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#rewindreview: Ed O.G. & Da Bulldogs ‘Roxbury 02119’ 1993

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You might often wonder to yourself, who was the rapper that introduced a city to you. Some might say Common for Chicago, The Geto Boys for Houston or Too $hort for Oakland. For me the city of Boston was introduced by Ed O.G. & Da Bulldogs after their smash hit ‘I Gots Ta Have It’ off the debut ‘Life Of A Kid In The Ghetto’ from 1991. A solid album that introduced the crew with some real themes and light hearted tracks. The sophomore release ‘Roxbury 02119’ is a lot more rougher and musically a lot more consistent. Unlike their debut, it’s not a smash hit on ‘Roxbury…’ but as a whole album it jams with limited songs that could be considered “filler.” From the opening track ‘Streets Of The Ghetto,’ Ed O.G. sets the tone of this release for the 1993 ears. ‘Bug-A-Boo’ is in the past and it’s time to feel the streets of Roxbury. This is not to be seen as a complete 180 degree turn from the lessons ‘Life Of A Kid…’ provided as tracks like ‘Love Comes And Goes’ remember those lives taken unexpectedly and ‘Less Than Zero’ touches on the mistrust of Police within inner-ctiy boundaries. Ed O.G. was always a good storyteller when it was time although on this album there is more “streams of thought” lyrics which could possibly be the reason it is often slept on over the years. Beats were provided by Joe Mansfield and Diamond D. to which both producers made such a cohesive record. This was at a time when Diamond D. was in a zone so much so that the beat for ‘Busted’ ended up being the same beat with a slight change in music for Tha Alkaholiks’ track ‘Next Level,’ off their ‘Coast II Coast’ album a couple of years later. Even “The Great Diamond” himself didn’t realize this when QUANTUM LEAP RADIO interviewed him a couple of years ago (https://fanlink.to/QLLEAP311/) This goes back to the mystery of why is ‘Roxbury 02119’ often forgotten and was it just an album that was caught in such a good year of HOP music releases or did the record label simply neglect a hidden gem? What did you think of the album? Singles include: ‘Skinny Dip (got it goin’ on)’ & ‘Love Comes And Goes’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#rewindreview: Statik Selektah ‘Round Trip’ 2023

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This was an album that fell a bit under the radar in 2023. Statik Selektah’s ‘Round Trip’ is an assembly of some of the most “truskool” rappers who have earned a name for ACTUAL rapping in the last ten to twelve years. From Joey Bada$$, Rome Street, The Griselda crew, Ab-Soul and Ransom to name a few, “Statik” provides his signature sound to coalesce with these voices meant to carry the torch of HOP music. Although the track listing can look intimidating with twenty songs, this record is only an hour long. Statik Selektah works hard to make sure the album is not monotonous to the listener’s ears by having such a wide variety of rappers involved but also making sure his production provides a wide range of feeling while keeping the overall frequency consistent. ‘Round Trip’ not only provides the more recent collective of wordsmiths but notable veterans as well. Expect to hear the likes of A.Z., members of the Wu-Tang Clan, Bun B., Cormega, M.O.P. and Elzhi. One of the most important veterans on ‘Round Trip’ is Posdnous of De La Soul, as this would mark the first song and feature of the legend after the passing of group member Dave a.k.a. Plug 2. It was only right and with respect that Statik Selektah starts this ‘Round Trip’ off with a dedication to one of HOP music’s most important figures, who we all lost in the year 2023. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#rewindreview: D.J. Quik & Problem ‘Rosecrans’ EP 2016

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  A small tidbit that was thrown out to the people on behalf of a West Coast legend and up and coming voice. D.J. Quik and Problem put together a solid collection of tracks that drop the listener in the middle of the Los Angeles neighborhood of Rosecrans. Without making the music sound like a throwback to the 1990’s, D.J. Quik and Problem instead showcase the nuisances that keep the region different from anywhere else in the world. Of course in terms of content that music breeds street life and telegraphed uses of words not meant for FCC regulations but a difference here is the rapping talent of Problem. D.J. Quik also gets behind the microphone for brief moments and the release also enlist the talent of some notable West Coast rappers too. Game, Bad Lucc and Wiz Khalifa are a few known acts that grace this EP giving it even more validity. For thirty minutes the audience is transported through the streets of Rosecrans and the mixing and mastering of this release does not sound rushed or cheap. “Quik” and Problem knew they had something and clearly threw the ‘Rosecrans’ EP out there as a taste test or warning as the two dropped a full length album of the same name the next year. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

