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#rewindreview: J-Live ‘Reveal The Secret’ EP 2007

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  There was this very underrated and unmistakable hit on D.J. Jazzy Jeff’s ‘The Return Of The Magnificent’ album called ‘Practice.’ This track featured the M.C’s M.C. J-Live and sampled one of Allen Iverson’s most famous media outtakes where he proclaimed that action as something he could do in his sleep. Fans of underground music and sports were extremely receptive to this song but had it actually had the machine behind it, J-Live could have been in another tax bracket with audience ears. Going off the momentum of that track and preparing his next release with BBE records was the ‘Reveal The Secret’ EP. A six track release that featured production from certified “beatsmiths” such as Marco Polo, D.J. Spinna, Oddisee, Mr. Walt (Beatminerz) and of course the aforementioned D.J. Jazzy Jeff. J-Live gets back to the HOP music fans love to hear from him on this release featuring his unique form of storytelling and overall presence on the microphone. By 2007 J-Live understood the effect of putting out EP’s to test the waters and once one is on the last track of ‘Reveal The Secret’ they are yearning for more. Break your neck and sing along to this often forgotten gem from a real M.C.! What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

“Pacman” Jones brings “The OUTLET” TO N.Y.C.

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Adam “Pacman” Jones; former NFL Player, successful Cannabis Owner, and currently music recoring artist had his latest project dropped this 4th Quarter called “The Outlet”. He had his listening party at The Cult Of Individuality in Chelsea area of NYC, as well as was in rare rock superstar form, and gave the crowd an exciting, entertaining, and well hyped performance, and youuuuuuu know The Social dW33B WAS IN THE BUILDING Once again!!!! REEMO then gets the chance to chop’it up wih the man of the hour. Check the clip below, leave a comment, and let me know what the VIBE is?!!!! Follow me on Social Media: @reemomeerak_  For Booking Interviews, or Questions: [email protected] Merch Store: https://reemomeerakbrand.myshopify.com/ “It’s Hands OVA THE EYESSSSSSSS, IT’S THA 2 up!!!!” #ReemoApproved

FOR IMMEDIATE RELEASE: Famous Record Pool Digiwaxx Celebrates 25 Years and Confirms New Digiwaxx Latino Division

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Digiwaxx, the renowned record pool, proudly commemorates its 25th anniversary in the music culture and reveals a significant expansion plan into hyper-focused divisions. The inaugural division to be unveiled is Digiwaxx Latino, which seeks to cater to the immense influence and extensive global presence of the Latino community in the music industry. Heading this exciting endeavor is Brian “Essince” Collins, a distinguished professional with an illustrious career that spans across international markets, particularly in Latin America. A native of Honduras, Essince has played a pivotal role in launching promising artists and collaborating with diverse clients worldwide. As the world joyfully celebrates the 50th anniversary of Hip-hop this year, Digiwaxx takes immense pride in its own remarkable milestone of 25 years in the hip-hop scene. Throughout its journey, Digiwaxx has meticulously curated one of the most esteemed record pools, while wholeheartedly supporting the culture through an array of initiatives. From exclusive events held nationwide to the renowned Digiwaxx calls featuring industry giants as guests, Digiwaxx continues to flourish, propelled by the unwavering support of the hip-hop community and the dedication of its founder, Corey “CL” Llewellyn. The brand’s impeccable reputation precedes it, facilitating connections between artists, DJs, and platforms on a global scale. Corey “CL” Llewellyn expressed his excitement about the addition of Digiwaxx Latino to the Digiwaxx family, emphasizing the desire to create specialized divisions focused on various music genres and cultures. He further praised the choice of Brian “Essince” Collins to spearhead the Digiwaxx Latino division, citing his professionalism and successful track record on both national and international levels. The newly established Digiwaxx Latino division will showcase an array of Latin music playlists, exclusive content, and interviews, providing a platform for Latin artists, industry professionals, and enthusiasts. Essince shared his personal journey with Digiwaxx, recounting how he had been introduced to the platform during his early days in the industry, monitoring Digiwaxx submissions for a New York label. He expressed his delight in being able to leverage this influential platform to highlight the remarkable talent and growth of Latino artists, an aspiration he has held for a significant period. Over the past 25 years, Digiwaxx has been a driving force in promoting and nurturing countless gifted artists. The brand attributes its continued relevance to the unwavering support of numerous DJs, industry professionals, devoted fans, and its own hardworking team. As they celebrate this momentous year, Digiwaxx looks back at those who doubted the longevity of hip-hop, proving them unequivocally wrong. For more information on Digiwaxx and its initiatives, please visit www.digiwaxx.com or contact [email protected] And Follow us on all platforms: @Digiwaxx About Digiwaxx: Digiwaxx is a prestigious record pool that has played a vital role in the music industry for 25 years. With an unwavering commitment to supporting artists and the culture, Digiwaxx continues to thrive, connecting talents with DJs and platforms worldwide.

