For listeners that can appreciate or grew up on the sounds of HOP music in the 2000’s this compilation release will be a lot easier to digest, as much of the music is derivative of that time with added basslines and hi-hats to match current sounds. ‘Humble Soles’ vehemently provides exposure to a new crop of rappers not known to the public but have made names for themselves among a younger crowd like Kalen frfr and KenTheMan, while heavily spotlighting Huey V, RJAE and Tyre Hakim. Some familiar names provide grounding for this release like Vic Mensa, Rueben Vincent and Rapsody. I personally appreciated this release providing some insight to newer acts and their sounds but the “voice is an instrument” and many of the new acts on this release don’t possess a unique instrument yet. The music is standard for this time so maybe younger ears might look to this project over the years to come as their ‘Lyricist Lounge.’ or ‘Soundbombing,’ but those releases seem to connect with listeners due to the rarity of voices and ideas not just lyrical ability. If ever there was a time to find out if the new generation can rap, look to ‘Humble Soles’ for a few answers that might get the luxury of longevity in HOP music. What did you think of the album? Singles include: ‘Tale Of 2 Legends,’ ‘Vic Chops,’ ‘Outsiders,’ ‘Cypher,’ ‘Derek Jeter’ & ‘Love Answers All’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

10 Iconic Tracks That Showcase Fatman Scoop’s Signature Hype

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Fatman Scoop, known for his booming voice and energetic style, has left an indelible mark on the music industry. He’s contributed to many chart-topping hits across different genres, particularly in hip-hop and R&B. Here’s a look at some of the iconic tracks that feature his signature hype: 1. “Be Faithful” – Fatman Scoop featuring The Crooklyn Clan (1999) This track is arguably Fatman Scoop’s most well-known hit. It features a catchy blend of hip-hop beats and infectious chants, sampling Faith Evans’ “Love Like This.” “Be Faithful” became an anthem in clubs around the world and topped charts in the UK and Ireland. 2. “Lose Control” – Missy Elliott featuring Ciara and Fatman Scoop (2005) Teaming up with Missy Elliott and Ciara, Fatman Scoop brought his high-energy vocals to “Lose Control.” This song, with its danceable beat and memorable chorus, became a massive hit, earning a Grammy Award for Best Short Form Music Video. 3. “It Takes Scoop” – Fatman Scoop and DJ Felli Fel (2005) Sampling the iconic 1988 track “It Takes Two” by Rob Base and DJ E-Z Rock, this collaboration with DJ Felli Fel showcases Fatman Scoop’s ability to revive classic hits with a fresh twist. His energetic vocals breathed new life into this beloved song. 4. “Put Your Hands Up” – Fatman Scoop featuring Crooklyn Clan (2004) Another party anthem, “Put Your Hands Up” is characterized by its call-and-response style, which Fatman Scoop excels at. The track became popular in clubs and was often used as a hype track at events and sports games. 5. “Drop” – Timbaland featuring Magoo and Fatman Scoop (2001) This collaboration with Timbaland and Magoo features Fatman Scoop’s energetic ad-libs and shout-outs, which perfectly complement Timbaland’s signature production style. “Drop” is a testament to Fatman Scoop’s versatility and ability to adapt to different musical styles. 6. “It’s Like That” – Mariah Carey featuring Fatman Scoop (2005) While not as prominently featured as in other tracks, Fatman Scoop’s voice adds an extra layer of hype to Mariah Carey’s “It’s Like That.” His contribution helped the song become a staple at parties and a hit on the Billboard charts. 7. “So Excited” (Remix) – Janet Jackson featuring Fatman Scoop, Fabolous, Khia, and JD (2006) On the remix of Janet Jackson’s “So Excited,” Fatman Scoop’s energetic ad-libs added a vibrant layer to the track, blending seamlessly with Janet’s sultry vocals. His hyped-up style perfectly complemented the song’s playful, upbeat vibe, making it a standout remix. 8. “Beyonce Before I Let You Go Remix” – (Official) Fatman Scoop/DJ Kazzanova (2019) In this remix of Beyoncé’s “Before I Let Go,” Fatman Scoop teams up with DJ Kazzanova to bring his signature hype and energy. His powerful chants and commands elevate the track, making it a popular choice for dance floors and celebrations. 9. “It’s Your Birthday (CN Remix)” – Fatman Scoop featuring Pitbull In “It’s Your Birthday (CN Remix),” Fatman Scoop collaborates with Pitbull to deliver a high-energy birthday anthem. With his trademark chants and a danceable beat, this track quickly became a favorite at parties and clubs, celebrating life and good times. 10. “(Official) Gangnam Style Remix NYE 2013” – Ft. Fatman Scoop Fatman Scoop brought his unique energy to the global phenomenon “Gangnam Style” with the NYE 2013 remix. His hyped-up vocals and crowd-commanding style added an extra layer of excitement to Psy’s hit, making it a perfect anthem for New Year’s Eve celebrations. Fatman Scoop’s unique ability to hype up a track and get people on their feet has made him a staple in the music industry. These hits not only showcase his vocal talent but also his impact on the world of hip-hop and beyond. His presence will be greatly missed, but his legacy will continue to live on through the music he helped create. Our thoughts and condolences go out to his family, friends, and all who were touched by his remarkable talent.     Britney Cherry is a multimedia journalist, personality, producer, and radio host based in Chicago. She is the host of “The Social Media Rewind” on 104.3 Jams Chicago and serves as a media host for Digiwaxx. With a passion for storytelling and connecting with audiences, Britney covers a wide range of topics from entertainment to lifestyle, bringing her unique perspective and energy to every story.