A&E’s James Brown “Say It Loud” Docu-Series Premiere: A Riveting Journey into the Godfather of Soul’s Legacy

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The much-anticipated premiere of A&E’s docu-series, “Say It Loud: The James Brown Story,” took center stage, offering viewers an intimate and powerful exploration of the life and legacy of the legendary Godfather of Soul. The four-part series delves into the multifaceted life of James Brown, a musical icon whose influence transcended genres and left an indelible mark on the world of entertainment. The premiere episode provided a compelling glimpse into Brown’s early life, showcasing the hardships he faced growing up in poverty and the profound impact that music had on him as an escape and a means of expression. The documentary skillfully weaves together archival footage, interviews with those who knew Brown intimately, and expert commentary to provide a comprehensive and authentic portrayal of the artist. Viewers were taken on a chronological journey through Brown’s career, from his humble beginnings in Augusta, Georgia, to his meteoric rise to fame with hits like “Please, Please, Please,” “I Got You (I Feel Good),” and the iconic “Say It Loud – I’m Black and I’m Proud.” One of the series’ strengths lies in its ability to capture the essence of James Brown not only as a groundbreaking musician but also as a cultural and political force. The exploration of Brown’s role in the Civil Rights Movement and his commitment to empowering the African American community adds depth to the narrative, shedding light on the man behind the music. The premiere event itself was a star-studded affair, attended by industry insiders, celebrities, and fans alike. A red carpet adorned with flashing cameras set the stage for an evening that celebrated not only James Brown’s musical contributions but also his impact on social and political change. As the docu-series progresses, audiences can anticipate an in-depth examination of Brown’s personal life, including his struggles with fame, legal issues, and complex relationships. The series promises to humanize the Godfather of Soul, offering a nuanced perspective on the highs and lows of his career and personal journey. “Say It Loud” comes at a time when there is a renewed interest in exploring the lives of iconic musicians and their cultural significance. A&E’s approach to the James Brown story ensures that both devoted fans and those less familiar with his legacy can engage with and appreciate the complexity of this musical pioneer. Also, the panel discussion was phenomenal moderated by Nelson George with both of James Brown’s Daughters; Dr. Yamma Brown, and Dr. Deanna Brown Thomas, known hip hop legends; QuestLove (Executive Producer), and Black Thought of The Roots, Director of the docu-series; Deborah Ripley Draper, and last but not least the honorable Rev. Al Sharpton, who expressed an amazing story of how the GodFather Of Soul helped him create of his brand, and witness first of whom the legend was In conclusion, the premiere of A&E’s “Say It Loud: The James Brown Story” sets the stage for a captivating exploration of the man behind the music. With its meticulous storytelling, powerful visuals, and commitment to authenticity, the docu-series promises to be a must-watch for anyone interested in the enduring legacy of James Brown, the Godfather of Soul. Premieres on Monday, February 19th!!!!, on A&E Network As per always, On To The Next #MyCreatives Follow Me on Social Media: Www.instagram.com/ReemoMeerak_ Www.TikTok.com/ReemoMeerak_ www.Twitter.com/ReemoMeerak_ Also, check out my platform;                   “Reemo Meerak: The C.U.T.S.” https://www.youtube.com/@TheCUTS_ For Features, Write-ups, Reviews, or Correspondence at your event: [email protected]

