#rewindreview: Roc Marciano ‘Marciology’ 2024

  Roc Marciano has created a lane that has roots in Raekwon’s ‘Only Built 4 Cuban Linx’ album, but takes the most raw parts of that album, mixed with an almost spoken word like tongue from a street pimp. ‘Marciology’ continues the ever growing discography from the New York rapper that gives fans exactly what they expect. Drumless beats provided by “Roc Marci” himself and lyrics equipped with so many one liners and punchlines, it challenges listeners to come back for more repeat plays. This is far from an album that will gain a crossover audience though. At times ‘Marciology’ sounds like an album that doesn’t match the “street energy” that surrounds it. In another era of HOP music this album would have been looked down on by “street cats” but in 2024 ‘Marciology’ can be ‘Art Basel’ in Miami, when the culture is trying to figure out what’s next. For me the downside to this album is that it doesn’t play well as something to drive to, and rarely has cuts that you can play out in a mix due to the drumless nature of the music. This isn’t the goal of Roc Marciano and his true fans understand this which has given the M.C. the space to create this unique lane over the years. What did you think of the album? Singles include: ‘Gold Crossbow,’ ‘LeFlair’ & ‘BeBe’s Kids’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

How TU Savant is Using Hip-Hop to Amplify Disability Voices

TU Savant is proving that hip-hop is more than just music; it’s a platform for change. Born and raised in Brooklyn, this talented rapper has taken his life’s challenges and turned them into a powerful mission. Diagnosed with Tourette’s syndrome at a young age, TU Savant understands the struggles of living with a developmental disability firsthand. Rather than letting these challenges hold him back, he’s using his music to amplify voices that have long been overlooked. “[We] are gonna finally have a voice, and it’s gonna be through the hip-hop community,” TU Savant says. For decades, individuals with developmental disabilities like Autism, Down syndrome, and Tourette’s syndrome have been left out of conversations about representation. TU Savant is determined to change that narrative by making space for them within the music industry. His journey hasn’t been easy. Despite early interest from industry professionals, TU Savant faced rejection. “I wasn’t ready yet, and that was the harsh reality,” he shares. But instead of giving up, he doubled down on his craft, turning what he describes as his “minor retardation” into what he now says give him “genius-level bars.” This resilience has paid off. Today, TU Savant is a rising star under the PSR label, blending hip-hop with a purpose. His music is raw, authentic, and unapologetically personal, reflecting both his struggles and triumphs. Inspired by Jay-Z, TU Savant combines sharp lyricism with a unique twist that sets him apart from the crowd. But his mission goes beyond making hits. TU Savant envisions a future where the hip-hop community becomes a home for individuals with disabilities—a space where their talents, stories, and voices are celebrated. “I see me in all of them,” he explains, emphasizing his deep connection to the people he advocates for. Currently, TU Savant is focused on propelling his debut album, which recently was in the Top 10 on iTunes, with aspirations of performing internationally and collaborating with top-tier artists. He sees these goals not just as personal milestones but as a way to bring visibility to the community he represents. “I remember when I had no voice; it was the worst feeling,” TU Savant reflects. “I want no kid or adult with a developmental disability to be left out of that conversation no more.” In TU Savant’s hands, hip-hop becomes a tool for empowerment, inclusion, and change. He’s not just creating music; he’s creating a movement, ensuring that no one with a developmental disability ever feels unseen or unheard again. Follow T.U. Savant on Social Media Website | Instagram | Facebook Click here to listen to “Special Needs: the Deluxe Edition”

#rewindreview: Sach ‘Sach 5th Ave.’ 2004

  Continuing in the tradition of his former group The Nonce, Sach carried out an abstract composition of words and thoughts that even twenty years later is still being deciphered. ‘Sach 5th Ave.’ is the third release from Sach as a solo artist and was produced entirely by Omid. On this album the listener hears Sach exclusively as there are no features from other rappers, but are witness to a unique listening experience. Sach has always had a simple means to his delivery but on this release he utilizes a more spoken word style which to the untrained ear may seem as though he isn’t rhyming. Instead he uses his lyrics as parables with off-kilter execution to which Omid’s ominous yet often upbeat production compliments well. With all that being said ‘Sach 5th Ave.’ still feels a bit more straightforward than its predecessor ‘Suckas Hate Me’ from 2002. Cool out one time and take in one of the West Coast unsung heroes and veteran staples in that area’s underground scene. What did you think of the album? Singles include: ‘Joy’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Nas ‘Magic 3’ 2023