#rewindreview: Ol’ Dirty Bastard ‘Return To The 36 Chambers’ (1995)

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  The reign of Wu-Tang Clan is comparable to lightning in a bottle. No matter how many may want to try and duplicate or say that it has happened outside of them, it simply has not. Rapping talent aside, the personalities involved in the original nine we might have took for granted while living in it but this was a unique moment. After “The Clan” dropped their debut album, solo acts began to drop as well. Method Man would come out of the gate first with ‘Tical’ but in that same year Ol’ Dirty Bastard’s first single ‘Brooklyn Zoo’ menaced the streets. I was introduced to the song by the video and the look of the visuals and song itself were a perfect combination. This highlighted the personality of “ODB” and set the tone for what to expect on his album. ‘Return Of To The 36 Chambers’ is so raw in it’s approach that I believe had “Ol’ Dirty..” not been associated with Wu-Tang Clan, this album would not be remembered or even released. This might sound like a wild take but the album is everywhere and by the standards set with HOP albums during this time it broke all the rules. The intro is almost 5 minutes of no song while actual songs almost sound like interludes or as though they were off “the cutting room floor.” Ol’ Dirty Bastard is not the most lyrical and songs are mainly just freestyles which unlike the urban myths created for his Brooklyn contemporaries, Notorious B.I.G. and Jay-Z, I believe “Dirt Dawg” couldn’t have had these raps written down. The reason the album works is because it has such memorable moments and outrageous quotes. R.Z.A. knew what worked for Ol’ Dirty Bastard and the best way to display his personality was to allow him the freedom to be so “anti..” that it became a new standard. The single ‘Shimmy Shimmy Ya’ dropped after the album was released and the video made one hear the song on the album with different ears. ODB might have been the rawest and most unfocused of The Clan but he was definitely the most dynamic one at that time. What did you think of the album? Singles include: ‘Brooklyn Zoo’ & ‘Shimmy Shimmy Ya’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#rewindreview: The Micranots ‘Return Of The Travellahs’ (1996)

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  The 2000’s decade saw a lot of independent releases as full albums and not just 12 inch vinyl singles. The ability to create a distribute whole albums was much easier than it was in the previous decade. This caused many artist like J-Live, Nas, Juggaknots to name a few, to release previous works that were never available on Compact Disc format. The Micranots who were a two man group out of Minneapolis M.N. made a mark with their ‘Obelisk Movements’ album from the year 2000, so it was simple mathematics for them to capitalize on the fans they had gathered from that release and provide those fans with what they might have missed. ‘Return Of The Travellahs’ was the debut album from The Micranots but this was only available on cassette tape so if you were not a day one fan of the group or possibly in the studio with them creating this, it was more than likely missed. Re-released on CD in the year 2003, listeners got to hear the progression in the groups creativity as compared to later releases. The songs seem to be recorded between at least 1994 through 1996. I Self Divine who is the M.C. of the group drops a few gems on these songs but for the most part it is a “freestyle” of ideas and rhymes. Kool Akiem Allah provides the beats which carry the classic sound of the mid-1990’s, taking the listeners on a journey of that time in HOP music. This album is really for collectors and true fans of The Micranots. It might not serve to create new listeners as one would have to understand the challenges it took to put out music in a pre-easy accessible, internet world. For those that need something to bop your head to on a fall Saturday, this one’s for you. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

Digiwaxx Media Correspondent Reemo Meerak Covers “Jack of All Trades” Event Honoring Bartenders in Brooklyn