#rewindreview: Horror City ‘Rose From The Crypt’ EP 2020

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  Superstar MC of Horror City did not allow the pandemic to stop his output of music nor from allowing the “Horror City” name to die. In 2020 he linked with the “remix king” MiLKCRATE, to produce a “headnoding” release ‘Rose Form The Crypt.’ This eight song release allows Superstar MC to get loose over some beats that don’t necessarily coincide with the very dark album cover the EP portrays. MiLKCRATE is known for his very vibrant tracks and they work well with Superstar MC’s voice. In keeping with the theme of “Horror City,” Superstar’s lyrics match the album cover and title with gritty tales and some dark themes. It is a safe release that doesn’t move the needle but also provides about thirty minutes in one’s day to vibe out. Where the release could be better is with Superstar MC, as his delivery of rhymes can seem jumbled and his vocals could have been mixed better, or a couple of takes to make sure words did not seem forced into certain bars. This can often happen to veterans who have been playing the game as long as Horror City but it’s a treat knowing there is still effort to provide “truschool” HOP music to an underserved demographic of listeners. What did you think of the album? Singles include: ‘Vibin’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#rewindreview: Kool G. Rap & D.J. Polo ‘Road To The Riches’ 1989

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The debut album from Kool G. Rap & D.J. Polo is often forgotten when talking about the classic albums from the golden age of HOP music. Kool G. Rap has managed to stay relevant for almost 35 years among true HOP music fans and underground M.C.’s. That journey starts with the ‘Road To The Riches’ album. In a way Kool G. Rap was about six years ahead of the “pseudo-mafioso” era that ran HOP music from East to West Coast and all in between. On the only video single and title track for this album, we see “G. Rap” proclaiming street tales of a big time crime boss but at the end there is still repercussions of those actions. That song was clearly one of the later tracks recorded for this album as ‘Road To The Riches’ ironically can sound like “a demo.” The mix in quality of this album matches the time but the music on the majority of the songs are clearly before 1989 and match the mission of what producer Marley Marl has said for years. In an interview with QUANTUM LEAP RADIO in 2017 (https://www.mixcloud.com/QLRadio/quantum-leap-radio-leap-forty-two-wmarley-marl-grandmaster-dee-jun-24-2017/) “Marley” mentions how the early 80’s sounds of HOP music were not good to him and were going to phase out quickly. He in turn decided to use more sample based production for his artist and ‘Road To The Riches’ is an example of his transition in music. Kool G. Rap is the main star on this record and provides a lyrical painting of street knowledge, admiration for automobiles on ‘Cars,’ puppy love relationships and respecting the D.J. “The man with the cuts,” D.J. Polo accentuates the tracks on this album and makes songs like ‘It’s A Demo’ and ‘Poison’ stand the test of time. ‘Road To Riches’ also doesn’t get the credit it deserves for being such a hardcore record that didn’t lean on cursing to get its point across, as there are only two songs that contain vulgar words. An attribute usually awarded to only Rakim & Eric B.’s ‘Paid In Full.’ This was just the reality of rap music in it’s golden years, was to focus on a viable product that could always be one’s claim to fame when determining the acts worth. What did you think of the album? Singles include: ‘It’s A Demo,’ ‘Poison’ & Road To The Riches’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#rewindreview: Moka Only ‘Road Life’ 2000

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  Yet another cog in the machine that is Moka Only’s almost one-hundred album discography; ‘Road Life’ is a collection of thoughts and beats from the Vancouver, British Columbia M.C. and producer. This was my second album from Moka Only after buying his album ‘Lime Green’ and one of the first albums I purchased online through the long standing Sandboxautomatic website. What I appreciated the most about ‘Road Life’ was how free it was in terms of “Moke’s” approach. Much like the album cover, the music feels like he is recording this while being nomadic and coming across unique experiences along the way. From this album one can ascertain that Moka Only’s influence are more Native Tongue than Deathrow records, but tracks like ‘Knockin’ Like This’ and ‘Madness’ still project a hint of the hardcore HOP music the M.C. has in him. For those not used to Moka Only, the length of this release might seem intimidating with twenty-five tracks at seventy-three minutes. It should be noted that during the days of purchasing physical albums that length felt like one was getting their money’s worth, especially if the album was consistent with what one wanted to hear. Moka Only has a vast discography and if looking to go down that rabbits hole, ‘Road Life’ is a good start but beware some ears may get caught in the habitat of the “Durable Mammal.” What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

Megan Thee Stallion vs. Nicki Minaj Beef: Hip-Hop’s Dynamic Figures Weekend Battle