  Recently a post online mentioned how Outkast’s ‘Stankonia’ is now twenty-four years old and just twenty-four years prior to it’s release, the drastic change and evolution of the sound of HOP music. Can it really be said that the “music” of Hip-Hop has drastically evolved since the year 2000? It can be seriously argued that it has not but maybe the music evolving was simply the first stage of Hip-Hop’s growth. What has clearly evolved in HOP music in twenty-four years is the veterans that have continued to make the music. Since A Tribe Called Quest 2016 album ‘We Got It From Here…,’ it seems a renaissance or quite possibly an energy drink was put in rappers who had been in the game since the late 1980’s and 1990’s. In 2024 that motivation and energy has continued emphatically but the run of Nas might have been the new “energy drink.” ‘Magic 3′ marks the final album in the Nas and Hit-Boy series which started with the subtle comeback of Nas’ with the album ‘King’s Disease.’ ‘Magic 3’ serves as a send off to this collaboration and finds Nas giving himself flowers but not in an egotistical way but more as an official autobiography at times. Hit-Boy brings Nas back to what we love him for with the production and as a theme to all the ‘Magic…’ albums the one feature on this is Lil’ Wayne on the very hype ‘Never Die.’ Regardless of what many have thought about the last Nas run, what can’t be denied is how he added another stamp to his legacy. This is the second stage of Hip-Hop music’s growth and where unlike sports, you don’t need legs to keep you in shape, just ideas, a voice and a little magic. What did you think of the album? Singles include: ‘Fever,’ ‘I Love This Feeling’ & ‘Sitting With My Thoughts’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @https://linktr.ee/QLEAPRADIO

#rewindreview: Nas ‘Magic 2’ 2023

  The fifth installment in the Nas & Hit-Boy saga was either overkill for some or a gift. ‘Magic 2’ comes off a stellar run of the ‘King’s Disease’ trilogy but even more a sequel to one of the most surprising and satisfying albums from Nas in years, ‘Magic.’ The question is was there a need for a ‘Magic 2’? The first installment played like an homage to ‘Illmatic’ with just nine tracks, one feature and a simple but effective focus of just beats and rhymes. ‘Magic 2’ plays like an apology for all those who could not accept or understand the nature of ‘Magic.’ From the opening track ‘Abracadabra,’ the Nas fan in me felt nervous that he was regressing back to playing to current and industry standards. ‘Office Hours’ brings back hope and although I initially was skeptical seeing 50 Cent featured on the track listing, I actually enjoyed his verse while many, who are fans of 50 Cent felt disappointed. The verse felt weird as it was very short and kind of reminded me of Saafir’s guest appearance on Casual’s ‘Fear Itself’ album. Almost as if the rapper could give more effort but chooses not, like he’s mere presence on the record is enough so maybe this was the 50 Cent fans’ issue. The majority of the album rides the line of keeping the traditional HOP music fans, and people who want to hear Nas over what the average beats rappers of the last 12 years have produced satisfied. Of course this to me is where the album is unnecessary and leans into the criticism of Nasir Jones over the years. When Nas sticks his landings it is GREAT but when trying to bridge gaps it just sounds like turkey without seasonings. What did you think of the album? Singles include: ‘Motion’ & ‘Black Magic’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

#rewindreview: Double A.B. & Git Beats ‘Lungs Of Mahalia’ 2024

  If looking for a HOP album that provides lyrics, concepts and production, look to Double A.B. & Git Beats ‘Lungs Of Mahalia.’ Often times certain M.C.’s can get comfortable in just showing how well they can rap which does not exclude Double A.B., but where he makes this release more than that are the concepts. ‘Lungs Of Mahalia’ will provide just enough street bravado to satisfy those that don’t want too much “left of center” music in their Hip-Hop. It also gives a couple joints to the ladies on the stand out ‘Sashimi’ and ‘Pimps Palace.’ Double A.B. expresses his love for the “greenery” on ‘Recliner’ while taking the time to wax poetic over his view of politics on ‘Justice.’ This is a well rounded album if closely listening and Git Beats provides some production that doesn’t keep the album stagnant while not succumbing to sounding current. That same production is complementary to Double A.B. as it fits his style and doesn’t overtake the listener’s attention to the rhymes. The album is not long and boasts some guest features that fit perfectly such as Prince Po, Eto, A-Plus, Homeboy Sandman, Young Zee and The Musalini on the aforementioned ‘Pimps Palace.’ ‘Lungs Of Mahalia’ is yet another cog in the wheel of the incredible year of 2024 HOP music. What did you think of the album? Singles include: ‘Sashimi,’ ‘On My Way’ & ‘Recliner’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