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Brooklyn, New York – On Monday, October 16, 2023, the Margot restaurant, bar, and event space hosted an extraordinary gathering of mixology talents and cocktail enthusiasts. The “Jack of All Trades” event, presented by the renowned Jack Daniel’s and Punch brands, celebrated the artistry of bartending and paid tribute to the exceptional skills of bartenders Kat Foster and Marc Rodriguez. Digiwaxx Media correspondent Reemo Meerak was there to capture all the highlights and bring you the inside scoop on this memorable event. Bartending is an art that demands creativity, precision, and an unyielding passion for crafting libations. The Jack Daniel’s X Punch “Jack of All Trades” event was the perfect occasion to recognize these talents. The event opened its doors to an eager crowd of cocktail aficionados, industry professionals, and Brooklyn locals, who were excited to celebrate the exceptional talents of the evening’s guest bartenders, Kat Foster and Marc Rodriguez. Both of these award-winning mixologists have made significant contributions to the craft, earning their place at the forefront of the bartending world. Throughout the evening, attendees were treated to a delightful array of deliciously paired food and finely crafted cocktails. In addition to the food and cocktails, the “Jack of All Trades” event featured insightful discussions and presentations by industry leaders, bartenders, mixologists, and cocktail enthusiasts. Guest had the opportunity to gain valuable knowledge and inspiration from standout figures in the bartending world. The sharing of insights, techniques, and innovative ideas played a pivotal role in the bartending community and ensuring that the craft continues to evolve. Kat Foster, an innovator in the cocktail scene, showcased her impeccable mixology skills by preparing a selection of signature drinks, each a masterpiece in its own right. Her craft was a true testament to the art of bartending, leaving attendees in awe of her talents. Marc Rodriguez, a Brooklyn native, brought his unique blend of flavors and techniques to the event, proving that the borough continues to be a breeding ground for mixology greatness. The crowd applauded both Kat and Marc for their incredible work and dedication to their craft. As the event came to a close, the atmosphere was filled with a sense of camaraderie and appreciation for the craft of bartending. Attendees left with a renewed passion for mixology and a greater understanding of the dedication and artistry that go into every drink prepared by a skilled bartender. Digiwaxx Media correspondent Reemo was on the scene, capturing the essence of the “Jack of All Trades” event. Reemo’s coverage will provide a glimpse into the world of bartending and the dedication of individuals like Kat Foster and Marc Rodriguez who continue to elevate the craft to new heights. Cheers to the bartenders and the brands that make it all possible!

#rewindreview: Pete Rock ‘Return Of The SP1200’ (2019)

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  It’s 2019 and why not get a collection of past beats made on an SP1200 from the legendary Pete Rock. After starting the trend of putting out instrumental HOP albums on 2001’s ‘Petestrumentals,’ “PR” knows there is an audience that wants to hear that classic sound from him. On ‘Return Of The SP1200’ the audience will recognize a few familiar tunes of the past that were used, never officially came out, or have recently been resurrected. The Meccalicious heater ‘How You Feel’ is the beat for ‘Hope You World Don’t Stop,’ while we get the instrumental for the Pete Rock & C.L. Smooth’s ‘Death Becomes You’ off the ‘Menace II Society’ soundtrack. There is also a deep cut, ‘Street Dreams’ which is actually an unreleased Pete Rock remix for Nas’ ‘Street Dreams’ remix, Pete rock only played on a ‘Future Flavas’ show. While the track ‘Kool Jazz’ has been recently used by Paul Wall & Termanology on their track called ‘Recognize My Car.’ The usage of melodic samples and filtered basslines as loops are attributes that have captivated Pete Rock fans for years. This is classic Pete Rock beats and if you are fan of one of the greatest moments in his career, which was the mid to late 1990’s, one will be pleased and taken down a trip of days past. ‘Return Of The SP1200’ is not only a return previous production but a return of a feeling. What did you think of the album? Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#rewindreview: Lord Finesse ‘Return Of The Funky Man’ (1992)

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  The second album from the ‘Funky Man’ Lord Finesse was literally a return to what he had already given on his debut album ‘Funky Technician’ with D.J. Mike Smooth. By 1992 HOP music was becoming even more popular and with that comes a change in sound and content. The weird thing about that year was with the success of West Coast “gangsta rap,” rappers outside those borders had to shift and sound more edgy to compete. On ‘Return Of The Funky Man’ Lord Finesse seems caught in this quagmire which prevents this record from having the flare his previous album had by just being in the moment and having fun. This album at times felt like Finesse was trying to overcompensate for the change of hardcore content in HOP music. ‘Return Of the Funky Man’ is still a solid release but it also leans too much on what made the previous album work with certain songs sounding like a carbon copy of tracks off ‘Funky Technician.’ Production is handled by the D.I.T.C. crew which include Showbiz, Diamond D. and Lord Finesse himself, with some outside production from D.J. Aladdin and some early production work from Shafiq Husayn on ‘Save That Ish.’ Lord Finesse is really trying to make a statement with this album of being an elite M.C. The majority of the tracks are more competitive rap content but also the “underestimated” narrative most people can relate to whether it be in relationships or career success. It might not be Lord Finesse’s best album but the record opened the door for M.C.’s like Percee P., Shel Rumble, Harry-O and the up and coming D.I.T.C. member A.G. Lord Finesse clearly learned from this album and “trimmed the fat” for ‘The Awakening’ that would be released a few years later. Would did you think of the album? Singles include: ‘Return Of The Funky Man’ & ‘Party Over Here’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