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What a Weekend?!!!!! The world of hip-hop has always been a stage for dynamic personalities, lyrical prowess, and occasional controversies. Megan Thee Stallion vs. Nicki Minaj beef is one such episode that grabbed headlines and ignited discussions within the rap community and social media world. In this article, we delve into the origins, key moments, and underlying power dynamics of this high-profile feud. Megan Thee Stallion and Nicki Minaj, both powerhouse women in the rap industry, found themselves at the center of a feud that captivated fans and media alike. The tension between the two artists seemed to emerge from a combination of industry competition, alleged behind-the-scenes disputes, and differing perspectives on female empowerment within the hip-hop scene. The beef gained momentum as fans observed the changing dynamics between Megan and Nicki, who had previously collaborated on the track like “Hot Girl Summer”. Speculations arose about a fallout, and misunderstanding on social media leading to heightened interest and scrutiny. Also, Megan’s latest track; “Hiss” seems to bring back the beef to the forefront!!!! The digital realm became a battleground for the feud, with both artists using social media platforms to express their sentiments. Subtle jabs, cryptic posts, and direct messages fueled the fire and provided fans with an inside look into the conflict. Fans played a significant role in amplifying the beef, taking sides and passionately defending their favorite artist. Social media debates and discussions further intensified the feud, turning it into a pop culture spectacle. Also, fans are leaning more towards Megan because of the recent track and Nicki’s fanbase; “The Barbs” have one again come in defense of their Queen. Megan Thee Stallion just released her track called; “Hiss” where it’s seemed as the shot for Nicki: “These hoes don’t be mad at Megan, these hoes mad at Megan’s Law I don’t really know what the problem is, but I guarantee y’all don’t want me to start Bitch, you a pussy (you a pussy), never finna check me (yeah) Every chance you get, bet your weak ass won’t address me (ho) Bitches swear they G, but the G must stand for goofy When the fuck did all the gangster niggas turn to groupies?” Nicki responds on her IG Live with a sample of her diss track called “BigFoot” stating: “Bad bitch she like six foot, I call her big foot, the bitch fell off I said, ‘Get up on your good foot.’” Some speculations that this beef could be off Megan’s friendship with Cardi B. whom she did a previous track called “W.A.P.” and their friendship grown since that time frame. Also, Minaj has a longtime issue with Cardi B. & a history of issues with those that are “cool” or in alliance with her (Cardi B). Besides Nicki, someone feels uncomfortable with Megan’s Bars, and that’s one Moniece Slaughter who took to X (Twitter) to express her insight: Despite the rules of “Rap Beef” or “Diss Tracks” changing over the years in the culture, Moniece poses an interesting question “Was Megan out of line for that bar?” Nicki dropped “Bigfoot” her response to “Hiss” track on Sunday at 6PM. A good amount of people took to social media, and were not pleased of Nicki’s response, but the Nicki posted on her X(Twitter) that she has four more tracks coming. Female rappers are often pitted against each other, perpetuating stereotypes and undermining their achievements. The hip-hop industry is highly competitive, and success is often measured in terms of chart performance, awards, and record sales. The feud highlighted the pressures artists face to maintain their status, with their “beef”becoming a symbol of the times within the culture. Both Megan Thee Stallion and Nicki Minaj are not only talented rappers but also symbols of empowerment for women of color. The beef raised questions about how intersectionality intersects with power dynamics in the hip-hop industry and the challenges faced by black women in navigating fame, success, and public scrutiny. Also, the changing of the guard amongst the artists. Conclusion: Megan Thee Stallion vs. Nicki Minaj beef provides a glimpse into the complexities of the hip-hop industry, where talent, competition, and societal expectations intertwine. As fans eagerly await resolution or further developments, the feud serves as a reminder of the ongoing nuances faced by women in the world of rap where the egos overweigh their need for a more supportive and inclusive environment within the music industry. As usual…. On the next #MyCreatives – Reemo Meerak, Correspondent/Contributor   Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: [email protected]