#rewindreview: Rockwelz ‘LL2J’ 2023

  On this release from Bronx, New York rapper Rockwelz, the listener will be transported to that same location with a soundtrack mirroring early 2000’s HOP music. Produced entirely by Nam Nitty with features from John Jigg$, The Bad Seed, M.O.U.F., J Waiters and The Musalini, make ‘LLJ2’ as “New York” as it gets in a modern day that seems to erase what the sound from the great Metropolis established. Rockwelz creates tracks that are not as street to where one can’t groove but don’t expect any “cookie cutter” tracks either. ‘LLJ2’ sounds like a love letter for those who love the Dipset and G-Unit era while giving a nod to L.L. Cool J’s style of hardcore lyricism with songs for the ladies. The latter part Rockwelz and Nam Nitty provide on a few tracks that go from not having enough time for the ladies on ‘Tick Tock’ to appreciating the special ones on ‘Around The Way Girl’ and the ones you can’t trust on ‘G.T.M.O.’ ‘LLJ2’ doesn’t establish itself as something that will be talked about years from now, but if one is looking for a break from standard “drill beats with doubled bass” and would like to return to a sound soon forgotten, press play. What did you think of the album? Singles include: ‘Heavy’ & ‘Tick Tock’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

Can Glorilla’s new album; “Glorious” draw Hip Hop Album Of The Year honors in 2025?

#MyCreatives what it dew…. Once again, Hip Hop Music in 2024 has really taken it this far with the jammed packed filled of multi-talented music with a mixture of current, and veteran artists really bringing the pain with quality, and well produced music for listeners. Now, we have one of the more known Hip Hop stars entering the mix with; Glorilla. Already with historical first week sale numbers, and popularity like no other. One or many will start coming to terms that “Glorious” could be stamped for high honors and awards in 2025. Make no mistake about it, Glorilla’s unique style, and tone makes her music not only relatable, but even a non-fan will have no choice to “bop” to her music. Her personality is a compliment to her already talented, as well as determination approach of being one the best in the industry and it shows heavily. Glorilla has some heavy competition in Hip Hop Music for her album to be crowned “Best Female Hip Hop Album Of The Year”. From Rapsody’s “Please Don’t Cry”, Nicki Minaj’s “Pink Friday 2″, Doechii‘s Alligator Bites Never Heal, Doja Cat‘s Scarlet 2 (Claude), Latto‘s Sugar Honey Iced Tea, Megan Thee Stallion‘s Megan, Sexyy Red‘s In Sexyy We Trust, Tierra Wack; “World Wide Wack”, that come to mind for me when it comes into 2025 possible selections for honors and awards. Now we know, and have come to terms that the Recording Academy sees things differently. For me, as a media figure, contributor, and fan of the culture this year has been one of the most fun-filled, and enjoyable displays of music within the culture. The parity is displayed heavily, as well as the contrast between the current younger generation talent, and the veteran artists is not a large gap by any means. The production quality amongst the albums are highly impressive and notable, as well as going into Grammy & American Music Awards season has never been this intense in a while. Don’t take my word for it, or feel I’m against Glorilla (I have no win in that race, or feel she is not talented). YES, I feel her latest album is a quality, and very diverse album. Definitely amongst the middle of the album where she goes deep with a few tracks, as well as the features with Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore, Muni Long, FRIDAYY, and T-Pain along with getting a Megan Thee Stallion feature shows that she wanted this project to be different than what she has already presented with her music. My Favorite Tracks: Procedure Featuring Latto TGIF Stop Playing Rain Down On Me feat Kirk Franklin, Maverick City Music, Kierra Sheard, and Chandler Moore Glo’s Prayer How I Look Featuring Megan Thee Stallion Let Her Cook (Grew on Me, but is still a “Вор”) I LUV Her Featuring T-Pain (Interesting) Queen Of Memphis Featuring Fridayy (A Solid track to close out) I will say, if she’s able to be victorious with “Glorious” in 2025 and receive multiple honors and awards, then for sure she will be cemented on the path of Greatness, and in a quick succession rate like no other. As per usual, #MyCreatives….. ON TO THE NEXT!!!!! Follow Me on Social Media: Instagram: https://www.instagram.com/reemomeerak_/ X(Twitter):  https://twitter.com/reemomeerak_ Tik Tok:  https://www.tiktok.com/@reemomeerak_ LinkedIN: https://www.linkedin.com/in/kareemreemomeeraktyson Subscribe to The Podcast; Reemo Meerak: The C.U.T.S. https://www.youtube.com/@TheCUTS_ Subscribe To My Vlog Channel; Reemo Meerak: ReemTV: https://www.youtube.com/channel/UCzeBLMMZerckVQ9LJa93oZw For Interviews, Cover your event, write a review, or Features: [email protected] Shop The Merch: https://reemomeerakbrand.myshopify.com