#REWINDREVIEW: KRS-One ‘Return Of The Boom Bap’ (1993)

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  This is how you know time must be moving faster these days because at the time of the release of this album, KRS-One was considered “old school.” This was thirty years ago almost to the date that ‘Return Of The Boom Bap’ blessed our ears. It is the debut album for KRS-One as a solo act and although all he did was drop the “Boogie Down Productions” moniker, this album felt like we had never heard this from him. KRS was in a zone on this record and it truly felt like he was in his “second childhood.” ‘Return Of The Boom Bap’ never lets up in terms of song interest and personally over the years the few songs I thought were the weakest initially, have grown to be my favorite tracks. There is a magic to what “The Teacha” has been able to do all these years and as simple as it may be to say he is one of the greatest it’s harder to pinpoint that said magic. KRS is one of the greatest orators in this hip-hop culture and he has been able to activate that trait on all of his releases, even the latter ones that might not have been received well. KRS knows that the ultimate battleground is the live stage so when songs like ‘Uh Oh’ are made it’s not just an album cut but crafted for the audience to be fully immersed in during a live show. This is why ‘Return Of The Boom Bap’ is not only a classic in KRS-One’s catalog but HOP music in general. The whole album could be performed live by itself. From ‘Outta Here’ to the uncontrolled energy of ‘I Can’t Wake Up,’ to the unexpected hit still heard in movies and shows today, ‘Sound Of Da Police,’ KRS amassed a selection of tracks that provide the perfect mix of “Edutainment.” Still available to serve you on the mic with ‘Mad Crew,’ the importance of black women on ‘Brown Skin Woman,’ questioning the religion handed to slaves on ‘Higher Level’ is The Teacha in his most prestigious moment on this release. To make this album more tight nit is the production of D.J. Premier, Showbiz, Kid Capri and KRS himself. A combination of names that in 1993 had no choice but to succeed. If it isn’t obvious by now I’ll say that this is one of my favorite albums, even before I started calling KRS-One the greatest. What did you think of the album? Singles include: ‘Outta Here,’ ‘Sound Of Da Police’ & ‘Return Of The Boom Bap’ Listen to QUANTUM LEAP RADIO every Saturday from 4-6p.m. CST & Thursday from 3-5a.m. CST on 90.1 FM KPFT Houston in HD2 Worldwide @kpft.org/listen/ & TuneIn app (under “kpft in HD2”) Catch past episodes by searching and following @fanlink.to/QuantumLeapRadio

Akon’s ‘Lonely’ Music Video Achieves One Billion Views on YouTube

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In the music video for the 2005 song “Lonely”, the scene begins with Akon basking in the adoration of his fans as they give him a standing ovation at his concert. Nevertheless, the applause gradually diminishes, and Akon finds himself standing solitary on the stage. Although a friend extends an invitation to join a gathering of friends, he graciously refuses, preoccupied by a multitude of thoughts. The video then transitions to scenes of Akon reflecting on the actions that led his girlfriend, portrayed by actress Kat Graham from The Vampire Diaries, to abruptly leave him without explanation. As Akon wanders through the town, visiting an abandoned video game arcade and strolling down a bustling boulevard, Graham is depicted crying in separate scenes. She takes a plane ticket, packs her bags, and departs from the home she shared with the singer. The visual concludes with Graham arriving in a taxi and warmly greeting a man who is not Akon with a hug. “Lonely” served as the third single from Akon’s debut studio album, Trouble. The track achieved a peak position of No. 4 and spent a remarkable 20 weeks on the all-genre Billboard Hot 100 chart, marking Akon’s third solo entry on the chart. “Lonely” now joins the prestigious Billion Views Club on YouTube, following the success of Akon’s “Smack That (feat. Eminem)” with 1.1 billion views and David Guetta’s “Play Hard,” in which Akon featured alongside Ne-Yo, also with 1.1 billion views. “Akon’s “lonely” video Joins YouTube’s Billion Views Club”. Billboard.com. September 27, 2023. September 28, 2023.  

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