ALBEE AL FOR 2024?!!!!! – EXCLUSIVE

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  In the realm of music, artists often use their creative prowess to explore and comment on various aspects of life, society, and the environments they are from. Albee Al, a renowned Hip Hop artist, has recently released a compelling album titled “Albee For President”. This musical endeavor serves as a platform for Albee Al to express his views on his Jersey City raising, stories of surviving jail, and societal dynamics he embraces daily. In this article, we delve into the essence of the album, exploring its themes, tracks, and the artist’s unique approach to conveying political commentary through music. Also, check out the exclusive in-person interview at his listening event:   The Album’s Title and Concept: “Albee For President” immediately captures attention with its bold and intriguing title. While it might not imply a literal run for office, the album signifies Albee Al’s desire to contribute to the masses of the Hip Hop culture with his art. The title serves as a metaphor for an artist taking a stand and using their influence to address pressing issues, as well as of his lyrical template that has him as one of the most watch artist projectively for 2024. The album encompasses a diverse range of themes that reflect Albee Al’s perspective. From systemic inequalities to the struggles of marginalized communities, each track serves as a lyrical canvas where the artist paints a vivid picture of the world as he sees it. Albee Al’s ability to blend a narrative and paint the picture with social commentary creates a compelling narrative that resonates with listeners. Key Tracks: **”Who Ya Big Homie”**: This track sets the tone for the entire album, and that “Boom-Bap” feel we needed!!! Also, featuring Mozzy with powerful lyrics that call for the energy that’s derived from his Jersey City roots. The gritty quality of the song makes it a standout piece that captures the essence of the album. **”Press Conference”**: In this track, which is the first track of the album in the beginning. Albee Al amplifies the voices of those often unheard. Addressing the challenges faced by urban communities, he sheds light on the realities that many face on a daily basis. **“El Presidente”**: Albee Al takes more of the uptempo approach, as well as most definitely a well produced music video!!! At the listening party in The Cult Lab, this track was one of the choice options to drink, and it definitely was a #ReemoApproved Musical Style and Production: Beyond its lyrical content, “Albee For President” showcases Albee Al’s musical versatility. The album seamlessly blends various styles of rap creating a dynamic listening experience. The production quality enhances the impact of the messages conveyed, with carefully crafted beats complementing the weighty themes. “Albee For President” stands as a testament to the power of music as a medium for social and diverse commentary. Albee Al’s ability to intertwine meaningful lyrics with captivating and vigorous energy creates an album that not only entertains but also challenges listeners to reflect on the world around them. In an era where artists are increasingly using their platforms to address societal issues, “Albee For President” is a noteworthy addition that adds depth to the musical landscape while encouraging dialogue on pressing matters. As per usual, ON TO THE NEXT #MyCreatives Follow Me On Social Media: www.instagram.com/reemomeerak_ www.twitter.com/reemomeerak_ WEBSITE: ⁠ReemoMeerak.com⁠ For a Feature, Review, want me to do coverage, and a write-up on your event: [email protected]  

#rewindreview: Walkin’ Large ‘Riverside Pictures’ 1995

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The internet has allowed for more acceptance of international HOP music in the last 25 years but before that it was much harder for the same music to be heard or let alone respected. Walkin’ Large was an act from Capetown, South Africa and linked with producer Roe Beardie in Germany to create a bumping album, fresh for the year of 1995. ‘Riverside Pictures’ is the debut album from Walkin’ Large who consist of rapper Ono and D.J. Ara. I first heard this group listening to college radio in 1997 with a track called ‘Listen To This’ featuring Black Thought. Of course I had no real idea of who they were until I purchased a used copy of a compilation album called ‘International Griots.’ The group had two songs on ‘International Griots’ and one featured Jeru the Damaja called ‘When I Flow.’ Upon hearing the broken English accent of Ono, I realized this was the same group from ‘Listen To This’ and it was apparent that the influence of “truskool hip-hop” was with Walkin’ Large. I didn’t get to hear this album until 2017 but what is here is curated for the listener who loved and appreciated the sound of mid-1990’s HOP music. Walkin’ Large will remind you of Digable Planets with a bit more hardcore sound but that is mainly due to Ono’s aggressive delivery at times. D.J. Ara provides the cuts and ‘No Time For Weakness’ is one of the D.J.’s finest moments on this record. ‘Riverside Pictures’ is more about the vibes and atmosphere the music was created in. Lyrically there will not be an impressive amount of quotes but this album feels like a journey to another land in another time. What did you think of the album? Singles include: ‘Reachin’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

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