#rewindreview: Talib Kweli & Madlib ‘Liberation 2’ 2023

  The second full project offering from Talib Kweli and the elusive Madlib is a long awaited release considering the cult success of ‘Liberation.’ Kweli has been utilizing Madlib on albums dating back to 2007’s ‘Eardrum’ and a year prior to ‘Liberation 2,’ Madlib was the sole producer on the even more highly anticipated sophomore album from Black Star. ‘Liberation 2’ picks up right after that and continues a pattern of Talib Kweli records that seem to be annual releases from the M.C. Kweli will always delve into a subconscious and social awareness but there are a few new moments of awareness that address his online activity and instigators. Also this time around, Kweli’s progeny make an appearance, with his daughter Diani on ‘Air Quotes’ and son Amani on ‘After These Messages.’ Madlib provides his signature sound of dusty grooves with obscure audio clips as connecting interludes with songs. Even more satisfaction for HOP listeners is the pseudo-return of the Lootpack with Wildchild featured on ‘One For Biz.’ ‘Liberation 2’ is a solid record but does not seem to hold the same strength as the initial ‘Liberation’ album. Madlib’s album making seems to be best for rappers who are bit more simplistic in their rhymes. Madlib’s production is like free jazz and with Kweli’s more straightforward rhyming it often doesn’t seem to fit as well on this release. The first ‘Liberation’ felt more like a spur of the moment creation which is why it worked so well but this album might be a bit too calculated and ironically is why it doesn’t work as well as the first. ‘Liberation 2’ still is effective in providing another argument that age in Hip-Hop is not an “Achilles Heal” as neither Kweli or Madlib sound like they lost a step. What did you think of the album? Singles include: ‘After These Messages,’ ‘Best Year Ever,’ ‘Air Quotes,’ ‘Nat Turner,’ ‘Richies Part Two,’ ‘One For Biz’ & ‘The Right To Love Us’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

#rewindreview: Configa & Tommy Evans ‘Jolicoeur’ 2024

  Configa and Tommy Evans are two acts from the United Kingdom who came together for an uplifting of frequencies on ‘Jolicoeur.’ This thirty minute album is tailor made for the summertime as Configa provides production that makes listeners dance while Tommy Evans uses his voice as an instrument with a free flowing style to it. If one is a fan of the Native Tongues then ‘Jolicoeur’ will satisfy the auditory canal as the release’s title is also paying homage to De La Soul’s fallen member Dave a.k.a. Plug 2. This album is “vibes and stuff” so do not expect to hear complex rhyme styles or deep lyrical thought. Tommy Evans makes more of a case for his own life experiences and the joy from that with a fun delivery that almost speaks to the inner child in the listener. There are a few features with mainly vocal artist like Doella, Matthew Allman, VVN and others while expect to hear rhymes from Kyza and Speech from Arrested Development. Run ‘Jolicoeur’ for a spin or two and decide if Configa & Tommy Evans are in their own “Buhloone Mindstate.” What did you think of the album? Singles include: ‘Summertime’ & ‘The Water’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen (under “kpft in HD2”) Catch past episodes by searching and following @

WP Twitter Auto Publish Powered By : XYZScripts.com