Times Are Changing in Hip Hop Music, and She Real is NEXT!!!!!

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She Real: “I Don’t Rap About My Pussy” Album Review     In this Hip Hop Culture, and the Hip Hop Music within it comes a lot of layers that many don’t understand of why an omega talented artist would struggle or rather go through a very not needed difficulty of process to make a successful career. Also, for Female MC’s like our guest and featured artist whom now has a Triple Headed monster to deal with all because “She Don’t Play The Game” or just flat out doesn’t allow her immensely high level talent to be compromised with tomfoolery and fluff just for the sake of appeasement, and down right mediocre effort being rewarded. The L.A. transplant native by way of HARLEM, NYC (Born and Raised majority of her life) was rippin’ the NYC Independent Circuit, and I’ve met her during my early years in Media around 2014. The fact that NYC didn’t push her as much as we should have is blasphemy AF, and just downright awful to make the things difficult for her. Unfortunately, the case for a very talented MC like her to go through a litany of tomfoolery and fukery that would make the average person crash out and just give up on their dreams entirely. She Real took her talents west to L.A. and since that time continues to lace the culture with her presence and overall impactful skillset.  I have a sit down with her about her upcoming project, and 9th Studio Album; “I Don’t Rap About My P_ssy!!!” How do you feel about your brand and music so far in 2024, and how do you want to close the year? SR: My brand voice is both deeply personal and empowering, focusing on resilience, transformation, and using music as a channel to overcome pain. I use musical storytelling to share a narrative of personal struggle and recovery, aiming to inspire others facing similar challenges and connect with them on a personal level. I also strive to reflect contemporary issues and highlight the experiences of Black and Brown communities. Showcasing my natural afro hair is a defining aspect of my visual identity. My clothing style features a blend of Kung fu gees and Hip Hop attire, merging cultural influences with urban aesthetics. I do believe I am Hip Hop’s the last dragon like Bruce Leroy lol. My reputation is built on my dedication to my craft and work ethic. I’m here to uplift my people. My values shine through in my commitment to inspiring others and openly sharing my journey. As I wrap up the year, I plan to uphold and showcase my brand through my relentless hustle and dedication to my music. I aim to demonstrate that women deserve a prominent place in the conversation, showing that we can craft compelling stories and deliver impactful messages with exceptional lyricism and captivating cadences. Not all women need to resort to hyper-sexualization to succeed in music!!! It seems in 2024, the switch that a vast majority within the Hip Hop Culture have been begging for occurs with Lyricists and Conscious MC’s coming out with bangers and high quality albums. What do you feel is the cause of this, and what part do you feel your contributions will take effect in this surge? SR: History often repeats itself, and the music industry has seen a surge in party-themed tracks that glorify the use and selling of drugs, sexual indulgence, and the pursuit of money at all cost. Yet, Hip Hop has always been the voice of the streets, reflecting the minds, hearts, and souls of the community. For the culture to thrive, Conscious Hip Hop must co-exist with more mainstream styles. We cannot rely solely on club anthems for sustenance; if we did, tracks like “The Message” by Grandmaster Flash and The Furious Five wouldn’t have had such a profound impact. Recent examples, such as Kendrick Lamar’s “Not Like Us” reinforce this truth by demonstrating that culture will always take precedence over corporate interests. Regardless of what trends or commercial pressures emerge, we live and breathe Hip Hop every day. This enduring authenticity is evident in the success of albums like Killer Mike’s “Michael” which won Best Hip Hop Album at the 2024 Grammys, proving that the truth and the culture will always prevail. This is why my album is necessary for black woman in Hip Hop everywhere because we represent more than just our bodies. In “Consequences” what made you made to use so many of today’s modern “Vices” on the track? SR: I reflect my times. I pay attention to my people. I also watch what trends are promoted to us daily. “Consequences” would not be relevant without these “vices”. The entire story revolves around an age-old tale that continuously resurfaces in today’s times. Many men of power take advantage and manipulate women by physically and sexually abusing them. The “vices” assisted in painting the picture of revenge. Shoutout to the producer 1719 for crafting the perfect soundtrack to a story that empowers women everywhere, transforming their voices from those of victims into symbols of strength. One thing I can say about you, that you always have the knack of making your projects like the 90’s & early 2000’s with the skits, and just overall structure of the album. When it comes to the skits it seems that you enjoy playing the multiple roles on the track, did you ever want to act or be in movies prior to rapping? SR: Absolutely!!! I stated to God while creating these skits that I pray they will double as my audition tapes for voice over acting. I have always been greatly influenced by phenomenal women such as Cree Summer, Regina King and Anika Noni Rose that we too can thrive in an animated world. I’m excited to see how it all unfolds. For the record I have always wanted my own show like Moesha as well. Brandy was the first to inspire me to believe that as an

Directorial Debut of Angie Martinez’s God’s Favorite DJ: DJ Clark Kent Preview

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God’s Favorite DJ: DJ Clark Kent Preview; Directorial Debut of Angie Martinez Angie Martinez Drops Her First Doc: “God’s Favorite DJ” Angie Martinez, the Lady OG of Media aka “Voice of New York!!!” is leveling up from the airwaves to the director’s chair with her debut documentary, God’s Favorite DJ. If you’ve been rocking with Angie, you already know she’s been deep in the game for years. Now, she’s putting the spotlight on a real legend: DJ Clark Kent. DJ Clark Kent: The Architect of Hip-Hop “God’s Favorite DJ” isn’t just another flick — it’s a tribute to one of the most important kats in hip-hop history. DJ Clark Kent isn’t just a DJ; he’s the dude who helped build the sound of an era. From putting Jay-Z on the map to producing straight fire for Biggie and Mariah, Kent’s been making moves behind the scenes for decades. This doc is gonna break down why DJ Clark Kent is a name everyone respects. Angie Martinez: Storyteller Turned Director Angie’s been the go-to for hip-hop’s biggest names, getting them to spill the real on the mic. Now, she’s flipping the script and taking her storytelling to the screen. With “God’s Favorite DJ”, Angie’s not just telling a story — she’s documenting the culture, the history, and the man who played a major role in it all. What’s the Documentary going to be about? This isn’t just a “get to know” piece — it’s a ride through hip-hop’s evolution, all through the eyes of DJ Clark Kent. Expect rare clips, untold stories, and appearances from the heavy hitters who owe a lot to Kent. This one’s for the real heads who appreciate the roots of the culture. World-class DJ and producer takes us through his four-decade journey in Hip-Hop, influencing icons like Jay-Z, Notorious B.I.G., and Lil Kim, while leaving an indelible mark on pop culture through his music and fashion collaborations. Courtesy of the Director debut of world known Media , and Radio Hall of Fame Figure; Angie Martinez. Why You Gotta See It? If hip-hop runs through your veins, or if you just vibe with a real story, God’s Favorite DJ is a must-watch. Angie’s keeping it raw and real, making sure the culture gets the shine it deserves. The doc’s dropping later this year, and you already know it’s gonna be something special. Don’t sleep on it. As per usual #MyCreatives, ON TO THE NEXT!!!! Follow Me on Social Media: InstaGram:  https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok: https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S.https://www.youtube.com/@TheCUTS_ Subcribe To My Vlog Channel; Reemo Meerak: ReemTV:https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features:[email protected] Shop The Merch:https://reemomeerakbrand.myshopify.com

#rewindreview: Swizz Beatz ‘Hip-Hop Vol.2’ EP 2023

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  My listening experience with Swizz Beatz has been a rollercoaster ride for the last 25 years. Upon first hearing his production in my last years in high school, there would be moments where I liked it but more moments when I did not. It was an odd time because he was the backbone behind the success of D.M.X.’s first two albums and the production outside of the album was what I liked. Eventually Swizz Beatz would be the poster boy for the “fisher price keyboard beats” many criticized in the late 90’s and early 2000’s but by 2009 something about his production changed for me. The music started to feel like there was more “meat on the bones” and had kick to it that not only serviced the “fly by night,” only concerned with hits crowd but a traditional Hip-Hop ear audience as well. Fast forward years later and it’s time for Hip-Hop’s 50th anniversary which leading up to this celebratory year, it was announced by Mass Appeal records that a select few beat makers would be providing short EP releases featuring past and present rappers. D.J. Premier handled Vol.1 while Swizz Beatz took the baton for Vol.2. Swizz Beatz offering starts off pretty strong with an upbeat banger, ‘Runaway’ featuring Nas that would have seemed to been a “hit” if released a decade or so earlier. The Lil’ Wayne featured ‘This Sh*t Right Here,’ could have arguably been received in the same fashion as well. By track three Swizz Beatz reminds the audience he comes from HOP music with ‘Take Em’ Out,’ a hardcore New York banger featuring Jadakiss, Benny The Butcher and Scar Lip and samples the drums of Boogie Down Productions ‘The Bridge Is Over’ and a hook which borrows from Onyx’s ‘Throw Ya Guns.’ Swizz Beatz version of ‘Hip-Hop 50…’ series still has an expectation that as a hitmaker he would connect with the popular, current or younger acts. Those tracks hopefully serviced the crowd it was meant for as I was not made a new fan but it presents part of those “50 years” of Hip-Hop music. With a rare Jay Electronica feature to close out this release I was a bit surprised at what I heard from Swizz Beatz offering to the ‘Hip-Hop 50…’ series. It’s not known whether this idea has been lost and there will be more as initially reported but D.J. Premier and Swizz Beatz have set a good barometer for what fans should expect. What did you think of the album? Singles include: ‘Take Em’ Out’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

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